jack-hambjer

Latest Posts by jack-hambjer

•☽────✧˖°˖ SUMMER MEMORIES ˖°˖✧────☾•

(COMMISSION)

★ Summary: A Compilation of Headcanons Featuring Salesperson ENA X Reader Who Likes To Draw

★ Commissioner: @namosaga

★ Character(s): Salesperson ENA (ENA: Dream BBQ)

★ Genre: Headcanons, SFW

★ Warning(s): None - Completely Safe!

★ Image Credits: @JoelG

☆ You doodle when you’re bored. You doodle when you’re sad. You doodle when ENA’s talking about a “high-risk divestment strategy involving artificial soap and stolen cafeteria spoons.” And at some point, you started doodling her. It’s not just her whole self—though that too, many times. Sometimes it’s just the curve of her clawed hand reaching for a megaphone. Sometimes it’s her striped suspenders tangled around a heart. When ENA notices, her Salesperson side lights up like a SALE sign. “Ohhhh. What’s this? That triangle is my face! Do you find me marketable? Beautiful? Business-presentable?” You nod. The Meanie stares. “Gross. Now we’re a MUSE? Ew. I’ll be charging you royalties for my likeness.”

☆ She finds the sketchbook one day when you’re away—left on a folding chair by a half-eaten pastry and an unopened bottle of fizzy coffee. She’s not snooping, no, not at all. Salesperson insists she’s “simply browsing local investments!” The first ten pages are filled with swirled lines, nervous clutter, random eyes. But then she sees herself. Over and over. Her bent legs, her hair curling wrong in the wind, her Meanie side squished into a heart-shaped frame. She freezes. Then she flips the pages again. Faster. Slower. Backward. She eventually whispers: “I look like someone’s safe place in here.”

☆ After that, ENA starts posing. Not directly. That would be weird. And vulnerable. So instead, she just happens to linger in dramatic stances longer than necessary. Flinging her arms toward the sky like a puppet cut loose. Curling on a desk with a fake frown. Standing by the megaphone with her head tilted at exactly 37 degrees. “My right angle is better for composition, by the way,” she mutters, fake-casual. “Stop telling them that,” Meanie snaps. “You look like an expired crayon.”

☆ You doodle her in the margins of receipts. On the back of pamphlets. In the corner of forms she begged you to fill out (“Sign here to legally acknowledge the weight of our friendship.”) ENA doesn’t get mad. Not really. She just starts leaving blank forms around on purpose. Sticky notes with “FOR DRAWING PURPOSES” scribbled in all-caps. One day she hands you an envelope. It’s empty except for a note inside that says: “Put more of me inside, please. Thank you for your service to the brand.”

☆ She watches you draw one day. Quietly. Which is rare for her. You’re sitting against a wall by the noise garden, sketchbook on your knees, tongue poking out a little from concentration. ENA crouches beside you and doesn’t say anything for a whole minute. Then five. At the six-minute mark, she finally mumbles: “You only draw the good parts.” Her voice is all Meanie. Soft. Sincere. And she won’t look at you when she says it.

☆ She starts giving you feedback. “Bigger shoulders—make me more powerful! Like a tank top model with clawed ambition!” “YOU MISSED THE HAT. DRAW THE HAT OR SO HELP ME I’LL SUE.” “You made me look too nice in this one. I look like I forgive people.” Despite the commentary, she keeps them. Every doodle you give her—ripped-out pages, napkin sketches, whatever—gets tucked neatly into a growing portfolio. You caught her one night whispering to it like a bedtime story.

☆ You try to draw her when she’s upset. Not meltdown upset—just quiet. Twitchy. Detached. Her mouth stuck in a not-smile. You sketch the tension in her shoulders, the downward tilt of her hat. You don’t show her those pages. But she finds them. Of course she does. “Is this how I look when I’m breaking in half? …Accurate.” She tilts the sketch. “But you drew me like I’m still loved, even then.” She doesn’t tear it up. She folds it gently and puts it in her cap.

☆ One day, she draws you. Sort of. It’s lopsided. Chaotic. The head is too big and the hands are just rectangles. But she gives it to you proudly, declaring: “This is YOU. You’re holding a flower and a sword and a bottle of ink and also a stress ball shaped like my face.” “You look pathetic,” Meanie mutters. “Pathetically important.”

☆ She asks you what each doodle means. You explain: That one was when she made you laugh so hard you choked. That one was when she got you out of the shadow hallway. That one was after she called you “a limited-time offer worth investing in.” ENA stares at you for a long time. Then says, “So I’m…a record? A message? A monument?” You blink. “You’re a muse.” She grins. “I’m also a tax deduction.”

☆ Eventually, she lets you draw her on her. You get a marker. A red one. She offers her arm with theatrical flair. “Brand me. Immortalize my essence. Turn me into a living portfolio!” You doodle a little heart on her clawed hand. Just one. Meanie stares at it, blinking fast. “…Dumb,” she mumbles, voice like cracked glass. Then quietly adds: “…Draw another one.”

•☽────✧˖°˖ TAKE SOME TIME ˖°˖✧────☾•

(COMMISSION)

★ Summary: You Confined In ENA After Being Trapped In Her Reality For A Long While

★ Commissioner: @namosaga

★ Character(s): Salesperson ENA (ENA: Dream BBQ)

★ Reader pronouns: Not Specified

★ Genre: Short Story, SFW

★ Word Count: 1265

★ Warning(s): None - Completely Safe!

★ Image Credits: @JoelG

You don’t remember when ENA first took your hand. It probably wasn’t a momentous gesture, not even a gesture at all—just something that happened mid-monologue, mid-run, mid-deal gone haywire. One moment you were flinching at the yelling sky and the stairs that ran sideways, and the next you were being tugged forward by a mitten hand and a clawed one, ENA in her stripy suspenders skipping confidently into nonsense.

“THE BATHROOM IS THAT WAY,” she’d declared, pointing at a blinking neon orb hanging in a tree. You’d learned not to ask questions by then. Or at least not ones with answers.

Now you were in some place called the Marketplace of Ephemeral Trades, which ENA explained was either:

A) a bazaar where you could exchange your current mood for another,

B) a job fair for imaginary careers,

C) a scam,

or D) “YES.”

You cradled your overpriced juice (it tasted like memories of kindergarten) and tried not to wince every time someone’s head turned into fruit or a phone began sobbing behind a stall.

“I’ve been considering investing in… wrist confidence,” Salesperson ENA said thoughtfully, adjusting her cap. “Strong wrists? Very persuasive. Not for strangulation, of course—unless I’m pitching a mob boss.”

“Or resisting an existential collapse,” you mumbled.

“Exactly! Cross-marketability!”

She was always like this. Half-interested, half-deep, half-jumping-through-sentient-hula-hoops just to get from point A to point Q. Even Meanie ENA (the one that barked into megaphones and cursed at sand) didn’t entirely know what they were doing. You were pretty sure no one in this world did.

But ENA made it survivable.

Even now, walking through this marketplace of wiggling perspectives and twitchy signs, she kept one eye on you. Not always the same eye. Sometimes it was a triangle, sometimes it blinked wrong. But she noticed when you stumbled, or when you flinched at a too-loud bell someone mistook for a baby.

“Would you like to scream into a pillow-sized coupon?” she offered helpfully. “It’s scented like meh.”

“I’m okay,” you said, lying like a badge pinned to your chest.

You weren’t okay.

You hadn’t been for a long time.

You’d been in this world—her world—for… you weren’t sure. Time made pancake flips here, randomly deciding to burn one side. It might’ve been days, or it might’ve been a second you couldn’t stop dreaming about. You didn’t exactly arrive so much as leak into the place, like a coffee spill no one cleaned up.

You remembered routine.

Waking up, brushing teeth, emails, masking smiles, fluorescent lights at the grocery store that made your spine crawl, being praised for doing things “normally” and then wondering if anyone actually knew what normal meant.

Now you lived in ENA’s pockets.

Sometimes literally. The striped ones were deceptively deep.

That night—if you could call it night, when the moon rotated between cartoon faces and equations—was the first time ENA invited you somewhere quiet.

Not funny quiet, not wrong quiet, not “we’re inside a living teacup that gurgles when we speak” quiet. Just quiet.

The “room” was a slow, dark hill that unfolded like a crumpled napkin. There were no walls. Just fog that politely minded its business. The stars above you flickered like old VCR static.

“THIS is the Department of Melancholy,” ENA whispered.

“…Is that real?”

Meanie ENA’s voice rumbled in the air beside you. “Of course it’s not real, YOU SUBURBAN SOCK MONKEY. It’s a name, not a tax form.”

