Mfs Be Like "are You Single Or Taken" And Like Technically Im Single But That Implies That Im Availible,

fuuuuck that is my circus. are those…? yep… those are my monkeys….. goddammit.

Penelope: Yeah, this shroud is taking me 20 years.

Suitors:

"I think the reason I don't want a new look is because I'm finally happy with who I see in the mirror right now. So what ever I put on, I just want to be able to see the same me looking back."

reposting the animatic i made for that one contest bc of the quality

Do you know how fucked up your team has to be for Bucky Barnes to be the most stable member

Putting the term "male gaze" on top of the fridge until everyone remembers that it refers to a cinematographic trend and not the act of looking at things while being a man

cheesecake

Hi there! 😄 Tysfm for compiling the LO brushes, being able to use them (non-commercially of course lol) makes me so friggin happy. 🙇‍♀️ I have a few questions to ask about them though:

Which brush did RS use for laying down color before shading/effects? In the Rekindled tutorial, you use the Lineart Brush for laying down flats, but I'm not sure if what I said in the previous sentence is the same thing as flats (I've been drawing my whole life, but I didn't start taking digital seriously until very recently lol 🤦‍♀️).

When the Splatter Versa brush was used in S1, there are varying oval shapes as well as several other non-ovular shapes that I don't see when I use the brush. Were there other similar brushes used with different shapes? Or am I just doing something wrong with the brush settings? The other shapes look more wilted than the other petal shapes.

Which brush was used for the usual thick, varying lineart? (It's most noticeable with the lines in hair in mid-S1 esp.) This brush isn't really textured, so I'm a bit confused which one in particular it is.

Sorry for being annoying, I'm just not tech-savvy and very intimidated by all the technical aspects of digital drawing lol ("Wtf are 'blending modes'?" /hj). 🙇‍♀️

Hey there, no problem!! I'm glad people are getting use out of them!

Though I'm not entirely sure as it clearly changed often throughout the course of the first season, the Gouache a Go Go brush and Hard Pastel both have those "crunchier" textures that you can see in some panels. There are also watercolor brushes that she used to blend the edges in some bigger panels.

Could you send me an example of a panel? Just so then I can actually see it and mess around with some things and give you a better answer haha That said, if I had to take a guess, either she messed with the brush control / tilt settings in Photoshop, or she may have used the Warp / Liquify tools to warp them intentionally to achieve that "petal" look. But again, send me a pic of the panels in question if you can and I can take a closer look :>

As mentioned previously, an example would help a lot here, but I do know what you're saying that some panels had very thick, varied lineart. Rachel has gone on record on two separate occasions that she used the Gouache Wet Pencil / Wet Round brush from the Kyle Webster Pack. Though the Hard Square Pastel brush can also achieve similar effects. Note that the Wet Round brush is a dual-sizing brush - if you adjust the brush size, you have to also adjust the particle size in tandem, otherwise you'll get a bigger brush size with more scattered/diluted particles. Though this effect IS very helpful for shading!

As mentioned, Rachel has mentioned some of the brushes she's used, and though it's not necessarily relevant to what you're looking for specifically, she's also mentioned these brushes in old FAQ's, specifically the Wet Round brush for lineart.

Here are some examples I whipped up real quick based on some of the panels that specifically depict thick lineart and textured coloring:

Mind you, these are all my best guesses, based on what Rachel has provided and what I've both dug up and been provided by other contributors who have pointed me in the right direction.

Unfortunately, while LO's art style is unique, it also makes it very difficult to reverse-engineer because throughout the comic (esp in S1 when she was still experimenting) while she did clearly have some "favorites" out of the bunch, she also just kind of went off "vibes" a lot of the time, treating every panel as an individual painting. And while that did lend to some of LO's most beautiful panels throughout S1, it also created a lot of whiplash between stylization because after doing one panel with thick lineart and bold texturing, she'd do another with watercolors and softer edges.

That's also not taking into account the software she was using - many of these brushes were designed exclusively with the Photoshop brush engine in mind, not Clip Studio, so they may not work entirely as intended if you use them in Clip Studio or some other non-Photoshop software. We also have to consider other factors like canvas resolution, texture effects added afterwards (such as that canvas overlay), and other adjustable settings within the brushes themselves that Rachel may have tweaked, including the pressure sensitivity, particle size/density, thickness, etc. All of which we can't really truly know, so we can only settle for our closest guess.

This is half the challenge - and fun - of trying to emulate her art style, because even she clearly didn't follow any strict rules 😅 Unfortunately it leaned more towards worse as time went on as it was clear the assistants themselves were given very little guidance or consistency (or at least, didn't have the time to settle on a happy medium) resulting in panels that are even more distinctly out of place as they were being swapped between different artists with different backgrounds and styles.

All that aside, I hope that helps! I do admittedly have to update that brush pack again, I feel like there are a handful of brushes I've found since then that could also be added, but I'd also like to update the included instructions to better reflect what I've learned since then regarding each brush and how they could be used. Ultimately though, they're yours to experiment with! Mess around, adjust the sizes and density and pressure settings, all of these things can contribute to the overall look.

Good luck! <3

petition for a sherlock holmes muppets movie. sherlock holmes and watson are the only humans. kermit is lestrade. uncle deadly is moriarty. statler and waldorf are members of the diogenes club. ms piggy is irene adler.

holmes thinks he's on a cocaine-induced fever dream but alas! the case persists. watson is barely holding it together.

If you have no other option, you will succeed.

I really do think Beelzebub had the potential to be the most sinister of the Sins. She's the Sin of Gluttony and she encourages people to overindulge and act upon their vices (unless they're Mammon apparently) because she revels in excess, but what if there was a darker side to her?

Amongst the dregs of Hell, Bee is considered a blessing. A kind woman who will help those in need to find happiness and is always willing to lend a helping hand to the hapless nobodies. However, things are not always what they seem with her. In reality, she's a master manipulator and the biggest enabler in Hell. How she 'helps' people is by encouraging them to act upon their vices, not so subtly goading them into developing addictions. She always has a bountiful supply of products to feed into these addictions. Addictions they cannot financially support.

And who does she mainly target? Hellhounds and Imps! The lowest of the low, basically slaves! She builds a false sense of security and friendship with these poor Demons, pretending to understand what they're going through and making the friendless think they have someone who cares in this scary violent world. She preys upon the weak and vulnerable.

Due to her position and status, Bee has never had to worry about money issues. Her customer base however, they tend to reach the point where they can't support their addictions. Almost instantly, Bee will turn upon them, throwing herself a big pity parade about how betrayed she feels, threatening to cut off her customer. Unable to turn away from their addictions, they will beg for another form of payment, which is exactly what Bee has been waiting for. Her 'friends' will sell their souls if it means being able to feed their addictions, which Bee happily accepts.

At that point, Bee has won. She's earned another sucker's soul, where they will join her army of slaves to produce more of her delightful products, which will inevitably be used to lure in more unsuspecting victims.

Her influence is so strong that she has customers in practically every corner of Hell, all on her payroll. All suckered in by her kind facade and promises of numbing the pain.

-

Thoughts?