i would love to actually post pictures of my body, unfortunately I am too self conscious about how i look due to the fact i spent the last 3 years having only a single meal a day for almost every single day. Those who have seen me before the pandemic know I used to be relatively buff, at a bit over 100kg/220lb, but I literally lost 70lb since the pandemic started due to us barely being able to afford food anymore
Will he be as gentle as you?
KIM TAE-RI and KIM MIN-HEE as Sook-hee and Hideko THE HANDMAIDEN dir. Park Chan-wook, 2016
oops! it seems i tripped and dropped several million free books, papers, and other resources
https://annas-archive.org
https://sci-hub.se
https://z-lib.is
https://libgen.is
https://libgen.rs
https://www.pdfdrive.com
https://library.memoryoftheworld.org
https://monoskop.org/Monoskop
https://libcom.org
https://libretexts.org
http://classics.mit.edu
https://librivox.org
https://standardebooks.org
https://www.gutenberg.org
https://core.ac.uk
UGH I NEED TO BUY EGGS AND JUICE BTW CAN YALL FUCKIN FRONT US LIKE 30 BUCKS FOR THOSE AND SOME OTHER GROCERY ESSENTIALS. THANKS.
C: $voidhex
V: ccheung333
KO-FI.COM/THEGASH
DONT TAG THIS.
btw now feels like a good time to plug the organizations that the kissinger death tontine accepted donations-as-submissions from!
☞ Cambodian Children's Fund ☞ Desafío Levantemos Chile ☞ East Timor and Indonesia Action Network ☞ Guatemala Forensic Anthropology Project ☞ The Halo Trust ☞ Yemen Relief Project
hey uhh..... could i get some money for me and my sister to go to the dentist? hopefully before the month is done? im really sorry
ko-fi.com/0kyrie p*yp*l: leandrocpj@gmail.com
Hate to have to ask, but I need help affording a new wheelchair, as my current is breaking and I won't really be able to leave the house without it. Anything will help and will be put towards saving for it. The wheelchair I've selected costs a little over $1000.
“Truth is not born nor is it to be found inside the head of an individual person, it is born between people collectively searching for truth, in the process of their dialogic interaction.”
—
Mikhail Bakhtin
Problems of Dostoevsky’s Poetics (1929)
Hey everyone,
I hate to ask for help but I’m struggling and don’t know what else to do.
This month has been rough. I’ve been back at work full time as a dishwasher but my partner Olivia has had to rely on part-time gigs for money. We didn’t pay October rent on time for that reason, having to wait until our middle of the month checks came in. That meant I couldn’t afford the gift I wanted to get her this year because 100% of my income went directly to rent and late fees.
Now November rent is approaching. My partner received a job offer letter today but because I work at a school and there was a weeklong fall break, my check near the end of the month was half of what it normally is.
Please help a multiracial Jewish trans woman and her Afro-Latina partner stay housed during this difficult transition period for us. We are so close to getting back our feet, we just need a little help to stay stable.
Please help us avoid another late fee. Rent is due November 4th, 2023. Thank you!
Cashapp: $phoenixsinger or $writeswrongs
Venmo: writeswrongs
PayPal: writeswrongs@gmail.com
What do you think are some good ideas for American organizers to utilize rn in order to materially help Palestinians?? Bc I have seen many protests locally and nationally calling for action but not many actions themselves which directly interfere/interrupt the US backing of Palestinian violence. What do you think is our best course of action in these crucial moments to provide more substantial forms of solidarity? As an organizer I’m a little lost rn as to where to start in my own research (particularly with finding local entities who directly have ties and work to provide support to Israel) and plans for action and I appreciate your thoughts and opinions. If I should msg privately instead lmk. Thanks!!!
look at what palestine action us have been doing or get in touch with them directly imo. they've really been leading the charge on effective direct action during this ongoing genocide. if you can get people organized, you can do a lot--if you can get people to march through the streets, you can get people to blockade a factory or office. good luck and solidarity
- Yomna ElSharony
Hanan Daoud Mikhael Ashrawi (حنان داود ميخائيل عشراوي), Economics, in Women of the Fertile Crescent. An Anthology of Modern Poetry by Arab Women, Edited with Translations by Kamal Boullata, Three Continents Press, Washington, D.C., 1978, p. 143
dont tag as d@n@tion because……..goddamn tumblr, but:
Hi, I’m Medb, a Trans fem Numunu (comanche), begging for some help: i have been stuck for the past few years in a rather racist and queerphobic part of massachusetts, which has taken a major toll on my mental and physical health. Following my latest Scare, this time a landlord trying to evict me over misunderstandings, I’ve decided i want out enough to ask.
