So, I Made A Post About Severus Snape Headcanons And In It, I Mentioned:

The most striking thing about Papyrus (aside from his limitless positivity) is the fact that it is literally impossible to die in a fight against him. Even Toriel, who starts purposefully missing you once your health gets low enough, can accidentally kill you, but Papyrus? It is literally impossible. Papyrus has incredible control over his power! Wow, what a great and impressive skeleton. And, even though he could probably deal some legit damage to you on the murder run, his only action is to spare you, because he’s heckin worried about this little emotionless murder child.

A lot of people like swap aus where Sans is the one that dies and Papyrus is forced to shed his naivete and face you going all-out, which makes sense, but also, Papyrus is just so. Papyrus. I feel like if Papyrus had to be the final murder-run boss, it’d be more like, “After losing Sans, the world seems like a different place. I can’t imagine what you must’ve gone through for you to see the world the way you do.”

He only has one attack, but it’s a really long one and powerful one (kind of like Sans’ before his ‘special attack’), plus he talks during it, which would be pretty distracting. whenever he gets your hp down to 1, combat automatically stops and you’re ejected back into the judgement room. if you try to talk to him without healing, he’ll just say you’re too hurt - a gust of wind could knock you over! after you heal at the conveniently placed save point and go back to fight him, he has stuff to say about how you don’t have to be alone, you don’t have to do this, you might think there isn’t any good in you and it’s too late to change, but there is and it isn’t! After a few of those, he’ll talk about Undyne and Sans, and they always tried to help him, even when they thought he wouldn’t notice. He’s got a ton of stories about that. After he says his piece there’s an option to either fight or don’t fight, and every time you pick fight he looks disappointed, but he goes all out. He’s always able to be spared.

if you survive his attack, he goes down in one hit. his last words would probably be an apology, even though he tried really hard he still couldn’t show you a better path

Yeah, about that plate...

I think everybody has felt the punch of feels because of Bruno’s plate drawn on his little table, but there’s something that caught my attention since the first time I watched the movie and I wanted to talk about it: where he drew that plate.

Bruno’s table is a direct extension of the family table, it’s in perfect alignment with the one his family uses every day. And he didn’t draw the plate beside that crack in the wall to actually see his family while he’s pretending to be sat with them. He didn’t draw it at the head of his table to face the wall either, which would be like sitting right behind Alma. He drew it on the right side.

Except Alma, who always occupies the head of the table (obviously), there’s no way to know if they always sit in the same order or not. We only see them eat two times: breakfast in the morning of the fateful day and dinner with the Guzmán for Isabela’s proposal, and both times the table has a different arrangement. But I think each Madrigal has indeed a specific seat assigned, and their usual order is this:

Antonio, Dolores, Isabela, Camilo and Agustín at Alma’s right, and Félix, Pepa, Mirabel, Luisa and Julieta at Alma’s left (let’s remember that in this moment abuela had moved Mirabel to her side, but she was originally sat between Pepa and Luisa).

During the dinner, there’re guests there occupying two extra seats and altering the order, but each movement can be easily tracked.

Mariano and his mother have to sit next to Alma, and Isa has to sit beside Mariano, so Pepa and Félix move to the opposite side of the table. Julieta, as the bride’s mother, sits in front of Mariano’s mother too. Luisa could’ve kept her seat, but Mirabel has to sit in front of Dolores to keep an eye (or both eyes) on her, and Agustín sits beside Mirabel for the same reason. But everything else is more or less the same. Camilo, Dolores and Antonio remain in their side of the table, as well as Mirabel; in fact, Camilo is occupying his seat, he hasn’t moved at all.

During the breakfast outside (and during dinner), they’re not using their plates, but we can see Mirabel setting the table with them at the beginning of the movie, right before the Family Madrigal song. And she’s arranging the plates in the same order. More important: in this moment, after the disastrous dinner, we can see the plates arranged in that same order again.

Those plates are there for no reason, the Guzmán just left, everything’s a chaos, it has no sense that the family has removed the dinner to set those plates and leave them there. This is just a narrative device, because Mirabel is peeking through the crack from Bruno’s hideout, she’s seeing what he sees, and she’s seeing a table in which every member of the family has a specific seat with their name.

And what’s Bruno’s seat?

At Alma’s right. He has always sat at his mother’s right, and he has kept doing it even from inside the walls, because that’s his seat (probably the one Antonio occupies now).

To be honest, it’s not just about Bruno’s plate. What I love the most about this thing is all those combos with the rest of the family: if that was Bruno’s seat, that would mean Dolores used to sit right beside his tío; Dolores and Isa always sit together; Antonio always sit beside his big sis; Pepa and Félix always sit side by side, and Julieta and Agustín always sit face to face; Mirabel always sit beside Luisa. Agustín was the one who took care of Camilo when they were eating, and Pepa was the one who took care of Mirabel. And I think every single one of these combinations, as a reflection of their family life, is just wonderful.

