LOONA ♡ ‘ FLIP THAT ’ MV
i do wish bottom surgery was promoted more in the same way this website promotes hrt because i so often see people express clear bottom dysphoria with a very unambiguous desire for different genitals and it's like. well there's a fairly simple solution to this. sure it's not accessible to a lot of people but neither is transition in general, and i think once people accept that surgery is an actual real goal of theirs they will realise that a lot of the reasons Why Not or Why Can't are less severe than they thought (eg concerns about the recovery process, concerns about how theyre gonna access surgery in the first place, concerns about finding a surgeon who will operate on you due to whatever medical or social reason you have that would mean some doctors would refuse) and can be overcome. especially if you are just worried about being refused bc of a disability, i really have met people who got bottom surgery with all sorts of disabilities that i might have thought would disqualify you with a lot of surgeons —a lot of them have to wait longer to get eg a neurologist or whatever to sign them off, and to get the proper safety procedures in place for their surgery, but i'm yet to meet someone who was completely denied outright for having a medical condition, and i've met a whole lot of ppl who have had bottom surgery.
even the top gets called a faggot
I feel like SAWTOWNE’s “Confessions of a Rotten Girl” is so good partially because of how it makes even people who may dislike fujoshis sympathize with Miku, and it’s interesting that it’s not actually done by painting her as “one of the good ones”. Everything that’s despised about fujoshi culture, Miku explicitly is portrayed as doing.
Disliking female characters on the basis of them “getting in the way” (and being quite misogynistic about it to boot), sexualizing and shipping men in real life (the men portrayed in the song are her teachers), and even the yaoi paddle known for being used to sexually harass cosplayers…
… all these aspects are there. Hell, one of the most disliked part about fujoshi culture from a social justice standpoint — the language of describing queer relationships as “sinful” — is the whole basis behind the song.
However, SAWTOWNE, instead of lessening that toxic trait, “yes, and”s it. “Yes, she calls queer relationships sinful, as a (presumably) heterosexual woman who finds their relationship gratifying. AND, the reason she does that is because she is a sexually repressed Christian who feels guilty about having any sexual desire whatsoever.”
I think that one (very clever!) addendum makes it so any discomforting aspects to the song takes a backseat. Instead of being a song about trying to resist an interest in yaoi / The Gays specifically, it more so becomes a song about trying to resist any “abnormal” sexual desires, which makes it very easy to like this version of Miku, even as someone who very much dislikes the aspects of fujoshi culture she represents.
Plus we need more gooner girl rep anyway, lol. (As a comment on the video said: close enough! Welcome back Plus Boy!)
Sinners studies in heavypaint
the relationship between zionism, nazism, and hindutva in ‘hostile homelands’ by azad essa
i think ultimately you do really have to kill that part of your brain that vividly imagines how you would redo parts of your life.
I do want to touch on one more thing. When black people were stolen from Africa and put on those ships. They stripped us of our culture, our language and our history. A lot of us in present day can’t even say where our ancestors came from exactly, we can’t speak the language, we don’t even know the names of our forefathers.
That music scene was so moving because it highlights that despite all of the terrible atrocities, we are connected. Past, present and future. It’s in our soul, it’s in our very bones. We will always carry each other. It’s spiritual and it’s unbreakable. That power is our birthright.
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