The goal is to get to New Mexico, Sanctuary state and located within my actual homeland too, as a bonus. that way i can get myself, well, well set-up and not need a reset again.
So if anyone wishes to help me, my main goal is to get around, hopefully, though i dont expect too much, 4000 dollars for first month, last month, and security deposit on an apartment, plus furniture, expenses for the next few months in case the jobs ive applied to fall through, and cushion. but in the end, literally anything helps.
https://www.paypal.com/paypalme/medbllyr
— text by Dima Seelawi (29/10/2018)
My previous post died and I really badly did not meet my goal for last month. I was not able to renew my $400 dental plan and need to do it this month, pay a $79 fee from my previous apartment as well as my $131 rental insurance. I also just received a $90 bill from Labcorp and am being charged a bogus $160 AT&T fee after I moved apartments and also need help with groceries and medications. I am very grateful for the financial assistance I have received in the past but to be frank in the present I am completely and utterly drowning. I need about $1,190. I am in an extremely bad place and really need to make it through this time. Please, please reblog and boost. Thank you.
Second, do you have any good fantasy RPGs set in a non-european focused or at least not medieval-European world? It can be based off of a real-world culture or something brand new
Hello friend! For this recommendation, I wanted to highlight games made about non-western fantasy by authors who hail from the cultures that inspire the games. For that purpose I really want to shout-out to rpgsea and rpglatam, two community/movements that have made it much easier for creators from Southeast Asian and Latin American cultures to advertise and publish their games. Not all of my recommendations come from these communities, but they’re a great jumping-off point to find more games with unique settings, fresh ideas, and beautiful, beautiful art.
Nahual, by Miguel Angel Espinoza.
Nahual is a tabletop roleplaying game about brjos nahuales, humans of mestizo and indigenous ancestry that have the power to shapeshifter into an animal form. These nahuales hunt angels to make a living, running a changarro - a business - together to sell the products they make from the bodies of the angels they have killed. These are stories about underdogs, struggling to find their place in a Mexican world of fantastical and overwhelming forces.
Miguel Ángel Espinoza is a Mexican layout artist and game designer, and the head of Smoking Mirror Games. His ttrpg Nahual really picked up steam on Kickstarter, unlocking stretch goal after stretch goal. At its core, this game is PbtA game about underdogs going up against celestial parasites. Angel Dust is a potent drug, and angels are used by corporations, politicians, and the Church to lure in worshipers and make money. You play the labourers at the bottom of this pyramid, aching for freedom but trapped inside a concrete jungle. Your biggest asset? The special gifts you’ve inherited from your ancestors, watered down as you’ve lost your cultural memories.
This game is more urban fantasy than anything else on this list, but if you want to explore a game about reclaiming something that you’ve almost lost, you should definitely check out Nahual.
ARC, by momatoes.
Ready Yourself. For Tonight, we save the world.
The RPG to slay the apocalypse. Capture your imagination with near-inescapable dooms that threaten infinite worlds. Be a hero or be the guide to facilitate a heart-racing story to remember.
ARC enables people wishing to run a game with limited experience. The Doom and its Omens help create tension and manage the story’s pacing. The rules are approachable so you can focus on helping make the best story for the table. Additionally, the last chapter of the full book is filled with tips for building a good experience for you and your friends.
The creator, Momatoes (aka Bianca Canoza), is from the Philippines, and is the custodian of RPGSEA, as well as a Winner of the Diana Jones Emerging Designer Award. Her game, ARC doesn’t have a lot of setting decided for you - instead, you decide elements of the setting yourself. There's even a license for creators who want to publish their own content! The biggest selling point of ARC is the Doom, a terrible event that the Heroes want to prevent at any cost. The GM will set up Omens, which are pieces of the story that advance the Doom - pieces the characters will need to investigate and interact with in order to resolve. Finally, the Doomsday clock is a tool that can be used to keep the sessions tight and focused: every moment on the Doomsday clock has the GM roll 1d6 per unresolved moment - the higher the roll, the closer you tick towards catastrophe! If you want a beginner-friendly game that allows maximum creativity, you should definitely check out ARC.
Arunika, by Anonymocha.
Darkness and gloom threaten to shroud the entirety of this world you call home. Or perhaps, it already had. However, there's hope.
You are a Light Bearer. This beacon of light you hold is the key to reviving the world's gleam and hope, through your own. You are bestowed with the pursuit of rekindling the world, forging bonds with its inhabitants along the path, and freeing it from the murk with what you can offer.
Arunika is a TTRPG of maintaining hope, sharing it with the world, and most importantly, caring for yourself while you're at it.
The rulebook reflects a world's journey towards revival from the characters who escalate it. It is made with the vision of a game that has a non-violent, narrative-first, and feelings-focused system which can be interpreted in many optimistic, creative, whimsical, melancholic, or introspective ways.
Mocha, the creator, is an Indonesian artist with a beautiful and unique art style, visible in the projects they create and contribute to. One person plays the Light Bearer, a character who holds the Light, a beacon that needs to be used to rekindle the world. Other players can play the Companions, friends and old foes that accompany the Light Bearer on their journey. This game can be run with just a GM and one player, with all of the Companions as NPCs. The stats of your character will fill or deplete depending on the events of the game, so Heart will increase when the party has a positive interaction, while Hurt will increase from suffering harm, or decrease when your character is comforted. If you want a game that is easy on the eyes, gives you the basic premise and lets you build your own world, you should check out Arunika.
Hearts of Wulin, by Lowell Francis and Agatha Cheng.
Hearts of Wulin is a game of wuxia melodrama, Powered by the Apocalypse. Players take the role of skilled martial artists in a world of rival clans, conspiracies, and obligations. The game emulates films like Crouching Tiger, Hidden Dragon, Chinese wuxia TV series like The Smiling Proud Wanderer and Fox Volant of the Snowy Mountain, and Chinese martial arts novels from the second half of the twentieth century. In these tales, romance is as dangerous as a blade. Everyone has ties to factions, loves they can’t quite express, and secrets which will shake them to their core. As in the source material, stories in Hearts of Wulin are driven by the characters’ duties, romantic desires, and entanglements with other characters.
You get everything you need to play the game in three different styles: Core, Courtly, and Fantastic. The core game is as described above: a game of wuxia melodrama featuring wandering wulin warriors. The courtly style of play sets the game in a world of politics and factional scheming. The fantastic game adds strong elements of the superrnatural to the story. Each style of play has its own playbooks and moves—it's like having three games in one!
Agatha Cheng is a cultural consultant and a podcast host, on top of being a co-author of this wuxia-inspired game, in a genre she’s loved since childhood. Hearts of Wulin is an homage to melodramatic stories about protagonists, torn between equally treasured relationships. You may be in love with your teacher’s greatest rival, or perhaps your master and your father despise each-other. The PbtA system that Hearts is built on prioritizes emotional conflict and failure that moves the story forward, while slimming down the mechanics to simple 2d6 dice rolls. If what you’re looking for is story beats that rip your heart up and make you feel all of the feelings, you should check out this game.
Gubat Banwa, by makapatag.
Gubat Banwa is a game of rapid kinetic martial arts, violent sorcery, heartrending convictions and bouts of will. Warriors that channel gods face sorcerers that master black arts, martial artists who have unlocked a new form of cultivation clash swords with those that perfect the night alchemies.
Gubat Banwa is a Southeast Asian fantasy martial arts Role-Playing Game, inspired by the refulgent cultures of Southeast Asia. Raise your spears, KADUNGGANAN, you elite warrior-braves and asura-knights who travel The Sword Isles to prove their conviction and dictate the fate of the world. Revel in larger-than-life war drama like in Asian Dramas, ballistic tactical martial arts grid gameplay in the vein of Lancer or Final Fantasy Tactics, and find glory beyond heaven. Wield the Thunderbolt of Liberation! Rejoice! In the Glory of Combat!
Makapatag, or Waks, is a Filipino creature who loves creating tactical ttrpgs. All of their games have strong Southeast Asian inspiration, but Gubat Banwa is what you’re looking for if you want good old fantasy. Rules-wise, the author credits Lancer, Pathfinder 2e, ICON, Ryuutama, Apocalypse World, and so many more iconic, well-loved games for their inspiration. This game is made to specifically centre Southeast Asian cultures, and the setting is not solely based in a specific historical setting, but is rather inspired by many cultures and stories of these cultures. I strongly recommend you read the Note On Intended Audience on page 4 if you get this book.
