A damaged lying Buddhist statue is pictured inside a pagoda following an earthquake in Mandalay, Myanmar, April 3, 2025.
都会のオアシスの新緑
What troubles me most is the phenomenon of individuals—many of whom have previously shown no interest in politics—suddenly coming to realize that every aspect of life is inherently political, simply by virtue of being part of a society, the polis. Some are only now engaging because the privileges they once passively enjoyed have eroded, compelling them to confront a reality they could previously afford to ignore.
Yet instead of critically examining the systems that led to this shift, many break from their prior political nihilism or cynicism only to adopt a centrist, “third-way” neoliberal perspective. This stance, typical of post-postmodern white liberalism, reflects a detachment rooted in both ideological comfort and historical disengagement.
It is, at its core, an escapist response—a refusal to confront the consequences of their previous apathy and inaction. They enter the political arena not as informed participants, but as confused actors in a game they never bothered to learn. And when they do engage, they often align with the very forces that perpetuate harm, lacking the critical knowledge necessary to make ethical or informed decisions.
Annie: There are legends of people born with the gift of making music so true, it can pierce the veil between life and death; conjuring spirits from the past...and the future. In ancient Ireland, they were called Filí. In Choctaw land, they called them Fire Keepers. And in West Africa, they were called Griots. This gift can bring healing to their communities. But it also...attracts evil....
Sinners (2025)