VIENNA — Figure 1: The artist AA Bronson invited me to make this photo essay of his two exhibitions at the Kunstvereins in Grazer and Salzburg. I was thrilled to be included in both exhibitions, with my photos and my new book FH of jockstraps and penises. But how to tell the story of these two complex exhibitions, filled with so many works by AA and his friends and collaborators, including installations, collaborative works, performances, and even an exhibition within the exhibition? The picture above is AA at the Grazer Kunstverein, holding the headdress to Michael Dudeck’s remarkable performance “Fish M/Other (Ape Witch).” In the background is a painting by Keith Boadwee, an homage to General Idea titled “GIGI (General Idea Gastro-Intestinal)” (2015). Keith painted this little masterpiece by squirting paint from his sphincter.
Rose Petal Mandalas, Queer Trauma, and Spiritually Intense Blowjobs
Jason Andrew of the Estate of Jack Tworkov recently uncovered a new cache of Thanksgiving photographs featuring some of the leading Abstract Expressionists. Andrew’s discovery in the family archive sheds light on a never before seen gathering of friends and family at the Provincetown, Massachusetts home of artist Hans Hofmann during Thanksgiving Day 1958.
Newly Discovered Photographs Show an Abstract Expressionist Thanksgiving
The freelance museum educators working in New York City are a particular breed of professional: highly trained (often with specialized skills for teaching populations with cognitive issues or physical disabilities), mostly possessing advanced degrees, frequently in love with their jobs. For museums, having these vitally committed, knowledgeable personnel to provide a human face for the institution is essential to one of their main objectives: helping the children and adults they teach to develop a long-lasting relationship with the museum. These freelancers are also mostly women who have backgrounds in art history, education, writing, or commercial art trading, or are themselves practicing artists.
The Precarious Lives of Freelance Museum Educators
CHICAGO — The 95th installment of a series in which artists send in a photo and a description of their workspace. Want to take part? Submit your studio — just check out the submission guidelines.
A View From the Easel
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In March 2013, Jérôme de Noirmont closed the door of his Paris gallery on the elite art strip of Avenue Matignon. “In order to continue,” he wrote in a frank farewell letter to clients, “it
Photo::vienna opening
@Uncube An Interview with artist Nathan Coley - http://www.uncubemagazine.com/blog/16153595?wt_mc=nluw.2015-10-22.content.linkartikel
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There are “certain painters,” Frank Auerbach mused to me a few years ago, “who painted in a not very distinguished way, then at the point of turning toward abstraction, painted some distingu
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