I Like His Buddy Holly Glasses

the one time mclennon doesn’t top and tail it

Working on my own art style is making me crazy

Sometimes it doesn’t even looks like I was the one who drew the thing

I’m going to Paul’s concert in october

I’m so excited

Global Beatles day 6/25

:—>)

another unfinished wip

edit: idea was suggested by ava @beatlesmenrock

Some precious John Lennon moments in 1972

He’s so pretty

I just can’t get over this fact

The making of the Liverpool Oratorio.

“I’m tired of you being so dark when I’m so impish and whimsical!”

What if Paul McCartney was a DND style bard innit

I think the reference I used was from Torque Art Studio on deviant art according to Pinterest, but if I am incorrect please help me to find the original artist of this image!

Pinterest

Raccoon child II by *TorqueArtStudio on deviantART | Dibujos, Bocetos artísticos, Arte de personajes

24-dic-2012 - Raccoon child II by *TorqueArtStudio on deviantART

Paul came across in 1963 as a fun-loving, footloose bachelor who turned on his charm to devastating effect when he wanted to manipulate rivals, colleagues or women he fancied. (...) He had enormous powers of persuasion within The Beatles. He would get his own way by subtlety and suaveness where John resorted to shouting and bullying. John may have been the loudest Beatle but Paul was the shrewdest. I watched him twist the others round to his point of view in all sorts of contentious situations, some trivial, some more significant, some administrative, some creative. George told me that when he joined Paul and John in the line-up of The Quarry Men in 1958, Paul was already acting as though he was the decision-maker in the group. According to George: "I knew perfectly well that this was John's band and John was my hero, my idol, but from the way Paul talked he gave every indication that he was the real leader, the one who dictated what The Quarry Men would do and where they should be going as a group." This made sense to me because, from what I saw for myself in 1963 and later, Paul's opinions and ideas tended to prevail with The Beatles, particularly on matters of musical policy such as whether a new number was worth recording or whether the running order for the group's stage show needed altering slightly. I didn't see any of the others resist him. They seemed to welcome Paul getting his way by winning arguments with John. When Paul wanted something badly enough from Brian Epstein he would speak softly, wooing the man rather than intimidating him. Epstein's defences would melt away as Paul looked him straight in the eye. In terms of song lyrics, Paul's idea of romantic was 'Michelle', John's was 'Norwegian Wood'.

John, Paul, George, Ringo & Me: The Real Beatles Story, Tony Barrow (2005)

Mccunt