What I want to do today is to consider what is involved when we seek to understand our own and others' lives backwards, reflecting on earlier thoughts, feelings and emotions, and responding emotionally to them. The idea I want to put forward is that everyday explanation of what we think, feel, and do is narrative in form, presenting what happened from a possible multiplicity of perspectives: not just the perspectives of those involved in what happened, but also the perspective of the narrator—the person who is giving the explanation. Seeing our everyday explanations in this light enables us also to see how emotional responses to value can be recognised in this potential multiplicity of perspectives. Things swim in emotions. In this respect, everyday explanation is extremely close to fictional narrative, and this is because they are both species of the same genus—the genus story.
Goldie, P., Narrative and perspective
Aldaba, en Fornalutx, Mallorca. Las bonitas mordidas del tiempo dejan su huella de herrumbre.
Fornalutx, Mallorca, Copyrights Val Moliere 2013 #Do not post on pinterest#
Políticas justas de distribución
The only obsession everyone wants: ‘love.’ People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you’re whole before you begin. And the love fractures you. You’re whole, and then you’re cracked open.
Philip Roth, The Dying Animal (via wordsnquotes)
Contar... ¡es hilarante!
Jonny Greenwood plays Steve Reich's Electric Counterpoint @ Glastonbury 2014
La Biblioteca Central de la UNAM
University Library (1956) Mexico City, Mexico. Architects: O´Gorman, Saavedra, Martinez de Velasco.
The Diffusion of Useful Ignorance – Thoreau on the hubris of our knowledge, and the transcendent humility of not-knowing.
Complement with astrophysicist Marcelo Gleiser on living with mystery in the age of knowledge.
George Ferrandi
it felt like i knew you…, 2012 - ongoing
I ride the NYC subway trains, usually in the evening when the seats are full. I focus on the shape of the space between the person sitting next to me and myself. I attempt to mentally and emotionally re-sculpt that space. In my mind, I reshape it- from the stiff and guarded space between strangers to the soft and yielding space between friends. I direct all my energy to this space between us. When the space palpably changes, and I completely feel like the stranger sitting next to me is my friend, I rest my head on that person’s shoulder…
El Día de la Danza en la Ciudad de México Por: Pablo A. Tonatiuh
Para motivar: Klimt y un beso