“There Are Only Two Days In The Year That Nothing Can Be Done. One Is Called Yesterday And The Other

Character development doesn't refer to character improvement in a moral or ethical respect. It refers to broadening the audience's understanding of that character, giving the character a deeper background, clearer motivations, a unique voice.

Developing a character is about making them seem more like a real person, and real people are flawed. Real people make mistakes. They repeat mistakes. They do things other people don't agree with. Real people are more than just 'good' or 'bad' and character development is about showing all of those other aspects of them.

Their interests and hobbies. The song that gets stuck in their head. The fact that their vacuum broke 3 months ago and they haven't gotten it fixed yet. All of those details help build out the character and develop them more.

And yes, characters change as stories progress but that doesn't mean they get 'better' in a strict moral sense. It means that their experiences change the way they interact in the world you've written for them. Just like real people do.

“It’s amazing how much distance one truth can create between two people.”

— Colleen Hoover (via quotemadness)

How do you introduce an antagonist into a story? I'm stuck. They are important to the plot.

Introducing the antagonist…

The antagonist should be introduced in a memorable way that is useful to the story. However, first appearances and introductions can be different thing, and introducing them as a character versus introducing them as the antagonist can be two separate events entirely.

When you’re introducing the antagonist, you should keep in mind what the reader knows, and what they have yet to learn. Sure, maybe they know this person is the main character’s roommate, and they’re finding out that this roommate has helped their significant other cheat on them, but they don’t know that the roommate has held a grudge since high school which informed the decision to help them cheat. The antagonist’s introduction should be a strategic disclosure of key information. 

The introduction should also be memorable enough to evoke its own details in future scenes regarding the character. Perhaps what they say or do in their introduction should come up later. Their introduction should act as a bookend to their arc throughout the novel, so keep the ending in mind as you write their beginning. You must also be mindful that this is probably the first (or a new first) impression of that character on the reader, so you want to set the tone for their presence in the story and offer some preliminary character development for the reader to build on as the plot progresses. 

Here are some other resources you may find helpful:

Resources For Describing Characters

How To Fit Character Development Into Your Story

Making Characters Unpredictable

Writing Good Villains

Giving Characters Distinct Voices in Dialogue

Gradually Revealing Character’s Past

Tips on Introducing Characters

Creating Villains

How To Write A Good Plot Twist

How To Foreshadow

Tackling Subplots

Tips On Dialogue

Writing Intense Scenes

Tips on Writing Flashbacks

Describing emotion through action

A Guide To Tension & Suspense

Foreshadowing The Villain

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Masterlist | WIP Blog

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“Sometimes it’s good to be scared. It means you still have something to lose…”

— Meredith Grey

Resources for Writing Injuries

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Head Injuries

General Information | More

Hematoma

Hemorrhage

Concussion

Edema

Skull Fracture

Diffuse Axonal Injury

Neck

General Information

Neck sprain

Herniated Disk

Pinched Nerve

Cervical Fracture

Broken Neck

Chest (Thoracic)

General Information

Aortic disruption

Blunt cardiac injury

Cardiac tamponade

Flail chest

Hemothorax

Pneumothorax (traumatic pneumothorax, open pneumothorax, and tension pneumothorax)

Pulmonary contusion

Broken Ribs

Broken Collarbone

Abdominal

General Information

Blunt trauma

Penetrating injuries (see also, gunshot wound & stab wound sections)

Broken Spine

Lung Trauma

Heart (Blunt Cardiac Injury)

Bladder Trauma

Spleen Trauma

Intestinal Trauma

Liver Trauma

Pancreas Trauma

Kidney Trauma

Arms/Hands/Legs/Feet

General Information | More

Fractures

Dislocations

Sprains

Strains

Muscle Overuse

Muscle Bruise

Bone Bruise

Carpal tunnel syndrome

Tendon pain

Bruises

Injuries to ligaments

Injuries to tendons

Crushed Hand

Crushed Foot

Broken Hand

Broken Foot

Broken Ankle

Broken Wrist

Broken Arm

Shoulder Trauma

Broken elbow

Broken Knee

Broken Finger

Broken Toe

Face

General Information

Broken Nose

Corneal Abrasion

Chemical Eye Burns

Subconjunctival Hemorrhages (Eye Bleeding)

Facial Trauma

Broken/Dislocated jaw

Fractured Cheekbone

Skin & Bleeding

General Information (Skin Injuries) | More (Arteries)

femoral artery (inner thigh)

thoracic aorta (chest & heart)

abdominal aorta (abdomen)

brachial artery (upper arm)

radial artery (hand & forearm)

common carotid artery (neck)

aorta (heart & abdomen)

axillary artery (underarm)

popliteal artery (knee & outer thigh)

anterior tibial artery (shin & ankle)

posterior tibial artery (calf & heel)

arteria dorsalis pedis (foot)

Cuts/Lacerations

Scrapes

Abrasions (Floor burns)

Bruises

Gunshot Wounds

General Information

In the Head

In the Neck

In the Shoulders

In the Chest

In the Abdomen

In the Legs/Arms

In the Hands

In The Feet

Stab Wounds

General Information

In the Head

In the Neck

In the Chest

In the Abdomen

In the Legs/Arms

General Resources

Guide to Story Researching

A Writer’s Thesaurus

Words To Describe Body Types and How They Move

Words To Describe…

Writing Intense Scenes

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Masterlist | WIP Blog

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“You’re always haunted by the idea you’re wasting your life.”

— Chuck Palahniuk 

“Speak when you are angry and you will make the best speech you will ever regret.”

— Ambrose Bierce (via quotemadness)

“Start writing, no matter what. The water does not flow until the faucet is turned on.”

— Louis L’Amour (via writingdotcoffee)