Have To Routinely Stop Myself From Bashing Myself For Making Characters Certain Races And Genders Bc

Would recommend these fics for anyone looking for something new and angsty to read… and because I have no life I’ve already read most of them oop

I dunno if this has been asked before, but would you mind recommending some good ol bnha fics? If not that’s okay! I just really enjoy reading the ones you mention on your blog

:)

oh boy do i

why not bust out my whole dang list

now most of these fics are focused more around plot than shipping but there are some shippy ones here n there

also 90% of them are also at least 20k words at minimum bc do i love my slow burn fics

under the cut i divided the fics in some categories so its just not one giant mess lmao hope you can some you enjoy in here

symbol guide:

*     - great fic, if you’re not sure where to start give these a shot || **    - one of my top favorites ||✔    - fic is part of a series and the first (or multiple) of it is complete ||✔✔ - fic is completely 100% finished ||

edit: main ships in fics have been tagged as requested (but once again, most of the fics do not revolve around the romance, so keep that in mind)

last edit: 3/9/2021

current fic count: 226

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It him!!!!

Finally made a reference for Titan from me and @jcryptid au (it’s ours now shhhhhhh) so if you want to get to know the boi a bit more here he is!!

Yay! I finally get to post this!

This is a thing I did for a friend of mine @lavendertoonz, for a secret santa OC drawing exchange between us and a bunch of our friends. Their OC is Isabelle, I don't know much about her but she is very pretty, her creator is an amazing human being and I had a lot of fun making this.

Words cannot express how much fun it was seeing what everyone came up with and the joy radiating from our receivers, very much hope to do this again next year and would absolutely reccomend doing it with your art friends if you can.

So anyways, Merry Christmas! Hope you liked Lav <3

Having an OC story and characters that you’re overly invested in is really just being in a fandom hell with yourself and no one else

Arthur: *calls John a Sour Puss*

Me: *proceeds to lose my fucking mind*

this whole “never repeat outfits” shit is not working for me. i get attached to one oversized sweater and that’s all you’ll see me in for a week

For me it’s all about how you make the initially awful situation a comfort compared to other stuff, and I don’t mean this in terms of just torture vs worse torture. It’s about the way a cramped closet in the dark feels like hell at first but has since become comforting now that it’s the only place they feel safe because at least here they’re left alone. Or how a whumper can’t help but keep thinking that they’d rather be actively hurt than try to recon with the mind games and forced intimacy because at least when they’re being hurt they feel like they know how to feel about whumper. Or even little things they took for granted like a rag they used as a blanket, or disgusting food that was they’re only option, being taken away.

It’s escalation sure, but in a way that makes recovery for whumper so much harder, because of those constants, and those sources of comfort that make you feel as soon as your snapped back to the reality that it isn’t normal. in constantly choosing between the bad and the worse in their head, wishing things would go back to just being not as awful, they later realise they completely forgot about anything else. And with those few scraps of comfort being the only thing that makes them feel safe anymore, even after being rescued, can lead to some interesting and possibly harmful coping mechanisms as they try to feel normal again.

What feels comforting is often what us familiar, but sometimes what is familiar to whumper can be the furthest thing from comforting to caretaker.

But then again it really comes down to just balancing reader experiences. Too much of the same isn’t fun, you gotta dangle that hope that things can be better even if whumpee doesn’t believe it in the moment. To me they’re stories about how people survive, regardless of how different they come out the other side of it all, and that struggle will always be more interesting to me than everything constantly getting worse with no promise of resolution. Surprises are fun, but the same set up with different unique ways of whumping the whumpee can get tedious.

Idk just my thoughts.

I feel like total discomfort/ constant complete suffering can become sort of numbing for a character, taking away the impact of escalation at a certain point. It's the scraps of comfort the character gets or finds that hit harder then some of the most brutal scenes I've read/seen. That's just me though, what are yalls thoughts on this?

that ‘pakige?’ post but me, a couple hours after posting a fic, like ‘comints?’

Do you want to write a good disabled character?

