The first principle is that you must not fool yourself and you are the easiest person to fool.
Richard P. Feynman
Paisajes de El Greco
View of Toledo by El Greco.
El Greco cultivated other genres more rarely…. His two landscapes, View of Toledo (c. 1610; New York, Met.) and View and Plan of Toledo (Toledo, Casa & Mus. El Greco), are also late works of c. 1610. In these El Greco is preoccupied with the means of representing what is perceived as well as an emblematic sense of the urban landscape and a zenithal projection of the city, a combination that was advanced in the representation of urban topography. It is possible that in Toledo and Madrid these works influenced interest in still-life and in landscape, genres that had, almost exclusively, been orientated towards a naturalistic type of formal structure.
From 'Greco, El [Theotokopoulos, Domenikos [Dominico; Dominikos; Menegos]]' in Grove Art Online on Oxford Art Online.
We’re examining inspiring landscapes this July on the Oxford Academic Tumblr.
Image credit: View of Toledo. El Greco. c.1599. Metropolitan Museum of Art, New York City. Public domain via WikiArt.
Piña + Maga
Hello Darling! :) Could you please check out my "amazing moments" blog? You would make me very very happy! :)
Hello! Sure, thanks for the invitation!
The meaning of life
Ethical thought consists of the systematic examination of the relations of human beings to each other, the conceptions, interests and ideals from which human ways of treating one another spring, and the systems of value on which such ends of life are based. These beliefs about how life should be lived, what men and women should be and do, are objects of moral enquiry; and when applied to groups and nations, and, indeed, mankind as a whole, are called political philosophy, which is but ethics applied to society.
Isaiah Berlin The Pursuit of the Ideal
The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.
Italo Calvino in Italo Calvino: Letters, 1941–1985
Song: “Hellfire” by Yellow Fever
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Gato/Leopardo, indiscernibles
George Ferrandi
it felt like i knew you…, 2012 - ongoing
I ride the NYC subway trains, usually in the evening when the seats are full. I focus on the shape of the space between the person sitting next to me and myself. I attempt to mentally and emotionally re-sculpt that space. In my mind, I reshape it- from the stiff and guarded space between strangers to the soft and yielding space between friends. I direct all my energy to this space between us. When the space palpably changes, and I completely feel like the stranger sitting next to me is my friend, I rest my head on that person’s shoulder…