Book 3, chapter 18 ‘the Old Masters’

The Lives of the Gaang ep. 1 ‘Kyoshi’s advice’

Part 0

The AU-blog Ankh-Morpork University is on summer hiatus, but I couldn’t resist making something for it and agentsandyquinn (whose art style I dearly love you should maybe follow them).

A la Colour of Magic, Rincewind has maybe kind of accidentally stolen the final exam answers, and is fleeing with his loyal Lug-gauge bike*, given to him by the exchange student Twoflower in his freshman year.

*Which is on a personal best this term of breaking seven legs of enterprising thieves, causing a few hundred shin bruises and severing one toe with the bike chain. This is a malicious bike ok. Rincewind always gets it back, because no one else can touch it without causing themselves injury.

It's about us. No matter what you say, it's about us. It's a love story.

Christopher Walken and John Turturro Interview Each Other | PEOPLE

“I am aware that this request is fundamentally selfish. I can offer no justification for it, no argument in its favor. It is simply the outcome I desire to see the most.”

I don’t ship Drarry but with that being said, I will accept no other Drarry prompt than them stubbornly competing to outdo the other for the sheer drama.

It starts off when they’re still enemies in the Goblet of Fire. Draco makes a taunt about who Harry’s going to ask to the Yule Ball and how they must be from the worst of the worst lot and Harry rolls his eyes and says, “Well, fitting you say that, Malfoy, because I was going to ask you.” A perfect zing, Harry. 10/10.

But now the ball’s in Draco’s court and obviously he’s not going to pass up on the chance to humiliate the scarhead so he takes the most logical route of humiliation and calls out his bluff: “Fine, Potter, I reckon we’re going.”

But do you think Harry James Potter is just going to back down? That stubborn teenager is going to stare Draco down and say, “Reckon we are.”

Ron’s confused and Hermione’s confused and literally the entire castle is confused but Harry’s satisfied because he called out a bluffer’s counterbluff with a bluff of his own. And they just keep it up.

“I suppose you don’t even know how to dance, Potter?”

The furious teenager who spent years having to watch soapbox dramas with Mrs. Figg just glares at him in his stupid dress robes. “I know some things.”

“Prove it.”

“Fine.”

It’s like that for days until Draco makes the ultimate power move by inviting Harry to the Malfoy’s Annual New Years Eve Ball, taking out a Daily Prophet ad no less, because oh, oh, he’s got Potter now. He’ll never accept and he’ll be humiliated in front of the entire wizarding world. And do you think Harry’s just going to go down without a fight? God, no, he’s going to win whatever the hell this is because he’s Harry Potter, Draco better be worried, oh boy.

They’re still going at it six months later.

“Err—Malfoy?” Crabbe says. “Potter just sent you a dozen roses?”

“That son of a bitch! Send a box of chocolates. That’ll show him.”

“Um, Draco—?”

“I WILL NOT BE OUTDONE, PARKINSON!”

Congratulations, you found the GRIDDY’S DOUGHNUTS Secret Menu! Order wisely.

its very nice hc

Otto canonically makes really bad jokes. So he would definitely love dad jokes. Like you know these videos where people film themselves telling their mom a bad joke and then you just hear the dad laughing about it like it's the best joke they've heard in years? That's Otto. Norman would be the confused mom. Also Norman is the kind of old person who'd just try to imitate teenage slang in order to relate with today's youth.

So I noticed this during my final Pacifist Run...

Here’s Sans as a Lost Soul. Notice anything unusual about his speech text? Let’s compare to this GIF of Alphys.

And here’s a close-up on his speech.

It’s hard to tell when it’s not in motion, but the letters are shaking. No other Lost Soul does this. Not even he does this at any other time; not even when you face him in Genocide Mode. His text never shakes like this at any other point in the game. And what does he say? “just give up. i did.” “why even try?” “you’ll never see ‘em again.” When Sans faces you as a Lost Soul, he can’t hide the emotion in his voice any more. Killing his brother won’t get this reaction, being killed by you won’t get this reaction, because to stop himself from being hurt any more, Sans has made himself numb. Even if you’re Genocidal and you commit atrocities like he’s never seen, he’s too far gone, so deep in despair that he’s dead inside. But if you play pacifist and befriend Sans? He sees you tread the same path as he did, trying to make things right despite overwhelming odds. He looks at you, and he sees the innocence he’s lost. And suddenly he’s out of Snowdin, he’s following you across the entire Underground, and he’s rooting for you, kid. You’ve given him hope. You’ve given him a reason to break out of his rut and actually care about something, and that something is you. Behind that glitchy mess as a Lost Soul, he’s crying. And given this is the guy who’s disguised his pain with laughs for the entire run, that’s a pretty huge deal.