And what a book it is. 400 pages, with maps, roll-tables, an extensive dive into the lore and terms created for this book, and pages and pages of gorgeous gorgeous art. Character creation is heavily involved, incorporating the culture you hail from, the ideal you’re fighting for, major life events and debts, as well as different Disciplines, combat arts that each have their own styles, weapons, and techniques. Fighting in this game is not just a matter of survival - it is a science. If you want a game that gives you in-depth characters and hours and hours of material in a world in which every piece of lore has been carefully thought out, I heavily recommend Gubat Banwa.
Mangayaw, by goobernuts.
Mangayaw is an RPG for one facilitator (the Mangaawit) and at least one other player. Players act as Binmanwa, adventurers and survivors in an archipelago of bloodshed and goldlust. This game is inspired by Philippine legend, folklore, culture and history. The game and its setting is still a work-in-progress. Based on and inspired by Cairn, Into the Odd, Mausritter and numerous other games.
Benj, the creator, is a member of RPGsea, and draws heavily from Philippine folklore and history for this game. This is absolutely for OSR fans, with delay fast combat, class-less and level-less characters, and a ton of equipment and magic items inspired by Philippines folklore.
Whereas many OSR games present the rules with the assumption that the GM knows what they’re doing, Mangayaw contains a page of principles for the Mangaawit, outlining narrative focus, the purpose of danger and treasure, and advice on how to present the characters with choices, NPC motivations, and the benefits of random generation. It also contains principles for the players, and principles of the World, providing guidance for folks who may be unfamiliar with the culture that inspires this setting. There’s suggestions for names, descriptions of unique items, and tables for magic and sorcery. If you love roll tables, you’ll love Mangayaw.
Brave Zenith, by Roll 4 Tarrasque.
Brave Zenith is a post-fantasy tabletop RPG, set in a world inspired by Brazilian culture and long summer nights playing JRPGs on a pirated PS1. With a set of simple interpretative rules, that focus on player creativity and imagination, explore the ruined world of pastpresent, meet colourful (and deadly) creatures, see the sights of the Second City, partake in delicious Monkey Oil and become an adventurer.
Roll 4 Tarrasque is a team of Latinx creators whose efforts won Game of the Year for 2022 at the Indie Groundbreaker Awards with this game. Brave Zenith is a game about fantasy odd-jobs, rather than epic quests - your characters are cleaning up houses, hunting ghosts, stealing from the rich, etc. The people and creatures of the world are unique and enchanting, from the friendly Jelly shopkeeper to the slippery butter construct, to little porcini goblins.
Characters have 3 stats, gain abilities based off of their occupations. There are three suggested origins to help you determine what your character looks like, but you’re also welcome to create your own! There are typical hallmarks of dungeon delving here, such as loot tables, monsters to fight, and spells to cast. For the GMs, there’s a chapter full of advice on how to prepare for a session, quick NPC generation, and tables to help you write an adventure on the fly. Finally, the rulebook itself is bright, colourful, and fun - perfect for communicating the kinds of games it’s designed to run!
Lutong Banwa by Sinta Posadas (Diwata ng Manila).
We, the Tamawo, we have no concept of hunger, food, or of a nuclear family. We wandered aimlessly for a long time. Then, we met a Giant Grab. She took us in like her own children. Clothed and sheltered us like we were her kind. We call her Mama Kasag. She showed us more about the people that came before us. The ones she calls “Humans”.
Lutong Banwa is a cooking game, where you set out to adventure and find ingredients from Spirits and recipes from old civilizations. Embark on this anti-canon storygame adventure with its own custom system and play to find out just what sort of zany adventures you can get up to in this weird, wild world. Do whatever you want.
Sin is a Filipino game designer who loves designing games that incorporate magic realism. Lutong Banwa is no different. You play Tamawo, who have bodies that appear similar to humans, but live in an age in which humans are long gone. Humans are strange beings of a past age, with unfamiliar customs, such as cooking. You’ve picked up cooking as something to explore, and thus go out on errands to find new ingredients for Mama Kasag. This game is charming and small, quick to learn and easy to play. It even includes recipes to get you in the cooking mood! If you like cozy games with low stakes and a charming setting, you should absolutely check out this game.