But she didn’t sound angry. Not like usual.

“Why bring me here?” you asked, curling your knees to your chest. You didn’t want to be difficult. You just… always felt like a weird puzzle piece from the wrong box. In the real world. In this one too. Always.

“Because the other rooms were laughing at me,” said ENA flatly. “I required a setting that wouldn’t say snide things about my mental architecture.”

You couldn’t help it. You laughed. Loudly.

She turned to you, red side grinning like a birthday card.

“There it is,” she said, and leaned in, whispering like a market secret: “My favorite sound.”

The moment stretched. Not heavy. Just slow. You watched the mist blink around you, yawning in fractals. Somewhere in the distance, a vending machine wept coins.

“…Hey,” you said.

“HEY!” ENA echoed, then blinked. “Sorry. Habit.”

“No, it’s okay. Just… Can I be serious for a second?”

“Oh,” she said. “Are you dying?”

“What? No!”

“Oh. Good. Then yes, absolutely. Be serious. I’ll just… mm.” She dramatically zipped her mouth with a finger and tossed the invisible key into a puddle that squeaked.

You sighed. Looked up at the static stars. And let the words come out without shame. Without mask.

“This world,” you said slowly. “Still doesn’t make sense to me. Even after everything.”

ENA didn’t interrupt.

You swallowed, letting yourself feel the weight.

“And back home… the real world, I mean. That didn’t make sense either. It felt like I was wrong all the time. Too slow. Too fast. Too weird. Too—much. I had routines, I had ways to cope. But I never really fit.”

You didn’t cry. You weren’t going to cry. It wasn’t like that.

It wasn’t sadness. It was just…Truth.

“Not even in a sad way. Just… like I was never built for any of it. There, here, anywhere.”

You waited for her to make a joke. To pivot. To change the subject.

Instead, you felt her sit closer.

“…We are not in business with the universe,” ENA said softly. “The contract was written in invisible ink, and our manager keeps changing shape.”

“…What?”

“I’m saying,” she said, voice gentler than usual, “That what you’re feeling? That’s a reasonable response to unreasonable worlds.”

You laughed once, quietly. “You always say weird stuff like that.”

“Yes. But I always mean it.”

You turned your head.

She was looking at you with both sides now. Meanie and Salesperson. Stern and soft.

“You’re an anomaly,” she said. “But anomalies are just patterns nobody has seen enough to understand.”

“…Yeah,” you said. “But I’m tired of being an exception.”

Silence, thick as syrup.

“Then don’t be.”

“Huh?”

Her voice dropped low. Honest.

“Be a constant.”

“What, like a math problem?”

“No. Like a home.”

You blinked. “What do you mean?”

“People think of ‘home’ as a place. A static object. A hearth, a hallway. But I’ve seen those. I’ve been inside castles made of teeth and apartments that bleed. And none of them felt like anything.” She tapped your shoulder with her claw-hand. “You? You feel like something.”

Your voice came out, wobbly and stunned. “So do you.”

She tilted her head.

“ENA,” you said quietly, “You’re the only thing in this whole twisted reality that feels like home. Not in a… weird way. Not in a way where I need you to survive or whatever. But…”

You looked down at your hands.

“When I’m with you, I don’t feel like I have to pretend. I can exist. And that’s enough.”

She was quiet.

Too quiet.

You glanced up—and for once, saw both sides frozen.

Not yelling. Not selling. Not emoting.

Just… stunned.

You panicked. “Oh god. Was that too much? I wasn’t trying to—”

“No no no—SHUT UP, YOU EMOTIONAL CAVIAR,” Meanie ENA snapped.

Salesperson ENA broke in immediately: “Wha—what she means is—give us a second. Buffering.”

“Buffering?!”

“YES, buffering! You can’t just drop the ‘home’ word in a dreamland! That’s practically marriage!!”

Your eyes widened. “Wait, what?! That’s not what I meant—”

“I KNOW,” they both said in unison. Then paused.

And then, softer, ENA added:

“But I’m glad you meant what you did.”

•☽────✧˖°˖ GOODNIGHT HAWAII ˖°˖✧────☾•

(COMMISSION)

★ Summary: A Compilation of Headcanons Featuring Salesperson ENA X Reader Who Suffers With Dissociative Episodes

★ Commissioner: Wishes To Remain Anonymous

★ Character(s): Salesperson ENA (ENA: Dream BBQ)

★ Genre: Headcanons, SFW

★ Warning(s): None - Completely Safe!

★ Image Credits: @JoelG

☆ She writes your name on her arm in marker. It was after the third time you forgot where you were, or worse—who she was. ENA had been in the middle of a passionate tirade against “the modern marketing mythos” when your eyes glazed over like glass, and you blinked yourself into some distant fragment of unreality. You said, “Who are you?” She didn’t yell. She didn’t even twitch. Instead, she pulled a marker from her cap like a magician might, uncapped it with her teeth, and scrawled your name across her forearm in an all-caps blocky font. “THIS IS YOURS,” she said proudly, holding it out like a trophy. It didn’t fix anything. But it felt like it could.

☆ Salesperson ENA tries flashcards. You open your eyes in her room one evening and don’t recognize a single thing. Not the bed. Not the ceiling fan that’s spinning in stilted, fractured time. Not even her. “Oh! You’re awake! Hang tight—commencing memory recovery protocol.” She whips out a little stack of index cards with hand-drawn doodles: A triangle. A cracked megaphone. A stick figure labeled “YOU.” Another labeled “ME.” She flips them one by one with such speed and enthusiasm that it makes your head spin. You forget your name again by the fourth card, but you remember her laugh. It’s enough.

☆ Meanie ENA yells at your dissociation like it’s an enemy. The first time you zoned out mid-conversation and didn’t respond for several minutes, she snapped. “HEY! HELLO?! EARTH TO MEMORY GLITCH! WHAT KIND OF SCAM IS THIS?!” You flinched—like she’d caught you doing something shameful. But then she quieted. “…I wasn’t yelling at you. I was yelling at the thing that stole you.” She sat beside you in awkward silence, gripping your sleeve like she could anchor you to now. “You’re not allowed to go on solo missions anymore,” she mumbled. “Take me with you next time, idiot.”

☆ Her business metaphors get painfully heartfelt. When you get overwhelmed and feel yourself slipping, Salesperson ENA will rattle off a strange pitch, like: “You’re an asset under temporary recession, but your emotional capital remains intact!” “I’m projecting a 12% rebound in your cognitive presence, just give it time.” It’s ridiculous. It’s corporate nonsense. But it’s her nonsense. And the sincerity behind the words is so fierce it almost hurts.

☆ She starts narrating your life when you go nonverbal. When your words vanish like fog at sunrise, ENA’s voice fills the silence. “Today, our protagonist finds themselves amidst an internal coup, the memory department on strike again. Will they recover their agency? Or will the villainous void claim another victory?” Sometimes she makes you a hero. Sometimes she makes you a fish. One time you were an onion with a tragic backstory. But always, always, she ends with: “And yet, against all odds, they persist.” You mouth “thank you” through the static in your brain.

☆ Meanie keeps a logbook—just in case. She never admits it out loud, but tucked under her pillow is a tattered notebook full of messy scribbles. Things you’ve told her. Things you’ve forgotten. Things she wants you to remember, but knows you might not. There are entries like: “They laughed today. I don’t know why. But it made me feel less gross inside.” “Tried to yell when they forgot my name. Didn’t help. Will try quieter next time.” You found it once. She slapped it out of your hands. “HEY! THAT’S NOT FOR YOU YET!!”

☆ She builds you a ‘reality anchor’ box. One day she arrives with a cardboard box full of the most useless junk. A cracked plastic clock. A plush that vaguely resembles her. A page torn from a magazine with your name spelled wrong. “I call it the HERE AND NOW box!” she beams, adjusting her hat proudly. You stare at her. “…That’s just a spoon.” “It’s a symbolic spoon, okay? Grounding! Therapy stuff! I researched it on the shady side of the internet.” You touch the spoon when your mind feels foggy. It’s warm from her hands. It’s not a cure. But it’s a reminder.

☆ Meanie learns to stop blaming you. At first, every memory slip made her feel like you were betraying her on purpose. “Why do you always disappear when it matters?! I’m not nothing to you!” But one day, when you forgot her name entirely and said it in tears—“I don’t want to forget you”—something shifted. She just sat down. Quiet. “You’re not doing this to me, huh?” She apologized. Clumsily. “S-sorry for acting like your symptoms had intent. That was…dumb.” You said, “It’s okay.” She said, “No. It’s you. That’s why I care.”

