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I just don’t get it. How can our society act so goddamned normal about seahorses. How can anybody so casually accept that that’s a fish???
This is one of nature’s most anatomically perverse of all beasts. A FISH, like a carp or a bass or a beta is a fish, but it bent its body straight up only to bend its head permanently back down. It stretched its skull into a pipe. It tapered its tail like a lizard, specifically like a chameleon. It can also move its eyes independently by the way, you know, like a chameleon. Fun fact, it can change color to express its mood, like you know whatever does that. It doesn’t properly swim anymore. It buzzes its few remaining fins like an insect’s wings to float itself around at a snail’s pace. It lives its whole life clinging to coral branches or seaweed, which means it decided to become a “tree dweller” in an environment where gravity didn’t even matter anyway. The males get pregnant. They make noises at each other by rubbing some of their neck bones together. Every day, EVERY DAY a mated pair does a little dance and a little neck bone song so they remember which two seahorses they were. They’re a beautiful precious obscenity. Nothing so adorable ever made such a strong case against a logical creator.
They have as little skin and meat as they could get away with. Their skeleton is almost all they are.
When a person with ADHD complains of severe anxiety, I recommend that the clinician not immediately accept the patient’s label for her emotional experience. A clinician should say, “Tell me more about your baseless, apprehensive fear,” which is the definition of anxiety. More times than not, a person with ADHD hyperarousal will give a quizzical look and respond, “I never said I was afraid.” If the patient can drop the label long enough to describe what the feeling is like, a clinician will likely hear, “I am always tense; I can’t relax enough to sit and watch a movie or TV program. I always feel like I have to go do something.” The patients are describing the inner experience of hyperactivity when it is not being expressed physically.
At the same time, people with ADHD also have fears that are based on real events in their lives. People with ADHD nervous systems are consistently inconsistent. The person is never sure that her abilities and intellect will show up when they are needed. Not being able to measure up at the job or at school, or in social circles is humiliating. It is understandable that people with ADHD live with persistent fear. These fears are real, so they do not indicate an anxiety disorder.
hc that Dazai made a point of calling Chuuya small when they met because Dazai was used to being the small one.
like, finally there was someone shorter than him. because let’s be real, Dazai was barely taller than Chuuya in Fifteen.
i think people forget how small Dazai was too— not just in height, but also in weight. He was underweight in Dark Era, but in Fifteen & even at present he's barely within the healthy weight range for his height. he was constantly described as a twig in Fifteen, and almost every time he's introduced in the light novels he's called lanky, slender, etc.
What's a bitch gotta do to find floor plans for REAL historical palaces and mansions and not fake ones people made up for Minecraft or to sell to Americans
In highschool I wrote a story about a middle-generation of stellar travelers. Their parents were born on earth and left as children, and the middle generation will not live long enough to see their destination. They live their entire lives on the ship and I wrote about them trying to find their place in everything. They will never know blue skies and warm beaches and open fields with warm breezes. They’ll never know birdsong or crickets or frogs. They’ll never hear the rain on the roof of a dreary day. I never could find the right way to end the story. I wanted it to be a happy ending, but I didn’t know how to do it.
I realize now that it was a book about me dealing with depression before I even knew it. Looking back at how blatant the projecting was, it’s obvious now. It wasn’t then.
In the story, the middle-generation people are lost. They’re apathetic. They’re just a placeholder. The only job they have is to keep the ship running, have kids, and die. As the middle generation of people began becoming adults, suicide rates were skyrocketing. Crime and drug rates were jumping. This generation was completely apathetic because they felt that they had no use.
In the story, a small group of people in the middle-generation create the Weather Project. They turn the ship into a terrarium. They make magnificent gardens and take the DNA of animals they took with them and recreate them and they make this cold, metal spaceship that they have to live their entire lives on into a home. They take what little they have and they break it and rearrange it into something beautiful. They take this radical idea and turn the ship into a wonderful jungle of trees and birds and sunshine.
And I realize now how much it reflects my state of mind as I transitioned from a child into an adult while dealing with depression. You always hear “it gets better” and “when you’re older things will be easier” and I was so sick of waiting for it to get better. I was in the middle-generation stage. And I was sick of it. I was so sick of waiting.