A Thousand Thousand Islands.
This is not a game, but rather, a collection of system-agnostic zines for use in fantasy tabletop games. This collection is designed by a trio of Malaysian designers, and contains places such as Mr-Kr-Gr, a river kingdom ruled by crocodiles, Korvu, a maritime nation of tenant mercenaries, and Ngelalangka, a market inspired by Southeast Asian bazaars. If you have a game system that you’re already comfortable with and you want to explore fantastical places within that system, I heavily encourage you to check out these zines.
Whitewash is extremely moral. Suppose there were a decree requiring all rooms in Paris to be given a coat of whitewash. I maintain that that would be a police task of real stature and a manifestation of high morality, the sign of a great people. – Le Corbusier
A shocking call for compulsory whitening is made at the end of a key modernist manifesto. The pronouncement is associated with the signature whiteness of modern architecture – an aesthetic regime that was presented as a complete revolution of the built environment in the 1920s and became the unconscious default setting of everyday life. Just look at the predominantly white background of most of the kitchens, offices, living rooms, bedrooms and bathrooms around the world […]. Le Corbusier didn’t simply call for whitewash to be imposed by the police in the name of health. It was meant to act as a form of policing in its own right, a technology of surveillance that would put in motion an ever-expanding culture of self-policing. Whitewash exposes every dimension of life in front of it to judgement. It acts like “a court of assize in permanent session” that will “give a power of judgement to the individual,” and thereby “make each one of us a prudent judge.” […] A “Law of Ripolin” – the brand name of the hard impermeable and washable enamel “sanitary paint” invented at the end of the nineteenth century […] is needed to ensure that all interiors are painted white to target any form of dirt or darkness:
Imagine the results of the Law of Ripolin. Every citizen is required to replace his hangings, his damasks, his wall-papers, his stencils, with a plain coat of white ripolin. His home is made clean. There are no more dirty, dark corners. Everything is shown as it is. Then comes inner cleanness […]. When you are surrounded with shadows and dark corners you are at home only as far as the hazy edges of the darkness your eyes cannot penetrate. You are not master in your own house. Once you have put ripolin on your walls you will be master of yourself. […]
—
Whiteness manufactures health, morality, and intelligence. […] The office of a modern factory that is “clear and rectilinear and painted with white ripolin” is a place of “healthy activity” and “industrious optimism.” […] Le Corbusier’s routinely authoritarian and often explicitly eugenic and fascist impulses, associations, and actions make him an easy target. But there are endless, quieter, ultimately more controlling and insidious celebrations of whiteness in other hands. Le Corbusier is but a tip of the vast iceberg of whiteness. […]
The very idea of an interior is the effect of this everyday violence. Architecture is never simply complicit with authority. Authority without architecture might not even be thinkable. […]
There is no apolitical concept of health; no natural body or brain waiting to be cared for or abandoned by medicine and architecture that is not already an effect of those biopolitical regimes.
It is through the question of sickness that architecture reshapes the human. The idea of a healthy architecture is always about the health of a small group relative to multiple others […]. Whiteness is coded as a fragility requiring protection through continual acts of preemptive violence. Whiteness is not a thing but a defense and deployment of power over others. […]
—
Whiteness in Le Corbusier’s The Decorative Art of Today, for example, is simultaneously the most modern thing to do, the very symptom of modernity, and the most ancient of gestures. […] Le Corbusier’s argument was first published in a late 1923 issue of L’Esprit Nouveau […]. It was, after all, the extended “Voyage d’Orient” of 1911 (including the Balkans and Greece, but especially Turkey) where Charles-Édouard Jeanneret, the young architect from a small mountain town in Switzerland who would a decade later rename himself “Le Corbusier,” became “besotted with white” and convinced that the future of architecture was white. Whiteness is discovered in the lands of the non-white; of those seen to be closer to deeper human history and therefore to be admired and learned from. In fact, the very point of going to the East was to encounter its “great white walls” as an antidote to the self-absorbed decadence of architecture in the North, as Jeanneret explained […]. Jeanneret expresses nostalgia for the more intact and mesmerizing whiteness of the great mosques and vernacular houses of Constantinople (Istanbul) […] [and] “Algiers-the-white.” […] This pervasive sense of contamination provoked the call for a second, more explicit law to impose whiteness not only onto industrial culture, but also onto its victims: the people of color and places seen as newly “unhealthy” – requiring, as it were, a dose of “their” own medicine. […]
—
The “white” architecture of the 1920s drew on countless experiments in whitening buildings in the name of health. This included, precisely, the use of Ripolin that had already become standard in clinics, hospital wards, and sanatoria rooms at the turn of the century.
