What use is death to a creature like me?
Well, I’ll tell you:
Death is an old bedfellow, a partner, a wife;
Is there anything so sweet as a union born in blood?
A promise to always be at each other’s finger tips?
Tool the marble into statue, we sculpt the world,
To improve it, cull those unfit for life by scythe point.
A silly question to ask me, what use is death to a
Creature? Without it, I would not have a life at all.
Like a mutant calf, my village shunned and cast
Me out to meet her, Lady Death.
I was his worry stone.
he couldn’t pick my face out of a crowd,
Or name a single interest of mine;
he couldn’t bother to wash his mug in the sink,
Or put the coffee on in the first place;
he couldn’t braid my hair while he spoke,
Or untangle the nest he made.
All he could do was rub his hands together,
And wonder where I’d gone,
after eroding me away.
I don’t want to die knowing sadness last. I want to die in a happy moment. I want to die on the beach when I’m 8 years old, and I’m boogie boarding right for the first time. There’s salt water in my teeth and the sun is shining. I want to die suddenly. My head hitting the bottom of the sea floor hard and fast. I want to die a happy child.
Sticks and stones may break my bones but words will never hurt me.
What a pretty little lie we peddle children as loves are ended by mouth, laws are written on paper, and wars are declared in ink.
I’m trying to hold onto myself.
Rushing water.
I can’t remember what I came out here for.
Rain coming down.
I wonder if my mascara is running.
Wind pushing.
But I can’t bother to wipe my face if it is.
Why is love not enough to keep someone here,
but enough to take them away?
Futureless moth, eating old keepsakes. Nothing else to be done in locked closets but eat. Soothing herself on the past, indulgently gorging on memorabilia, unbothered by the holes her little mouth leaves. No better meal than childhood. No better place to die than in wools, and silks, and cottons, refusing to batter oneself against the closet door.
Algae bloomed on the face of the lake at summer’s height, like zits in bundles of thick and slimy green. The siren that dwelt deep in the lake’s toes could not bear the warm swampiness, it drove her mad. Not only that, but her sailor girl, her shining beacon of hope for food had wounded her in her escape. She felt rotten, her gash festered in hot white patches. No food, no beauty, no cold deep blue lake water to retreat to. All that was left for her was a walk. To find the sailor girl and give her what was coming to her.
'Sunrise Water Nymphs' by Arthur Prince Spear, (1879 - 1959).
What is there to do but wait for everything to come crashing down in a sudden cold splendor, and remove the sand from beneath my feet.
Why is it light is thought of as good and dark as evil? As if the shadows sewn to our heels want anything more than to be like us.