Kellhems - Steve Rogers Wife

I can see him asking the silliest things at the most unlikely points like, she'll be telling a story that happened during christmas

"So I took off my hat and said-"

"Why were you wearing a hat?"

" Well, because it was Christmas and we worked in costume in the mall"

"I thought costumes were Halloween stuff, another thing I don't understand"

"Ok, continuing..."

You ever think Captain Hydra is just being a good listener?

Will this girl ever have peace? Not that she is at peace, trapped in captivity and invalid, but it is impressive how things can get worse for her. I don't know if it's Bucky or Brock, but the Captain has to come back in time to cause a bloody tragedy with this guy, don't mess with his doll, the doll that is injured.

Mission Control 18

Warnings: non/dubcon, violence, blood, stalking, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Captain Hydra

Summary: a man marches into your life on a mission

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

You pant as your body shakes uncontrollably. The pain is unbearable. The monster keeps your foot raised as he wraps a new bandage around it. The throbbing eases slightly though the sting remains. Your screams still echo in your skull. You passed out at least once as he cleaned the wound. 

He pins the dressing and lowers your leg tenderly onto the pillow. He stands and pulls the blanket up to your waist. You catch your breath as you wipe the beads of sweat from your forehead. 

The last day has been torture. You don’t know how much more you can handle. He stares down at you with chagrin woven into his expression. He bows his head and turns sharply. You can do nothing but languish as he stomps around. 

He opens the armoire. You shudder. He takes out black boots and a jacket. He closes it without retrieving the shield or his body armour. 

He comes back to the bed and sits to tie his boots. You push yourself up on your elbows. 

“You’re going somewhere?” You ask. 

He glances at you, then the night stand. He leans over and swipes up the pill bottle. He rattles it. 

“You’re getting more?” You guess. 

He frowns then shakes his head. He looks at the label then once more at you. He points to the bruise around his eye. The one he inflicted himself. 

“Pain killers?” You can’t help the eagerness in your voice. He nods. “Oh, but...” you glance around. He extends two fingers and moves them back and forth quickly. You have to guess again, “you’ll be fast?” 

He confirms again with a tilt of his chin. You lower yourself back to the pillow. He focuses on tying the laces, the leather straining as he does, then rises again. 

He pulls on the coat and leaves the room. You listen for the front door but instead, his footfalls approach once more. He brings in a glass of water and bag of trail mix. He puts them beside the bed and steps back. 

“Thank you,” you utter. 

He twists on his heel and marches out. Despite not wanting to grow used to his place, his staunch lack of response is more and more familiar. At least when he is placid, he is manageable. You only worry about that other side of him. The one even he seems afraid of. 

The front door opens and closes. The wintry air flows through and you slip further beneath the blankets. You shift onto your side and settle in. You can’t sleep any more but you find yourself drifting into a state somewhere between waking and not. A sort of trance that has you etching each knot in the wood walls with your eyes, trying to memorise them all, trying to see faces or fantastical scenes in the dark markings. 

The winds bellow without, beating the walls, whistling and wailing. You fold an arm over your head as the constant nose starts to itch in your ears. You turn onto your back and sit up to have some water. The antibiotics make your stomach heavy. You make yourself eat a handful of nuts. 

The edges of the covered windows soften with the rising darkness. You while away the time by counting the stitches in the trim of the patchy quilt. Fatigue slowly creeps into your eyes. 

Your head begins to droop as you lean back against the bed frame. You’re too lazy to slide down, instead slumping uncomfortably. Your mind sinks into itself as the billowy undertone fades. 

Click. The subtle but decisive noise of the front door rouses you. You blink and rub the sleep from your eyes. You look at the bedroom door expectantly, waiting. 

You can hear footsteps but they don’t come to you. What is he doing? You listen as they pace around; through the front room, slow, measured. Something is different about them. 

You sit up as much as you can and stare at the door. You see the shadow before the stranger. You know by the silhouette it isn’t him. Your eyes flick up to meet the dark pair that come to peer into the bedroom. 

The man’s lips slant as he looks you over. He scoffs as he steps into the room. He nonchalantly walks the parameter as you sit in silent horror. You can tell by his demeanour that he isn’t a friend. Yet how did he find this place? How did he get inside? With all those traps, he wouldn’t just stumble upon you. 

His dark hair is pushed back from his face, a shadowy stubble around his jaw, and his shoulders are broad and set straight. His boots scrape the floor as he goes to the corner and looks down at the shelf. He touches one of the pictures and laughs. 

“Hello?” You croak at last, “who are you?” 

The man turns and chuckles again. He crosses his arms and approaches the bed. You don’t know if you should hope he can save you. The void depths of his eyes is terrifying. There’s no light in them. 

