Designed Two Posters For The Mandela Catalogue, Really Happy How They Came Out.

first date

Some old generation loss art!

I've been wanting to redraw some genloss screenshots recently...

I LOVE GIRLS WHO ARE LEFT IN THE STORY AS WHISPERS I LOVE GIRLS WHO HAVE LEFT AN IMPRINT ON THE STORY OF WHERE THERE SHOULD BE A PERSON I LOVE GIRLS WHO LEAVE AN IMPACT ON OTHERS I LIKE GIRLS WITH THE "SHE COULD LIGHT UP A ROOM" SYNDROME I LOVE GIRLS WHO WERE IDOLIZED AND TREATED AS SAINTS AFTER THEIR DEATHS EVEN THOUGHT THEY WERE JUST AS HUMAN GIRLS WHO FUCKED UP JUST AS MUCH AS EVERYONE ELSE YET ARE FORGIVEN GIRLS WHO HAVE LIVED ON THROUGH MEMORY AND THEREFORE WERE CHANGED BY MEMORY I LOVE GIRLS WHO HAUNT THE NARRATIVE

he lived. served cunt. died. got resurrected. served even more cunt

was told to. design a dream workplace-

Skater boy Karma

:)

MCYTBLR HOW ARE WE DOING??

OK let’s play a game! describe your gender as a scent. Go!

f*ck it, here are some silly pet paintings

I'm going so crazy about Aqua making Ai's signature pose. Everyone always compares him to his dad and Ruby to Ai but I'm much more interested in the other way around.

Ruby currently seems to have the same hatred for the entertainment industry that Kamiki does (I assume, if he's targeting famous actresses). I could be embarrassingly wrong, but Aqua's stance on the industry is that it's corrupt but he can destroy it, whereas Ruby/Kamiki's is "I'm part of a corrupt system and I've become corrupt too). I wonder what Ai thought of it?

Back to Aqua and Ai, the manga keeps implying that one of the objectives of the movie is to fulfill Ai's true wish (which is, I'm guessing to be loved for herself, secrets and all? No clue though). Aqua, in a sense, is acting as Ai's vessel now, looking beyond revenge and working towards accomplishing something that would actually make her happy. Revenge is still a priority though.