☆ Salesperson ENA leaves you voice memos. She installs a strange little recorder on your jacket collar that plays whenever it senses you spacing out. “Ping! You’re still here! You’re doing amazing! I know you’re scared, but your brain is not broken—it’s just… buffering!” Another message is her reading you a poem about ducks. The next is her explaining quantum physics very, very wrong. You never know what’s coming. But her voice, bouncing in your ear like a lifeline, always pulls you back.

☆ Both sides learn that being earnest matters more than being perfect. They try so hard. And most of the time, they get it wrong. Salesperson ENA overwhelms you with charts and graphs about recovery rates. Meanie ENA tells dissociation to “go punch itself.” But they never leave. They never act like you’re a burden. And when you finally say, “Thank you for trying,” ENA looks stunned. “Of course,” she says, softer than usual. “You’re the only investment I’d never divest from.” Even Meanie turns red. “Ugh. You’re lucky I’m sentimental now.”

hello! i recently got into dream bbq ena and adore all your writing with her. it scracthes my brain so nicely im shakign her around in a jar

i was wondering how you think ena would be with a reader who likes to talk a lot? maybe they like to ramble about their home, things that reminds them of ena or whatever thought that appears in their head. a certified yapper if you will (this isn't meant to be a request, just a silly curiosity if youre willing to indulge me)

•☽────✧˖°˖ OVERABUNDANT WORD VOMIT ˖°˖✧────☾•

★ Summary: A Compilation Of Headcanons Featuring Salesperson ENA X Reader Who Talks A Lot

★ Character(s): Salesperson ENA (ENA: Dream BBQ)

★ Genre: Headcanons, SFW

★ Warning(s): None - Completely Safe!

★ Image Credits: @JoelG

☆ ENA does not interrupt you. She catalogues you. Mid-ramble, while you’re passionately explaining the significance of a weird statue back in your hometown (“and it kinda looks like you from the back, I swear!”), ENA leans in, nods once, and chirps: “Interesting. You correlate me to public art. Does this reflect societal placement or aesthetic longing? I’m flattered either way.” She doesn’t understand all of it. She wants to. Meanie, on the other hand, squints. Taps her temple like it’s full of bees. “You talk like you’re auditioning for a friendship contest and flunking the quiet round.” But she never leaves. She stays. Always.

☆ You’ve rambled about your favourite cloud shapes for seven minutes straight. ENA, taking your words with the solemnity of a divine pact, starts pointing out clouds shaped like you. “There. That one resembles your hair curl pattern. Mark it. That’s ‘Talker Type VII.’” You laugh. ENA smiles softly and spins her sales cap backwards, like she’s about to sell you a sunbeam.

☆ Sometimes your chatter overwhelms her. Not in a bad way. Just… Too many words. Too many feelings. You’re talking about your grandma’s cooking and how the smell of burnt sugar reminds you of safety and then of death and then of her, and she gets this faraway look. Her voice lowers. “Ping me in some moments.” She walks off. Breathes. Comes back fifteen minutes later and wraps you in the world’s most complicated hug. Arms askew. Head tilted. “Repeat the part about safety. I want to write it down.”

☆ When you talk about her, ENA listens with one side while pretending not to with the other. Salesperson beams and poses: “Yes, yes, I am devastatingly cool in moonlight! Say more!” Meanie growls: “STOP MAKING ME FEEL ALL…TWINKLY! That’s a violation of workplace boundaries!” You assure her there is no workplace. There is only love. She glitches mid-scoff. Blushes in binary.

☆ You once compared her laugh to the sound of a broken music box mixed with a champagne cork pop. ENA immediately adopted it as her LinkedIn bio. “Broken music box. Champagne cork. Let’s pop off, business darling.” She starts practicing her giggle. Not to impress you—To match your poetry. To deserve it.

☆ Your voice grounds her. That’s the weird part. She expects to be annoyed. She isn’t. You’re babbling about the shapes of shadows or how this dream-sky tastes like mint and wet marble, and she—She lets go. Salesperson chuckles and says: “The ambience you provide is profitably therapeutic.” Meanie mutters: “I could nap in your sentences and forget the Boss exists.”

