I love the concept of chuuya so much.
Like this man is trying so hard to be fancy and posh while having the vibes of a punk kid and the voice of a metal singer. He’s trying to act refined as he strangles his ex partner and stomps around screaming cuss words.
It’s just a beautiful idea
please learn how to code
like, if you're bored today, and not doing anything,
learn a little bit of coding please
stsg text post meme. sorry for the last one but also no im not.
bonus:
i couldn't decide which was which so you get two versions. i dont know how to use photoshop
Love that they kept in chillchuck looking at his dick
hc that Dazai made a point of calling Chuuya small when they met because Dazai was used to being the small one.
like, finally there was someone shorter than him. because let’s be real, Dazai was barely taller than Chuuya in Fifteen.
i think people forget how small Dazai was too— not just in height, but also in weight. He was underweight in Dark Era, but in Fifteen & even at present he's barely within the healthy weight range for his height. he was constantly described as a twig in Fifteen, and almost every time he's introduced in the light novels he's called lanky, slender, etc.
Obsessed with tiktoks of high school girls doing Steve Harvey cosplay. My favorite genre of video tbh
Rise Ramblings #312
In “What Was Meant To Be” and “What They Became,” I discuss how the turtles were created by Draxum to be weapons and then how the boys were embraced by Splinter to be a part of the Hamato clan.
I also discussed how Splinter viewed television as a window into his former life. He used television as a means to drown himself in a never-ending cycle of reminiscing the past and mourning his former self.
Splinter’s crushing depression, though never voiced, impacted the turtles’ emotional growth and development. As a result, all four brothers had to cope with their father’s lack of attention and his expectations for their lives in their own way…
However, I believe that no one had more pressure placed on them than Raphael Hamato.
Raphael is naturally easy-going, sweet, fun-loving, and supportive. But, as the oldest/biggest turtle, he became the impromptu leader of their little team by default. Consequently, he takes on several different roles for the sake and well-being of his family.
Their day-to-day training regimen is directed completely by him.
He is the boys' moral compass and who they go to for guidance.
He's the team’s backbone, support, and backup, which often cumulates in him acting as a physical shield when things get rough.
And, most significantly, Raph is the leader even when he himself wants nothing more than to crumble to pieces.
Raph is so physically imposing, strong-willed, and devastatingly kind-hearted that it’s easy to expect these roles from him.
But, Raph is also just a child.
In reality, these roles should never have been Raph’s to bear…
Parentification is a process in which a child or adolescent is forced to act as a parent to their siblings (or to their actual parent) through providing emotional support (Emotional Parentification) or physical support (Instrumental Parentification) in order to maintain the household.
I believe that Raphael was subjected to both, but was especially subjected to the former.
All of the roles described above are the roles of a supportive parent to their children (or Sensei to their students.) To verify this claim, you needn’t look further than the roles that Splinter encompassed in any other iteration.
With Raph, none of this responsibility comes naturally. He has to work hard to live up to the pressures and expectations placed onto him, resulting in a dissonance between his responsibilities and his true nature.
I believe that you can see the evidence of this dissonance in his chosen form of dress.
Have you noticed that when Raph casually dresses himself, he mostly wears white?
Even Donnie picked up on this trend when he chose outfits for his brother in "The Clothes Don't Make The Turtle." (See "The Fashionista" for a full breakdown on Donnie's impeccable fashion sense.✨)
Yet, when Raphael is filling a role, or dressing to impress others, Red is his automatic go-to.
It’s almost as if the title of “The Red One” was not one that he chose, but one that was merely placed onto him.
But I digress...
Raph is able to be a pseudo-parent to his brothers and serves to fill in the gaps that their actual father could not fill. However, with no outlet for his own insecurities, all of that pressure had no relief.
And, if you understand chemistry, pressure, with no release, creates an explosion.
“Acting out” is an unhealthy defense mechanism in which one expresses their unacceptable feelings through physical actions.
In this case, the "unacceptable feeling" is disappointment, not at his brothers, or with his father, or with any external force, but with himself. And with no outlet and with no one to turn to for support, that disappointment turns into red hot anger.
He’s so disappointed with himself, in fact, that he reaches his breaking point.
Then finally, finally, he opens up.
And at long last, he gets the support he so desperately needed.
Thus, he is able to ultimately let it all go...
It's so lovely to see that his family does not disappoint.
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Next | Being Baby Blue (Coming Soon)
Out of Touch
Irina Cisternino, a PhD candidate of Stony Brooke University, is writing their research on topics related to technology, art and fandom. You can participate by filling out a survey and additionally, signing up for an interview. The survey is expected to last until at least the end of April, those, who signed up for the interview, will be contacted later. You need to be at least 18 years old to participate in either, be able to understand and speak English and identify as a fan.
After the completion of the research, it will be accessible as the dissertation of the researcher. If you have further questions, you can contact Irina Cisternino at irissa.cisternino@stonybrook.edu or Lu-Ann Kozlowsky at lu-ann.kozlowski@stonybrook.edu.
yo…. when jet breaks in the tea shop and accuses zuko and iroh of beinh firebenders….
do you think any of the patrons looked at zukos scarred face - obviously done by a firebender - and immediately think jet was an asshole? like
jet: hes a firebender!!!!
patrons, thinking about the backstory they concocted for zuko and iroh where their home was invaded by firebenders and they barely survived with their lifes so they could come and have a peaceful life selling tea in a city the war doesnt touch: