Right Where You Left Me Goes So Fucking Hard. Y'all Heard This Shit??? The Way She Sings Breathlessly

this really is for tortured gay people with depression i love it

but daddy I love him is so 🏳️‍🌈👩‍❤️‍💋‍👩

but daddy I love her 😇

so let me get this straight…

swifties/hetlors would rather:

believe taylor dated a minor, believe taylor dated an 18yo for two months (who she apparently still writes about in her 30s), make AI babies of her and football boy and post their every move/interaction, believe travlor is NOT pr (despite obvious reasons)

… than believe maybe some of her songs were about women (with proof provided). okay. 😃

put narcotics into all of my songs and that’s why you’re still singing along

"We hereby conduct this post mortem." -Why? Oh, 'cause she's dead! (REP) Oh my goodness, I feel something is coming, I'm not prepared!

and in the death of her reputation she felt truly alive…

she’s up✌️something isn’t she?

It's not about kaylor but I really want to know about the song all too well. Who is it about? I think Jake G was PR. And the lyrics doesn't fit the Taymily narrative either. This song and the relationship seems very important to her. It hurt her badly. I am asking you because you always make very informative and reliable post that makes sense and closest to the truth.

Also who is Dear John about? Is it really John Mayer? Her only straight relationship I believe in is Joe Jonas.

Hi!

Thank you sooo much for saying that! It means a lot. I really can't claim that my theories are always 1000% right, but I do make a lot of research before posting, and try to cross check everything.

2. I must admit that when you asked the question, I did not have real solid theories or evidence to give you. I was even bending toward telling you that the song might be about Lizz since the timestamp of the song on Spotiy is 5:27 = Lizz birthday.

3. Considering that Taylor wrote this during Speak Now Era and that Lizz was present during that Era, well it doesn't fit the narrative of the song being about a relationship that has ended some time ago. And also, it would have been really weird to write this song during rehearsal where Lizz was present, if it was about her...

But thanks to you! I did a lot of research to try and find evidences (I read all the timelines but I'm not that well verse in what came before Kaylor and Swiftgron).

I asked what my groupchat thought about this.

Re-read the Taymily Masterpost (X)

Read and watched Taymily interviews

And now! I can say with more confidence, that I'm pretty sure this song is about Emily Poe, her fiddle player that worked with her from 2006-2008.

Now. Here's the evidences:

First. As pointed out by my group chat, the song does not seem to fit Tayliz dynamic. It seems to be talking about a complicated relationship with someone older.

As by the lyrics "you said if we were closer in age, maybe it would have been fine"

So first thing I did is look back as to when it was written.

Here's a piece of interview I found:

Thanks to this post: (X)

We know that she wrote it during her reheasal in 2011.

Because here's when David Cook started working with her:

And here's the date of his first show in the Phillipines:

February 2011....

Then, I did a little digging on what was going on with Emily at the time:

And oh does it get interesting!!

Here's an Emily's interview I found (X)

And here's what she was doign in February 2011!!! (I'm excited of the evidence I've found, does it show lol) :

"Two thousand eleven was a big year for me. I became engaged in February, graduated law school in May, took the bar in July, and Eli and I were married in November.”

What did Taylor said?: "I was feeling terrible about what was going on in my personal life"

What if she just learned about Emily's engagement???

And to make it even more interesting. Here's a journal entry with the first lyrics of All Too Well:

Confirming that it was written in 2011.

This is inchteresting.

But it gets better!

Because, before last year, Emily's Pinterest was public. And on her wedding board, she did save a picture with a red scarf....

It's not Emily, it's just a picture that she had saved in her Pinterest. Thanks to Kate for giving me this!

But what if the red scarf was really just to tie the song to Jake???

Here's another interesting thing I've found in the Taymily timeline:

This letter is from the video she made to Emily when she left, with everyone having "I love you Emily" signs.

It says:

“Emily– I feel as if our relationship has been taken to the next level over the past few months and with much contemplation I decided I would bestow upon you one of my most prized possession: my flamingo bandana. This is a 3rd generation family heirloom and i suggest you frame it. I think it will look perfect in your apartment with the cat pillows. Enjoy”

Inchteresting....is the red scarf a bandana??

Also. We know that All Too Well was really significant for Taylor and that for a long time, she was not able to sing it without crying...

So it's about a relationship that had a big impact on her life.

Very recently. Like in June, Taylor performed the song Breathe as a surprise song and very clearly cried during that performance.

The next day, we learned that the day before the show, Emily did this post on Facebook:

Breathe was heavily rumored to be about Emily back when Fearless came out. But Colbie confirmed it with Fealess Taylor's Version in an interview when she said that it was about something that was going on with one of Taylor's band membre.

So yeah... this would make way more sense being about Emily and having Taylor be emotional singing it for a long time.

Than the song being about a relationship that lasted 3 months.

Of course I can't know for sure for all her relationships...

But most of them I believe was PR. Like the one she had with Jake.

Thanks for the question! It was really interesting doing all those research!

ADDITION!! : It just hit me but! The line "And you call me up again just to break me like a promise"

Fits perfectly with Emily calling her to tell her about the engagement! omg...

SECOND ADDITION: This morning when I woke up, I thought about two things that points to Emily!

1. Taylor turned 21 in 2010, 2 months before writing All Too Well.

"And you call me later and say sorry I didn't make it and I say I'm sorry too" from The Moment I Knew

to two months later:

"And you called me up again just to break me like a promise"

2. The night Taylor sang Breathe and looked devastated after Emily's Facebook post. She also sang All Too Well looking REALLY MAD.

People have all noted it.

Look: (X)

This solidifies even more that All Too Well is about Emily for me...

The Fortnight video foreshadows the convergence of Taylor Swift and her brand

In her videos, Taylor has continually played with the idea of herself as a person versus as a brand. These portrayals have almost been adversarial in nature. Think about the relationship between the two life sized Anti-Hero Taylors. The hooded robot Taylor who got to exist in the world while her bare counterpart was trapped in glass. Etc.

The Fortnight video introduces similar characters but flips the script because there isn’t a me versus her dynamic anymore. Instead, there is a story about coming together.

A scene by scene breakdown:

Taylor Swift™️ is chained to a bed in a white gown with a spicy slit and garter. A faceless nurse enters walking upside down on the ceiling (a continued theme suggestive of PR games). The nurse presents “Forget Him” pills, arguably reminiscent of a dark time where the world thought they could “cure” homosexuality. After Taylor Swift™️ begrudgingly takes her dose, the nurse unchains her.

We then see Taylor Swift™️ approach a two way mirror and wipe the mask off her face, revealing face tattoos we know to be Post Malone’s in real life. This reveal is setting the scene that within this video Post Malone represents Taylor’s inner self, her true soul behind the veil of celebrity. I’ll call him True Taylor.

Next, the mask is back and we see Taylor Swift™️ walk out of the observation room and into the workspace. She goes from wearing a leggy white gown with garter to a fully covered black poet-esque dress. She isn’t dressed for voyeuristic eyes anymore, she’s dressed to work on her art. I love this light to dark transition because black can be seen as the absence of light. Fitting for a tortured poet who can’t live her truth in public with her sunny muse by her side.

Note that we don’t get to see black dress Taylor Swift™️ through the two way mirror. She exists behind the bright lights of fame, making art in a room hidden from our view. Maybe the pills numb her enough to twist the art for an audience who likes to her to be chained to a bed while they watch her suffer.

But wait Taylor Swift™️ and True Taylor are collaborating. They start work separately but their art eventually drifts out of their typewriters, combining into a white light that bursts into a rainbow. Remember how I said black light is the absence of light? Well white light is comprised of all hues on the visible light spectrum.

We know there are layers to Taylor’s music: the surface layers chock full with to red herrings for the grocery line Swifties and the deeper layers of Taylor’s truth. They both exist in the art, swirled together.

But here is where things start to feel different. We cut to True Taylor and Taylor Swift™️ away from all those faceless people - they are alone in the middle of a road. That in itself is ridiculously symbolic of being on the way to somewhere (maybe brighter days). But there’s more because they are dressed identically, laying inside Taylor’s head that is made up of their art. This scene is like bonking us on the head that these two people are one and the same.

Note: The silhouette here is from the Style video which also portrays Taylor’s inner self as a man.

Taylor Swift™️ runs to True Taylor and they embrace in the middle of the road as pages of their art float around them. In the chaos, Taylor Swift™️ reaches out to True Taylor.

Maybe this scene is suggesting the public version of Taylor is ready to embrace her real self.

Then we see Taylor Swift™️ strapped to a table, wild hair from dropping the hairpins we saw in the opening scene. The drugs aren’t working, it must be time to escalate to shock therapy. The men around her gather and there is literally a sign in the background that says “Master Control”.

But one of the men in the room making decisions for the brand is actually True Taylor, who has been there all this time.

Enough is enough when True Taylor can’t take the pain and pulls the plug on the procedure, freeing public persona Taylor from torture.

Next we see True Taylor, familiarly encased behind glass, on a phone call. Perhaps making plans while safe from the rain. Taylor Swift™️ is elevated on a pedestal, out in the storm, in her best dress FEARLESS! Credit to @rep-princess-witch who put the fearless connection together in another post.

I’ll say it again, that is the huge difference in this video compared to others. Here, Taylor Swift™️ is not an antagonist, she is ready to brave the storm.

So what does she do? She’s back in the workspace burning all the files. It’s not without emotion but it’s necessary. We then see a stoic Taylor Swift™️ with no regrets.

After burning the files she’s back in the observation room. It’s time to fight back against the voyeurs and she does so my smashing the glass between her and them. She regains her agency by squashing their ability to hide. Shes deserting her past life.

Note: We don’t see True Taylor back inside. This fight is specifically for Taylor’s public persona.

In the closing seen, we see True Taylor leave shelter, step outside into the storm, and reach for Taylor Swift™️. The person and the public persona are weathering the storm hand in hand.

*Please check out @heyitsmoog on TikTok - he shared thoughts there that inspired me to make this post.*

She did the new version of Lesbian in sign language tonight making sure we see her index finger clearly on her chin oh my god-