☆ Sometimes you talk too fast, and she can’t follow. So she starts mimicking you—word for word, tone for tone, like a glitching parrot. “AndthenIsaidnoandtheywerealllikeBOOM—BOOM—andIwas—” “BOOM! And I was! And you were!” You both collapse into giggles. You’re never embarrassed. She never wants you to be. Your joy is the only thing she doesn’t try to “optimize.”

☆ During “quiet” missions, she physically covers your mouth with her clawed hand. “Shh. Hush-hush. There are spies in this hallway. We’ll get audited by existence itself if you keep discussing lentil soup.” But she forgets to let go. You’re talking into her palm. She’s blushing through her hat brim. You whisper: “…I’m still talking about you.”

☆ You speak like your voice is trying to rebuild the world. She stares at you like she’s reading a map of a place she’s never been. Sometimes you ramble just to fill the silence. She knows. And she lets you. Always. Because silence to ENA isn’t absence. It’s danger. It’s static. But your words are anchor codes. They keep her here.

☆ Eventually, ENA starts mimicking your chatter habits. She fumbles at first—“So. Uh. My favourite chair is…also kind of about you. Because it’s broken but still very…very present. I-I don’t mean you’re broken, just—AH—STOP LOOKING AT ME LIKE THAT—“ You grin. She frowns. Then smirks. “Fine. We’re both broken. And beautiful. AND obnoxiously talkative. High-five me, noisebox.” She loves every syllable you spill. Even the ones about toothpaste brands and your neighbor’s dog. Especially those.

silly lil j

Original Post

The other one

A snake story, based on an experience I had while I was in Florida.

Black cats are lucky. (via leahweissmuller)

Brittle Doughie Masterlist Checkpoint (Lists 1 - 10)

This post is a compilation of @brittle-doughie’s masterlists organized by month and years. This checkpoint features lists 1 through 10.

2022

List 1 (Late 2022)

List 2 (Jellywalkers)

2023

List 3 (Early 2023)

List 4 (Mid 2023)

List 5 (Late 2023)

2024

List 6 (Early 2024)

List 7 (Spring 2024)

List 8 (Summer 2024)

List 9 (Fall 2024)

List 10 (Holiday Season 2024)

Alien Blues by Vundabar

ATTENTION

If you see this you are OBLIGATED to reblog w/ the song currently stuck in your head :)

when she says she doesn’t send nudes

woke up today and realized that tumblr entirely killed fuck ya life bing bong so here ya go again

I know it’s not hard to point out reactionaries hypocrisy when it comes to like safe spaces or hug boxes or whatever but genuinely how much of an echo chamber do you have to exist in for you to think this is a reasonable thing to say

There He Go!

gummy lamas

Crows are the best birds in the world.

Stu, let me ask you a question: how did you not realize until then that you had too many eggs? Nobody sells eggs in a big cloth-covered basket, so you must have done that yourself. That means you spent god-knows-how-long opening up twelve whole cartons of eggs, carefully placing each egg one-by-one inside a big basket, and then covering it with a big picnic cloth… and at no point- at no point- did you ever stop and think “gee, there might be TOO MANY FUCKING EGGS HERE”

You really have lost control of your life.

Study of Michelle Yeoh for The Sunday Times Style Magazine

🥳

I'M GOING TO DIE CELEBRATING MY BIRTHDAY?! That's not so bad.

your 12th emoji is how you'll die

☕️

Bob Ross and Peapod the Pocket squirrel (1984)

Hi LOVE the way you draw the effects of lady clarity, its SO stunning....

What do you think would happen if marinette and felix both got hit? Don't strain yourself I just think it would be really cool!

huh! who knew phantom hearts could interact with each other huh? :3c

Birds of a Feather previous / next

trigger warning: blood

PAVO LOCKS IN

the sundress in question:

Something I've always been curious about with your amazing Changeling AU, can everyone see the transformations the changeling kids go through in the comics? Or is it like something only those with special eyes/some level of awareness of what the fae and changelings are can pick up on?

dad villain!au Marinette is still into fashion, but tends to just work on personal clothes or fun outfits for Nooroo exclusively. She likes making him feel sharp and dapper~

bonus:

Familiar fish

Since 4 leaf clovers grow where Marinette sits, what would Adrien's equivalent be??

Nothing grows where he sits, but things sour if he holds onto them for too long. This means, if he times it juuuust right, with juuust the right amount of prep, he can turn grape juice into wine~

What have you been up to?

Making a Bishop I hate for @sm-baby beloved Piece by Piece world