One Step Closer. [ Inspired By X ]

andromeda initiative ☆ golden worlds briefing

IN CASE PEGGY CARTER FANS WANT TO READ ABOUT LADY SPIES:

Or anyone else wants to, for that matter. Here are some places to start:

Vera Atkins

Nancy “White Mouse” Wake

Noor Inayat Khan

Violette Szabo

Eileen and Jacqueline Nearne

Yolande Beekman

Cecile Pearl Witherington

Krystyna Skarbek aka Christine Granville

Odette Sansom Hallowes

Lise de Baissac

Andree Borrel

Eliane Plewman

Madeleine Damerment

Diana Rowden

Vera Leigh

Just a few of the women who worked for the SOE, the OSS, and other organizations during WWII. 

Many of their lives are short and tragic. Khan, Damerment, Plewman, and Beekman were executed at Dachau. Vera Leigh died in the Natzwiler-Struthof concentration camp alongside Rowden and Borrel. Christine Granville made it through the war, but was denied post-war field service opportunities, granted civil rather than military honors, refused naturalization papers by the British government, and was finally murdered by a stalker in 1952. Others lived full, long lives, adjusting to the world after the War as best they could, though the jobs they’d done so well were stripped away.

These are the heroes Peggy Carter was fashioned to represent. So, you know. Remember the real thing while supporting their fictional avatar.

Things Programmers Shout #746

*aggravated sigh*

The Mistress of Death’s name

It may have occurred in a second or in a lifetime, but now she was there, stuck in the darkness. It was not just the old black view that everybody could be used to. It was thick and sticky, and the kind of darkness that you could grab or hold in your hands in handfuls. The kind of dark that you could bite.

It was freeze and it was burning, and she can not breathe because there was not air, no oxygen, and her skin may well have been stretched and sew into the dark canvas around her but it was not for all that things that she felt as she was at the end.

Because then… then there were the Voices.

"Mistress…." It was said in nowhere and in everywhere.

"Mistress…" Another Voice calls.

"Mistress was so frolicsome...Lost, involved in herself...among of her belongings…" Another says, very close and more vocal than the others with a strange tone as scolding a child. And there was a pressure on her shoulders? It was increasing by moments. Something was touching her, maybe hands? "…But she comes to me at the end…The Mistress".

"Mistress..." Acknowledge the last one.

A cold fingertip caresses her cheekbone and later the hand slide to her hair, gently comb it.

"The Mistress…" They worship.

Despite all the strange situation, she was used to that, and despite she was choking, she only could think about the last few minutes when she still was standing in front of Voldemort. She wants to know. What happened with Riddle? Was he defeat? She had died, so this is the afterlife? Could she finally meet her family?

But her vocal chords did not cooperate, and her parents, Remus or Sirius are not here.

Just they.

"We have been waiting for you, Mistress…"

"Waiting for the flesh of the shadow".

"One of us are The Mistress…"

"And need the Mistress to be One".

There were giggles - or maybe she was hallucinating- and a cold softness touches her cheeks and then there was an ethereal pressure on her lips. She was being kissed, she realises when it ends. For some reason, she did not freak out. Possibly because now she can breathe and that was great. No more choking for her.

"Listen, Mistress".

"You was One of us…"

"…You are One of us…"

"…You will be One of us"

Suddenly the hands were around her, she could count three pairs including the ones grabbing her shoulders. And she realises, with a distant shock, that she has been very optimist when she earlier thought of them as normal hands because she feels that someone of them have too much more fingers than usual.

She honestly hopes that, at least, this were fingers.

They hold her and cradle her. And in the dark, with the knees under her chin, and without any confirmation, she knew that whoever these voices belong, they were bigger than her and less physical.

And out there, there was something else too. Something that if there was light, you could only call them clouds if you watch them through an optimist's lens.

But they have a presence. A potential for being. She could feel it and when she tries to look by the corner of the eye, they run away from her sight.

For some reason, her attention was suddenly oriented at the being at her right. He…she…it had been caressed her arm starting from her shoulder and ending at her fingertips. She was very aware of it when a long tube was pressed to her wrist.

And then there was a pain.

It was feeling like burning, exploding. Like a crucio curse focused into her bones. And for all the power and hate that Voldemort could have, there was not a comparison to this.

She felt herself cry, and maybe it could be a good moment for her voice to return, but she could not hear herself scream.

When it ends, years would be passed.

She sobbed. The Voices were repeating the chorus of "Mistress" with the same devotion, but she was sure that they didn't care too much about her suffering.

Some primordial instinct tells her, that they even did not understand that concept.

Another couple of hands reach to her forehead, and she knew what will come next. She would like to beg them but she couldn't.

It was not for lack of attempts.