“I should ask you the same,” he sneers. “But I can guess what you are.” He teethes his lip and angles his head arrogantly. “So the automaton found himself a pet. How precious.” 

“Please, I’m not—he took me--” 

You choke on your words as he grabs the blankets and rips them off of you. You squeal and instinctively bend your legs. You press your heels into the bed and roar at the agony it lights in your calf. He tosses the blankets away as he gives another sinister laugh. 

“I don’t care about any of that,” he snarls and reaches for your bandages foot. He latches on and you shriek as he drags you down the mattress. “That... thing doesn’t get toys. So, I’ll just have to break you so he can’t play no longer.” 

You cry out and thrash as the man crawls onto the bed. Fuck, fuck, fuck! 

Stand for ALL black women

- College Educated black women

- Street Educated black women

- Poor black women

- rich black women

- Gay black women

- Trans black women

- Queer black women

- Imprisoned black women

- criminal-past black women

- mentally ill black women

- sex working black women

- disabled black women

- old black women

-young black women

- loud black women

- quiet black women

- dark-skinned black women

- Light-skinned black women

- fat, skinny, curvy, muscular, athletic black women

- agnostic, Muslim, Buddhist, Christian, Wiccan, Pagan, Bruja black women

- black women that are artists

- black women that cosplay

- black women that feel out of place

- black women out of work

- black women on welfare

- black women working two jobs

- black mothers

- black sisters

- black women choosing to exist in a world that doesn’t care if they exist.

All black women.

black vampires + witches

akasha, queen of the damned (2002)

louis & claudia, interview with the vampire (2022-)

tara thorton, true blood (2008-2014)

blade, blade (1998)

marcel gerard, the originals (2013-2018)

sarah fox, my babysitter's a vampire (2011-2012)

alex & camryn, twitches (2005)

rochelle zimmerman, the craft (1996)

bonnie bennett, the vampire diaries (2009-2017)

vincent griffith, the originals (2013-2018)

marie laveau, american horror story (2011-)

macy vaughn, charmed (2018-2022)

like, I constantly think about his hair and his face at this time

what are your favourite, extremely underrated chris looks? (outfits/hair/just overall look)

i really liked the 2011 bafta(s?) because i’m a sucker for 2011 chris!!

SAM REID as  Father Ignatius in Lambs of God (2019)

for @aemondtargeryen

Noticed you’ve copied my beard.

Lily Collins & Zac Efron matching icons.

like / reblog if you save.

Thank God she now has Sarah and Calliope or she would be easily swallowed, even the queen is distilling poison against her. Waiting for Sarah to highlight this jewel for her only son 🤭

upon his grace 2

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, bullying, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You are called to court after the end of the civil war, but find yourself facing many challenges, expected and not. (fantasy medieval au)

Characters: king!Steve Rogers

Note: friday!

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

You are summoned to the queen’s chambers shortly after your arrival. You come together with the other young ladies from courtyard in the corridor just before a set of painted doors. Within, Queen Margaret keeps court with her ladies, of whom you are to be one of. The thought alone has you devilishly unnerved. 

The guards in their livery greet you with dull eyes. The groom announces your purpose and receives little in return aside from the one soldier’s lazy reach to tap upon the door. He lifts the lever and eases a space between the wood. 

“Your highness, you’ve some ladies requesting an audience,” he drones through. 

There is some movement from within. A lady servant appears in her white cap and beckons you inward. You are further intimidated by the formality of it all. Marcia and Marigold rush ahead to be first and the three earls’ daughters from the White Plans take up their train. You glance over at Calliope and trail after her. 

The doors shut at your back and the lady maid retreats, her soles scuffing amid the murmur around you. You look around the skirts of the other debuts and see women in recline, others perched upon cushions and stools, all at leisure with needle, book, or frame. There is another at the window, sat between two ladies on the bench, the late afternoon breeze stirring the long waves that hang around her face, the rest of her chestnut hair twisted up behind her hood.  

The lady maid stands at the wall in deference, “your highness.” 

The brunette raises her chin and her eyes narrow at the lot of you. You can barely see much past the shoulders of the twins and the other ladies clustered closely in shared apprehension. Still, the twins stand tall and the other ladies hardly seem as wrought as you in the ceremony of it all. 

“The twins of...Mawsley, is it?” The queen declares, “yes, your father proved himself a valuable asset, didn’t he?” 

“Your highness,” the twins recite in unison and bow, “Marcia,” the first introduces herself, “Marigold, the second adds. 

“How keen,” the queen chimes, “you look as the same person. How amusing.” 

