pipercarter:
Empire Line (2005) series by British photographer Gavin Fernandes.
Fernandes describes the series in British Asian Style: Fashion & Textiles / Past and Present:
By subverting representations of British “memsahibs” and their indigenous Indian servants, and through the interaction of period British costume and native Indian dress, Empire Line explores the politics of clothing and its relationship with class and caste in 19th-century colonial India.
Though so rooted in colonial imagery, I love how Fernandes’s work also speaks to the complex and often problematic cultural exchanges of the contemporary fashion industry.
classicwood:
Alphonse Mucha: The Seasons : Autumn (1897)
go to your blogs’ settings (again, you have to do these steps for each blog, not just your main blog)
scroll until you see “visibility” and choose that
in your visibility settings, choose “prevent third-party sharing for (blog name)”
you may opted out already but we don’t take chances with ai around these parts *insert angry cowboy*
tagging some mutuals to get the word out — @multifandomsimagine @pegxcarter @moremaybank @gladerscake @goldenroutledge @thatsthewaythechrissycrumbles @drewstarkeyslut @drudyslut @tangledinlove @rafeandonlyrafe @mvybanks
ed zitron, a tech beat reporter, wrote an article about a recent paper that came out from goldman-sachs calling AI, in nicer terms, a grift. it is a really interesting article; hearing criticism from people who are not ignorant of the tech and have no reason to mince words is refreshing. it also brings up points and asks the right questions:
if AI is going to be a trillion dollar investment, what trillion dollar problem is it solving?
what does it mean when people say that AI will "get better"? what does that look like and how would it even be achieved? the article makes a point to debunk talking points about how all tech is misunderstood at first by pointing out that the tech it gets compared to the most, the internet and smartphones, were both created over the course of decades with roadmaps and clear goals. AI does not have this.
the american power grid straight up cannot handle the load required to run AI because it has not been meaningfully developed in decades. how are they going to overcome this hurdle (they aren't)?
people who are losing their jobs to this tech aren't being "replaced". they're just getting a taste of how little their managers care about their craft and how little they think of their consumer base. ai is not capable of replacing humans and there's no indication they ever will because...
all of these models use the same training data so now they're all giving the same wrong answers in the same voice. without massive and i mean EXPONENTIALLY MASSIVE troves of data to work with, they are pretty much as a standstill for any innovation they're imagining in their heads
"I found this book of beautiful Art Nouveau artwork by Julius Klinger, originally published in 1902. Two of the images really struck me and I decided to upload them. A horsewoman and a female fencer."
Alt + Ctlr + reblog sign(double click)
I am curling up with chocolate and Chocolate. Because sometimes the only cure for what ails you is watching Jeeja Yanin fuck some people’s shit up.
Martial Arts Files-Yanin “Jeeja” Vismitananda ญาณิน “จีจ้า” วิสมิตะนันทน์
Style: Muy Thai,Tae Kwon Do,Jeet Kun Do
Vismitananda was born in Bangkok, Thailand. Her mother Prasita Vismitananda and her father Pawadol Borirak is a businessman and died when his daughter was 17. She has an older brother, Nantapong “Jeed” Vismitananda. She is mainly of Thai descent with some English and Burmese ancestry.
She holds a 3rd Dan black belt in taekwondo.
She was discovered by Prachya Pinkaew in 2003.
Her film debut was the starring role in the film Chocolate (2008), and her second movie was Raging Phoenix (2008).
Filmography:
Chocolate (2008)
Raging Phoenix (2008)
Jak Ka Ran (2011)
The Kick (2011)