When I was in highschool I didn’t know how to end the story. I didn’t know how to have a happy ending. I didn’t have the life experience then to finish the story in a meaningful way. I didn’t know how to make it better for these middle-generation characters.
But now that I’m older, I’m learning. That if you sit and wait for things to get better, it never will. You have to take your life and break it apart and rearrange it into something beautiful. You have to make the cold metal ship into the garden that you deserve. You have to make your own meaning. You have to plant your own garden.
You have to teach yourself that being happy is not a radical idea.
bsd modern/uni au where the jail arc is all the meursault girlies going to a jailbreak-themed escape room for Fyodor’s birthday but they’re all drunk asf (except Sigma, who’s the designated driver) and. Dazai gets in and immediately lays down on the ground and accepts death but he’s so bored he starts solving the puzzles from the floor anyway and Nikolai is climbing the walls trying to see if the ceiling panels open and Chuuya is trying to brute-force various doors and safes open and poor Sigma is trying so hard to solve it and get out and Fyodor is waging psychological war with the person watching them over the cameras but he scares them away and starts trying to psychologically fight Dazai instead and at this point the worker assigned to them has just. left so they’re stuck in this room with Chuuya and Sigma’s crumbling sanity for like. three hours. in the end they get out bcuz Dazai solved the code for the door without even doing the rest of the room. anyways just think about it
Feminist fantasy is funny sometimes in how much it wants to shit on femininity for no goddamned reason. Like the whole “skirts are tools of the patriarchy made to cripple women into immobility, breeches are much better” thing.
(Let’s get it straight: Most societies over history have defaulted to skirts for everyone because you don’t have to take anything off to relieve yourself, you just have to squat down or lift your skirts and go. The main advantage of bifurcated garments is they make it easier to ride horses. But Western men wear pants so women wearing pants has become ~the universal symbol of gender equality~)
The book I’m reading literally just had its medievalesque heroine declare that peasant women wear breeches to work in the field because “You can’t swing a scythe in a skirt!”
Hm yes story checks out
peasant women definitely never did farm labour in skirts
skirts definitely mean you’re weak and fragile and can’t accomplish anything
skirts are definitely bad and will keep you from truly living life
no skirts for anyone, that’s definitely the moral of the story here
The dynamic in Rise between the rest of the team and Leo is. so fucking funny. Because like you've got these three extremely talented individuals who all seem like perfectly reasonable people at first glance, right, but then if you squint hard enough you realize they're actually all batshit insane (affectionate) and the clown boy standing behind them is secretly their common sense.
Clown boy will occasionally put himself and the others in danger to Prove Himself or Prove Someone Wrong (see Minotaur Maze and the movie) but like otherwise... i think people forget Leo's overwhelmingly the voice of reason in most situations?
Raph, Mikey, and Donnie are all incredibly powerful boys with very specific skill sets. They are also, as a direct result of this, the WORST decision-makers on god's green earth lmao. When presented with a problem, Raph will smash, Donnie will blow shit up, and Mikey will razzmatazz. They will all run straight toward death with the same oblivious enthusiasm of a dog about to run straight into a screen door. None of them realize this and all of them think they are Extremely Good At Problem-Solving.
And the guy cursed with the common sense to realize this is literally the LAST person anyone would expect.
When you look closely, the entirety of Rise is actually a chronicle of Leo trying to find new and creative ways to keep this team of superpowered fools alive while simultaneously white-knuckling his Cool Fun Guy persona so the others don't realize he's secretly the Boring Responsible One. Haha, you know what would be Cool and Fun, guys? Not going after the Spine Breaking Bandit lol. Getting home before the sun goes up lol. Evacuating that civilian lol. Not telling the guy dangling me off a roof "you won't, no balls" lol.
The sacred struggle of every iteration of Leonardo is thanklessly wrangling the most trigger-happy siblings in the world, and Rise Leo has not escaped it. He just does an occasional shenanigan to avoid detection and his brothers fall for it every time.