“Thank you, your highness,” the sisters chirp. 

“And those gowns, wonderful. I may have to ask after your tailor,” Queen Margaret preens, “and where is the Countess’ daughter? I recall I met you once when you were still a child.” 

Calliope steps dutifully, “my mother sends her regards.” 

“Oh, yes, that poor widow,” the queen bemoans, “she is ever steadfast despite her plight.” She takes pause as you sway to see her, “and the rest of you, forgive me, these last days have been a whirlwind and I’ve heard an endless slew of names one after another. 

“Lady Selene,” the very lady proclaims. 

“Lady Ameri,” she bows in quick succession. 

“Lady Dorida,” the last shows her courtesy in an elegant bend. 

As you come forward, the twins push their arms together as if to block you out with their sleeves. You sidle side to side and sweep around their skirts with an ungraceful stumble, “your highness,” you greet as if you have something stuck in your throat. You swallow before you can muster your own name and title. 

“Woodsdam,” the queen tilts her head and looks from the lady at her left shoulder to the one on her right, “I’ve never heard of it.” 

“Neither have I,” the leftmost agrees. 

“Farmland,” the right says. 

“Yes, your highness, my father is a farmer, but an earl as well,” you supply. 

“Mm,” the queen looks down her nose as her lips thin, “it appears the Woodsdam style is much... defined. I don’t think I’ve seen that style gown since my grandmother was still on earth.” 

You look down at your modest cotton. The square cut of your bodice is much different than the other ladies’ rounded collars. Your mother crafted the dress from pieces and the seams are tidy, yet it does lack a similar flair to the others around the chamber. You raise your eyes and keep your composure as best you can. 

“Many thanks, your highness.” 

The queen scoffs, “quaint, indeed.” She sits straighter though her posture is already unyieldingly staunch, “ladies, please acquaint yourself. And be certain to pay heed to these ladies who know well the ways of court. For all that’s changed in these past years, we will retain as ever our elegance and our etiquette.” 

You peer around, uncertain what comes next. A lady stands and calls to Calliope, “Lady, it is me, Gwendolyn, of the Spades. Near Clovers, you will know it?” 

Calliope accepts the initiation and there is a swift storm of voices swirling around the lot of you. You flutter hopefully that someone might think of Woodsdam or might’ve been to the waterfall near Aquil, not far from your father’s hold. The twins confer still with the queen and her ladies, trilling and giggling, as Serena and Dorida marvel over another ladies’ sewing frame, and Ameri is overly familiar with a lady swollen with child. 

You drift away from the centre of the chamber, trying not to draw unwarranted attention. It would do little for any to note your insignificance. You’ve all to soon faded into obscurity. No one cares for a farmer’s daughter. 

“Eh, do you read?” The question startles you and has you spinning to face its speaker. She looks as she sounds; squawkish. Birdlike. Her blond waves are woven with strands of silver and her hooked nose is not unbecoming. 

“Yes, lady, I do,” you answer, uncertain if she is genuine or she means it as jab. 

“Have you read Corswin? He wrote a fair tale about a shepherdess.” 

“I’ve not heard of him,” you recover your confidence at her interest. It is clear she humours you, that she is speaking to only keep you from floundering. 

“I must lend you a book or two,” she insists, “come sit with me. These old hens grow tiresome.” 

“Many thanks, my lady,” you accept and claim the stool next to her, shifting it closer. 

“Sarah,” she gives her name, “Woodsdam. I’ve never been. I hate the swamps.” 

“Oh,” you nod, “yes, it isn’t very swampy. Only in the rainy seasons but we get the sun.” 

“Mm, still, I’ve been down Ashton and I hated the place. My horses caught some sickness there,” she gripes, “perhaps though, your home is more pleasant. A woman old as me, though, I don’t venture far as it is.” She tuts and taps her oval nails on the book in her lap, “if my son wasn’t so foolish as to take up his sword, I’d still be in my library, hidden away from these chits.” 

You clasp your hands together and smile. She’s amicable and you wouldn’t want to bother too much. She flutters the pages of her book and huffs. You look around, sensing some intrigue from the other ladies though they do their best not to let their flitting eyes be caught. 

“All these birds know how to do is cloister themselves up like nuns,” she bemoans, “I’d as soon be out in the sunlight. If I were home, I’d be in my courtyard with a better book than this,” she wags the volume in agitation, “and you, lady? What is it you do on the farmstead? Chase hens?” 

“We have geese,” you say, “though they aren’t truly kept. They sort’ve linger around. And some cattle.” 

“It does sound rather bucolic, this must be all so drab to you, castle walls and dusty tapestries.” 

