Hard rock as the door lock slides
slowly into place, drowning out the
memory of your face before you
stepped over the threshold. The
timing was wrong but I had hoped we
would fight to save what wasn’t yet
broken. Now headless dolls stumbling
aimlessly across the toy box are what
we have become. Too far even to run
back into ear shot. Turn the music up.
The tan line on my ring finger has faded,
just another reminder of the time we’ve lost
since that day at the beach when my ring
washed away with the tide. We couldn’t afford
to replace it. Maybe I should have taken that as
a sign.
Glass Bottle Wrapped in Cloth - Rachel Schneider
Medium:
Graphite on Bristol Paper
Before our first date you bought me white lilies. I guessed you didn’t know the symbolism. But as the two of us become one for the who-knows-what time – you, deep inside me and I, clenched tight around you – I wonder if you did. Sometimes I feel as if we have become dead together. Your burning skin pressed against me, answering my need, no longer smells like cinnamon, only sweat. As your lips caress my collarbone, my breast, my navel you no longer taste strawberry, only salt. This four-story apartment building, box-shaped and bland, no longer is a stepping stone to a better life, but just another reminder of how our plans fell through. I remember the lilies as your hands squeeze my aching flesh, too warm for a corpse. The sun rises and the birds chirp and I convince myself that we are not yet dead. Even if that sun has long faded our yellow curtains. Even if we hardly speak. Even if you no longer call me liebe, though we still make love. Even if your touch is the only thing I’m still living for.
Long lost lover living out
of sight, out of mind. I find myself
forgetting how it was to lay
eyes upon you, to lay beside
the water, to feel the soft caress
of your whispered words on my
waiting ear. Lover half a world away,
I no longer remember the sharp
glint of your smile, the sensuous
depth of your laughter. All I remember
Is your impossible perfection. Absence
makes the heart grow ill, poisons
memories to be larger than
love. Stay away lover, I fear
you’ll rob me of my love for your
image. I have broken a commandment;
I idolize your memory above you.
The first part of the collection, To Save A Wretch Like Me, tells the story of the two lovers meeting and getting to know each other. It is during this section that the narrator, the girl, begins to question what she's been raised to believe, and pulls away from the familiar to join the boy on a path towards uncertain self-discovery.
Love, your friend:
Sweetie, the roses are all dying now,
They’ve withered and faded beyond repair.
And though you water them I can see how
They still have gone, despite your watchful stare.
Sweetie, the roses have all bowed their heads,
A sign of goodbye in this cold, dark room.
The stems have gone black and their bodies shed
Their petals and leaves far into the gloom.
Sweetie, sometimes I think you are a rose
He’s drying you up petal by petal.
I watch you lie down and as your eyes close,
I see your heart is now withered, brittle.
Sweetie, you know deep inside this is wrong.
Inside your heart is not where he belongs.
Before our first date you bought me white lilies. I guessed you didn’t know the symbolism. But as the two of us become one for the who-knows-what time – you, deep inside me and I, clenched tight around you – I wonder if you did. Sometimes I feel as if we have become dead together. Your burning skin pressed against me, answering my need, no longer smells like cinnamon, only sweat. As your lips caress my collarbone, my breast, my navel you no longer taste strawberry, only salt. This four-story apartment building, box-shaped and bland, no longer is a stepping stone to a better life, but just another reminder of how our plans fell through. I remember the lilies as your hands squeeze my aching flesh, too warm for a corpse. The sun rises and the birds chirp and I convince myself that we are not yet dead. Even if that sun has long faded our yellow curtains. Even if we hardly speak. Even if you no longer call me liebe, though we still make love. Even if your touch is the only thing I’m still living for.
He bluffed, “It’s the cheapest you’ll find a vintage sports car.”
She huffed, “It looks rather new for a vintage sports car.”
Love for the ages: soft, steady, slow, and sweet, or a
flame: fast, beautiful, and deadly, like a vintage sports car.
Pulling off her shirt she felt revealed, reviled, repulsive,
telling herself it’s not trashy if you do it in a vintage sports car.
Cherry red, blood red, red wood. Scattered under moonlight.
On the accident report they called it a vintage sports car.
Heaven forbid honesty! Hide your feelings, your secrets,
undercover. Like in the driveway, a vintage sports car.
Status symbols: a Rolex watch, a million bucks, a
yacht in the bay. Trade your wife for a vintage sports car.
The past thrown away, left to rot and not be remembered.
Left to decompose in a junkyard next to a vintage sports car.
Lost, lonely, loveless? Ditch the club, forget online dating.
One thing that can never leave you: A vintage sports car.
To escape your problems you must run far away.
My suggestion? Zero to sixty in a vintage sports car.
A gold-digging robbery! Get away with his money, his heart,
a license plate reading RAY-RAY on a vintage sports car.
I saw you, anonymous among the masses, a
passerby spending some time. Come closer,
lead me into artificial intimacy. Body on body,
eat me, crave me. A strange, succulent sweet.
Are we still strangers? I feel I know you so well.
Do you even know my name? Does it matter?
Give me more and who we are won’t matter.
Under these pulsing lights we could be anyone.
I am yours, sweet stranger, just for this song.
Let the beat hide our fears, inhibitions, and
those who are holding us back. The air is hot,
you stick to me. Sweaty sheets and mussed up makeup.