Something hard and tiny was push in the middle of her forehead, where the lightning bolt is.

The tolerance to pain is increased by being exposed to grew pain levels, like build an immunity to a venom. Through the years she had got an over more than decent level, but when the second round was over, she was far distant to the conscience. She expected something which hurt her physically, not a reminiscent of a Dementor's attack.

She can not feel what was happening with her bones after this thing-tube, but now she can feel something extremely cold under the skin of her forehead, between the skull and the flesh.

Cold but with an ignite core, however, it was welcomed because the radiant cold was calming the pain.

She was so enjoying the absence of hurt that she takes a moment to notice that the entities had started moving again: three of them took a step back and she envies how could they do to move that easily in the solid dark.

She drew her attention to the pair of hands that appears front her face and considered again the idea of hallucination because a) she could see now that this they are skeleton hands and b) she was sure that they were the same exactly pairs of hands that also were on her shoulders, where they had not moved all this time.

The hands made a flourish move and something was reveal in the air like suffering a reverse apparition. Her pupils grew wide because she recognise it and when the hands drop it all around her and tied it under her chin, she knew that the texture would be like water.

It was her invisibility cloak. The one that the myth suggest it was given to the third Peverell brother by The Death.

She has a bad feeling and she would hate being right.

Something like a tube, something tiny and hard and her invisibility cloak. The situation does not look good for her.

How is this her life?

She was so deep in self-conscious thoughts that she missed when that the same three entities stop touching her and slide away from her. But she could not miss when all of their multiple hands stab her in her guts.

It was a dirty thing. She bleeds and screams, her voice now present and loud, and they rip things of her –even her left eye was torn apart- as the elusive clouds were brought in by force too with another couple of arms that never existed before.

And she could not think anymore as all around her explode.

Golden

Every time, when Odin closes his eyes, he dreams.

He dreams about emerald green eyes and a hair made of kind fire.

He dreams about smiles and warms hugs.

He dreams about a pale lilac sky, with no clouds, and the huge, dark galaxy made of stars and colourful toxic clouds that could be seen through.

He dreams about a field of yellow wheat. There is nothing else on the horizon in front of him, and there is nothing else on the horizon behind him.

He dreams about how he could pass his hands through them. The top of the grain reach until his chubby child cheeks and tickling him.

He dreams about to watch her back as she walks.

He dreams about her voice and no-letter songs.

He dreams about his past. About his childhood.

He dreams about a woman who was a friend, a sister, a mother, a teacher, a queen and all between.

But never his lover.

"Odin" the Mistress of Death calls. Gentle and smiling. Offering her hand for he to hold.

Odin smile like a child in return.

And he always takes her hand.

Very useful. Ha! I better should say that it’s essential

Synonyms For Very

This is a masterlist of words that you may use alongside the word very, very being one of the most common words that are used when writing. I hope this helps you as much as it helps me in our writing seem more sophisticated and unique. 

A:

Very accurate - exact Very afraid - fearful Very angry - furious - livid Very annoying - exasperating

B:

Very bad- atrocious Very beautiful- exquisite Very big- immense Very boring- dull Very bright- luminous Very busy- swamped

C:

Very calm- serene Very careful- cautious Very cheap- stingy Very clean- spotless Very clear- obvious Very clever- intelligent Very cold- freezing Very colourful/colorful- vibrant Very competitive- cutthroat Very complete- comprehensive Very confused- perplexed Very conventional- conservative Very creative- innovative Very crowded- bustling Very cute- adorable

D:

Very dangerous- perilous Very dear- cherished Very deep- profound Very depressed- despondent Very detailed- meticulous Very different- disparate Very difficult- arduous Very dirty- filthy Very dry- arid Very dull- tedious

E:

Very eager - keen Very easy - effortless Very empty - desolate Very excited - thrilled Very exciting - exhilarating Very expensive - costly

F:

Very fancy- lavish Very fast- swift Very fat- obese Very friendly- amiable Very frightened- alarmed Very frightening- terrifying Very funny- hilarious

G:

Very glad- overjoyed Very good- excellent Very great- terrific

H:

Very happy- ecstatic Very hard- difficult Very hard-to-find- rare Very heavy- leaden Very high- soaring Very hot- sweltering Very huge- colossal Very hungry- ravenous Very hurt- battered

I:

Very important - crucial Very intelligent - brilliant Very interesting - captivating

J:

Very judgemental - prejudice

K:

L:

Very large- huge Very lazy- indolent Very little- tiny Very lively- vivacious Very long- extensive Very long-term- enduring Very loose- slack Very loud- thunderous Very loved- adored

M:

Very mean- cruel / ruthless Very messy- slovenly

N:

Very neat- immaculate Very necessary- essential Very nervous- apprehensive Very nice- kind Very noisy- deafening

O:

Very often- frequently Very old- ancient Very old-fashioned- archaic Very open- transparent

P:

Very painful- excruciating Very pale- ashen Very perfect- flawless Very poor- destitute Very powerful- compelling Very pretty- beautiful

Q:

Very quick- rapid Very quiet- hushed

R:

Very rainy- pouring Very rich- wealthy

S:

Very sad- sorrowful Very scary- chilling Very serious- grave Very sharp- keen Very shiny- gleaming Very short- brief Very shy- timid Very simple- basic Very skinny- skeletal Very slow- sluggish Very small- petite Very smart- intelligent Very smelly- pungent Very smooth- sleek Very soft- downy Very sorry- apologetic Very special- exceptional Very strong- forceful Very stupid- idiotic Very sure- certain Very sweet- thoughtful

T:

Very talented- gifted Very tall- towering Very tasty- delicious Very thirsty- parched Very tight- constricting Very tiny-minuscule Very tired- exhausted

U:

Very ugly- hideous Very unhappy- miserable Very unusual- incongruous Very upset- distraught

V:

W:

Very warm- hot Very weak- frail Very well-to-do- wealthy Very wet- soaked Very wide- expansive Very willing- eager Very windy- blustery Very wise- sage Very worried- distressed

X:

Y:

Z:

A/N: If you know of any more words I can add please message me.

Oh, look. It’s a mysterious light. Shining round a corner. Approximately ten feet away.

Behind the scenes of Goblet of Fire 

This was one of my favourites...

Vincent and the Doctor—S05E10

Hold my hand, Doctor. Try to see what I see. We are so lucky we are still alive to see this beautiful world. Look at the sky. It’s not dark and black and without character. The black is in fact deep blue. And over there, lighter blue. And blowing through the blueness and the blackness, the wind swirling through the air and then, shining, burning, bursting through, the stars. Can you see how they roar their light? Everywhere we look, the complex magic of nature blazes before our eyes.

Writing Body Language

How to Improve your writing

This is something that happens every day in your life. A shift of your eyebrow in skepticism, or the way your lip may twitch to a half smile cause you’re trying not to laugh. These behaviors are vital for writing in character, because not only do the allow you to visually see what is happening but it is also reaffirming whatever emotion your character is showing.

So why should you write it?

Much of human communication is non-verbal which means you need to also translate this non-verbal reaction in a post. It allows you to greatly enhance the emotions of another character and always another person to ‘visually’ see how they feel in a post. Most of all, this will add depth and volume to your post to make it feel more real. IT will make your character feel like a human instead of just another fictional person you look at from above.

Below you will find a list different type of emotions and what sort of body language can be exhibited to them.

Three ways to accent an action.

When writing about emotions, there are different ways to verbally write them out. Each one is unique in their own way, allowing you to show more about the emotion.

Emphasize the Emotion. But doing this, you are expressing both the emotion and the body language. We’ll use a simple example. It’s short and simple yet you can sense he is happy. John felt so happy that he was humming a tune while walking down the hall.

Complicate the Emotion. Sometimes, even when you are feeling one emotion, deep down rooted underneath the facade of it all, there is actually an underlining emotion they feel. This is something you have to truly express otherwise no one will know. John felt so happy that he was humming a tune while walking down the hall. However, it was obvious by the way his nose crinkled that he was disgusted by the actions beforehand. Instead, John covered it up by appearing pleased today.

Contradict the Emotion. This is a little different than complicate. Contradicting means that you are claiming one thing when in fact its the other. In many ways, this has a variety of uses, from inner depth of the truth to what you see in person, or someone creating a wall. It could be considered a lie, but when is anything that easy? John felt so happy that he was humming a tune while walking down the hall. In truth, once he was in the classroom, his shoulders slumped and a pout crossed his lips when no one was around, showing just how displeased he was with the situation.

Remember that you do not always have to contradict or complicate anything. Sometimes all you need to do is emphasize and that will be just fine. You don’t always have to have an underlining complicated for an emotion to make it more enhanced.

Do be afraid to use the Thesaurus to also improve an emotion. Such things as “happy” is a nice emotional word, but think of how much more powerful it is when you heard some is “overjoyed” or “content.” She how these emotions matched up with a body language can give two different styles of happiness? Mix and match to find what works best for your character at the time.

More In Depth Information

What I’ve stated above is more of a simplistic overview. IF you truly want to improve yourself, go to this

LINK HERE

To see just how much body language can reveal about a person. You will find things such as how a person lies, how the eyes reaction, the positioning of a person in personal space, mouth, and head body language and so much more.

Use these resources to greatly increase the reactions of your character to another and create a more life-like world.