“Oh, it’s all so wonderful,” you expound. 

“It is?” She drawls tritely, “aren’t these ladies of ours so polite? The way they whisper about our hems and our titles. Don’t let yourself be fooled, though I suppose that should be as good a warning against myself. Ladies of the court are like crows; the like shiny things and the hold grudges, and sometimes, they needn’t even a reason to peck your eyes out.” 

You close your lips and swallow. Her tidings only underline the unwelcome forged in the queen’s introduction. All you might forgive is at least she seems genuine in her girding. You look down at your skirts and run your fingers down a crease. 

“The dress is not so hideous,” she assures gently, “some of the ladies do forget we did just fight a war. There are those without silks and without food in their bellies. They should weigh their fortune that they are still alive and well.” 

Your eyes meet and she looks a little less stony. She turns her head to the window and her gaze drifts into the distance. You follow them with a sense of solemnity. Again, you snare a few glances from the others. Many men died, women and children too. It wouldn’t do to care so much for what people think of your wardrobe. 

👑

Your first day at the castle ends in a fine supper of freshly baked bread, beef with gravy, and seasoned scallions, onions, and sweet herbs. It is not so hearty as your mother’s stew which you share as often with the servants nor so delicious. It’s a different sort of taste but not unpleasant. 

You retire at the queen’s behest. She declares she must see to her husband and several of the other ladies claim the same of their own. You rise and wait courteously to tail after other ladies, not wanting to get underfoot as you so often did on the farm. As you stand aside, Lady Sarah swats you with her book. 

Skirts swish against the rows of chairs and benches that line the long table. The dining chamber is set with the portrait of peregrine and similarly hawkish depictions woven into tapestry and tablecloth alike. Despite the uniform decor, the furniture is mismatched and the hews of wood and metal alternate with each piece. 

“Don’t fear the stampede, little calf, run with it,” she chides, “ah, I’ve decades upon these sows and they plod like heifers.” 

He uncouth words draw your surprise. She laughs at the look you send her and waves you off with the hardcover. She shoulders past you without pause. 

“One day you will see, it is better to speak the truth than let it shred up your soul,” she tosses over her shoulder. “Ah, naivete, how entertaining you are.” 

Her voice carries and you notice how the other women shy away from her. There’s a glint of deference to the tilt in their chins as they part for her like a like drawn in the sand with a stick. You wonder how she can be so bold and why the other might tolerate it. As Queen Margaret girded, you are to maintain propriety. Sarah seems to carry the same manners as any farmhand you’d known. 

You hurry to meet Calliope near the door as she departs. She seems the tamest of the lot thus far. Sharp-witted but not needlessly cruel. She turns her head slightly in acknowledgement of your presence. 

“There you are,” she mutters. 

“Did you enjoy the afternoon?” You ask brightly. 

“Enjoy? I tempered it,” she retorts, “I’ve the measure of most ladies.” 

“The measure? They were all quite friendly.” 

“You are too friendly,” she admonishes, “this is court, you cannot be so simple. Each lady is attached to a lord, thus they work upon his purposes. Her ears are always listening, eyes always seeing.” 

“What do you mean?” 

“You represent your father and though mine may be in the ground, I carry his mantle all the same. We are our houses, not ourselves here,” she keeps her voice low and slows markedly to keep away from the others, “you should count yourself fortunate for my wise counsel, lady, for no other would give it.” 

You chew on her words, tasting their bitterness, “so why do you, Lady Calliope?” 

“For I despise those twins and I know they aren’t so keen on you,” she sighs, “and I saw you as any other did with the dowager.” 

“The dowager?” You echo. 

“The king’s mother, Lady Sarah,” she sends you a sharp look, “don’t tell me you didn’t realise?” 

“Oh? No? She spoke of books and her gardens, she didn’t mention...” you peter off and snap your mouth shut. But she had, she did say her son ran off to war. “Oh!” 

“Oh! Indeed,” Calliope mocks and shakes her head. “Look, I’ve not the patience for these women, but you’re not so bad. You don’t speak without meaning. Shall we be companions?” 

“Pardon?” You let your surprise bleed through. 

“I need at least one person I might stomach, how about you? I don’t think the others are so eager to be friends. Marcia did say how you look like a peasant.” 

“She did?” You frown. 

“Hm, you need me,” she insists, “you can’t let yourself be so whimsical. Never mind what they say or think. What do they care so much for anyhow? They are a duke’s daughters, they will do well enough.” 

You carry on next to her. You feel as if you’re being pulled in all different directions though all tell you just the same. Be wary 

I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?

GEENA DAVIS as Thelma Thelma & Louise (1991) | Dir. Ridley Scott