In 1899, for example, the Touring-Club de France, inspired by one of its […] cyclist members who was a doctor, started a campaign for an easily disinfected “hygienic room” in hotels that would be Ripolin-lined […]. Hotel rooms were treated as hotspots for contagion […]. Given the largely upper-middle-class membership of the club, this anxiety about disease was also class anxiety, fear of the unclean other. The tourist was to be mobile yet isolated by a prophylactic whiteness that would itself travel in advance.
The Touring-Club exhibited such a prototype “white room” with toilette and toilet spaces designed by Gustave Rives at the 1900 Exposition Universelle in Paris – strategically placed just inside the entrance of the Palais de l’hygiène […]. The Touring-Club installed a series of such model chambres hygiéniques in automobile shows, congresses on tuberculosis, and international fairs. It was successful in persuading thousands of hotels to install such spaces […].
Ripolin was used “everywhere,” for example, on the walls of the “hygienic housing” project for workers in Paris by Henri Sauvage and Charles Sarazin in 1903–1904. […] The project was originally intended to feature a radical all-glass street façade with every window surrounded by webs of floor-to-ceiling hexagonal glass blocks […] which would have been the most polemical housing structure possible, the most therapeutic role of glass, more extreme even than any sanatorium. The design was produced in immediate response to the new public health law of 1902 and the associated new building regulations. […]
—
It is always about control of the threatening other of epidemic disease and control of the laboring poor, itself coded as dark, migrant, and contagious, a disease in its own right. And throughout this discourse of control, there is a seemingly “modern” disdain for disease-incubating ornament in favor of smooth white surfaces. […] What is remarkable in the end is this trans-historical resilience of whiteness […]. It orchestrates life and death.
—
Text by: Mark Wigley. “Chronic Whiteness.” e-flux (Sick Architecture series). November 2020. [Bold emphasis and some paragraph breaks/contractions added by me.]
if you're a goy that thinks Jewish culture and history and religion is interesting but don't want to intrude upon a closed religion, the answer is academia!! study Jewish academia oh my goodness the sheer volume of freely accessible literature written by Jews about Jews is genuinely staggering. please
for anyone interested in what it was actually like in tar extraction camps (the tar pits so to speak).
Reminder that the fall of the Berlin Wall was a tragedy for humankind, and that Marxist-Leninist LGBT+ Liberation will always be superior to rainbow capitalism. ☭ 🏳️🌈 ☭ 🏳️⚧️ ☭
“There are some for whom catchphrases such as ‘born this way’ and ‘trapped in the wrong body’ make trans people acceptable because the narratives they represent render us passive victims of our own freakishness–and so they justify our existence outside the gender norm. The implication is that no one could or should choose to be as horrifyingly wrong as my body makes me. But I do not believe that one requires justification to live and identify as one chooses. When I decided to start hormone therapy, I did not do it because I hated my body. I did it so the world would see my gender closer to the way I do. I did it because I loved myself, because my body is mine, and because I am the one who decides how to navigate it through this complicated and violent world. This is a love story between a woman and her body.”
— Kai Cheng Thom, “Not Born This Way: On Transitioning as a Transwoman Who Has Never Felt ‘Trapped in the Wrong Body’”
flamingos flying over tanzania’s lake natron, a salt lake which is home to three quarters of the world’s three million lesser flamingos, as well as toxic multicoloured extremophile cyanobacteria that thrive in water so hypersaline it would strip away human skin. for the flamingos, however, the tough skin and scales on their legs prevents burning, leaving them uniquely free to drink from the near boiling freshwater found from springs and geysers at the lake’s edges. (x, x, x, x, x)
every time i see those posts like ‘what food from a show did YOU always wanna try’ i go lol none? but i just remembered im a liar
i always wanted the fucking soup brock made in the pokemon anime
last day to hold my stuff in the truck , no more money to extend the time i hav my stuff , no word on my housing , no sales or donations , indefinitely staying at my partners w her roommates
These two paintings are a collaboration between me and @dabwax !! U.S. shipping only ;w;