My Aesthetic: When You Take Off Your Glasses On A Highway And All The Lights Go Soft And Smudged, A Trail

Stuff kids on tumblr better relearn

1. You are responsible for your own media experience. 

2. There is such a thing as a healthy level of avoidance towards topics that make you feel unwell or even (in a real-life clinical definition of the term) trigger you - but you are the one to actively take care of what you view.

3. Avoiding does not mean policing others.

4. You have no right to tell artists to censor themselves - you may criticize what others do, you may dislike it, that’s fine - but actively asking for censorship when you could easily unfollow or block a person just makes you look incompetent in your use of the internet.

5. Do not give people on tumblr or /any/ website the responsibility for your emotional well-being. Because these people do not even know you so no, you have no right to ask them to take care of you.

reblog if your name isn't Amanda.

2,121,566 people are not Amanda and counting!

We’ll find you Amanda.

i hate it when i cant even write a poem about something because its too obvious. like in the airbnb i was at i guess it used to be a kids room cause you could see the imprint of one little glow in the dark star that had been missed and painted over in landlord white. like that's a poem already what's the point

had a dream last night where I took a uquiz called “what do you serve?” and at first the questions were standard but as the quiz progressed they became more and more highly specific to me personally and the answers became more and more similar and I realised the quiz Knew me and was forcing me into being honest by giving me no other option so I tried to click out but it just went to the next question which was “are you the spider? or are you the web?” and it had an option for each but I didn’t click either so it then turned to a text box and I typed “I think I’m the fly” and the quiz paused for a while and then took me to a results page that said “you serve truth” and the description just read “what you know will kill you but you will die laughing” so like. good morning everyone I guess :/

Highlights from the conference room where they nominated contenders for Word of the Year 2023:

• They put Skibidi Toilet on the projector to explain what “skibidi” means.

• Baby Gronk was mentioned.

• We discussed the Rizzler.

• “Cunty” was nominated.

• “Enshittification” was suggested for EVERY category.

• “Blue Check” (like from Twitter) was briefly defined as “Someone who will not Shut The Fuck Up”

• The person writing notes briefly defined babygirl as “referencing [The Speaker]”. He is now being called babygirl in the linguist groupchats.

• MULTIPLE people raised their hand to say “I cannot stress this enough: ‘Babygirl’ refers to a GROWN MAN”

My girl knows what it's like to be locked behind bars. She's not blind though, just dumb.❤️

My deaf and blind dog Bitsy pouting because I “locked her in the kitchen” 

This is definitely one of my all time favorite posts.

Endou Yuu versus the cosmic unknown 

The significance of plot without conflict

In the West, plot is commonly thought to revolve around conflict: a confrontation between two or more elements, in which one ultimately dominates the other. The standard three- and five-act plot structures–which permeate Western media–have conflict written into their very foundations. A “problem” appears near the end of the first act; and, in the second act, the conflict generated by this problem takes center stage. Conflict is used to create reader involvement even by many post-modern writers, whose work otherwise defies traditional structure.

The necessity of conflict is preached as a kind of dogma by contemporary writers’ workshops and Internet “guides” to writing. A plot without conflict is considered dull; some even go so far as to call it impossible. This has influenced not only fiction, but writing in general–arguably even philosophy. Yet, is there any truth to this belief? Does plot necessarily hinge on conflict? No. Such claims are a product of the West’s insularity. For countless centuries, Chinese and Japanese writers have used a plot structure that does not have conflict “built in”, so to speak. Rather, it relies on exposition and contrast to generate interest. This structure is known as kishōtenketsu.

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If you like frogs. Or possums. Or cool builds. Or happiness. This is the video for you.