I've been seeing the topic of disabled characters being thrown around for a while now, especially when it comes to good or bad writing. Usually, the topic is what you shouldn't do. There are a lot of great posts explaining this, and I don't want to repeat what has already been said dozen of times. Instead, today, I would like to give you exemples of what I, as a disabled person, consider to be great writing, and give you further analysis on why do these characters work !

Toph from ATLA

Toph is a blind little girl who feels like she struggles to find her place in the world as her parents prevent her from doing anything but very simple activities as they fear she might get hurt

First of all, Toph is strong. Like, really strong. She's a champion who has won multiple prizes, she loves fighting, and she even became aang's mentor. She's not a cliché of a poor little girl who can't do anything on her own, and we love that.

The relationship with her parents is rather realistic and a good source of conflict for her character. Depending on the disability, family can get either overwhelmingly protective or deny you're struggling completely. Toph is in the first case, and her trying to prove to others and herself that she can do things on her own is excellent for character growth.

Her disability does define her. We have to stop demonizing the fact that yes, some people are disabled. Toph is blind, it's part of her character and she wouldn't be the same without that trait. While characters that aren't defined by their disabilities are a GREAT representation, sometimes it's really nice to see a character whose disability is an inherent part of themselves, especially when they don't care/are proud of it like Toph. Toph has no problem making jokes about it, even mocking people who forget it.

Her bending doesn't magically cure her disability. Too often in fiction, some characters are met with a cure that gets rid of all of their problems. That is not the case for Toph. Her bending does help her quite a lot, but she can't read, draw, she's completely lost when she's flying ... Everything isn't just solved by flipping a switch.

Edward from FMA/FMAB

Edward is an amputee whose goal is to find a solution to help his little brother recover his lost body and recover his own lost arm and leg that he lost after an accident.

While Edward's goal is directly linked with his disability, it doesn't define him completely. Edward mostly feels guilty towards his brother for his mistake, and seems to think more about his safety rather than recovering his own limbs. It's interesting to state since too often, disabled characters tend to have for only goal to "fix themselves"

Slowly throughout the manga/anime, his goals get more and more different, diverging completely from what he used to have in mind. This drives him even further away than him just trying to find a cure.

When you think of Edward, the first word you have in mind probably isn't disabled, despite it being shown in the first episode of both series. This character has a full personality, background, job, ideology and thoughts. He's not just "the disabled one"

Yet, with that in mind, Edward's disability is still a very important part of his life. His automails may malfunction. He needs them to be repaired rather often. The process to get them onto your body is extremely painful and you can see everything around it is very time consuming.

Eda from the Owl House

While Eda's curse isn't exactly like any other real disability (if you can find a way for my chronic pains to turn me into a harpy sign me up), her writing does have many, many similarities to chronic illnesses.

Eda is a women in her mid forties who slowly learns how to live as a criminal witch with two children to take care of and a curse that slowly grows more powerful with time

Eda's curse is something she deeply hates and desperately tries to get rid of, but it isn't something about her that's constantly shoved in our face. It does have consequences, but getting rid of this curse clearly isn't Eda's main goal during the series.

However, with that in mind, the curse does take a huge part of her life. She has to take a medication for it, with huge consequences if she forgets it, she slowly grows weaker until she's completely unable to perform something she used to be so good at (that thing being magic), the presence of the curse has a huge impact on her mental health ...

Another important thing is that this curse doesn't affect just her, but the ones she loves as well. Being unable to talk about her problem makes it difficult for her to form bonds with others, one of the main instances of that being with Raine, her ex-partner. The fact that she hides her pain and distress makes it even worse for everyone and she feels like she can't really ask for help.

Another really important thing that links her to real-life disabilities is that her mother is desperate to find a cure, even going to find quacks who pretend that they can help. At this point, eda doesn't think she can be cured, or at least not by any regular means, and feels distressed to see her mother repeatedly saying that she found a cure. This is something that happens a lot with disabled people and can be a great source of interpersonal conflicts.

Finally, Eda accepting her curse and taking it as a part of herself is a really healthy way to portray acceptation. She's not cured. She doesn't gain the magic she lost back. However, she does gain confidence and happiness with it

really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier: