"Why I'm No Longer Talking To White People About Race" By Reni Eddo-Lodge. I Want To Become A Better

"Why I'm no longer talking to white people about race" by Reni Eddo-Lodge. I want to become a better ally to POC out there ^^

If you see this you’re legally obligated to reblog and tag with the book you’re currently reading

More Posts from Ilsimizi and Others

1 month ago

One of the side effects of consumer culture and planned obsolescence I never see discusses is the way it degrades people's attachments to the things they have. Most items in the store are just soulless products to me, they are not My Things. They are mass produced, difficult or impossible to repair and make last, and will ultimately be thrown out before they can hold meaning to the person who owns them.

More people should know and understand the joy of repairing the items you own. The feeling of accomplishment when you successfully solve a problem with your own hands and your own mind, and in doing so develop a slightly stronger attachment to the item you just fixed. I used to do so out of financial necessity, but now I do so because I like the things I already have, and would prefer to keep them if I can. I sew and patch and tailor my clothing. I fix buttons on my controllers, I replace keys on my keyboard, I fix snapped latches on water bottles, I reinforce my phone case when I see cracks forming, I wire & sew my shoes back together and seal holes in my boots with automotive engine sealant. I make replacement parts for small appliances out of things I have on hand, (or with 3d printing if necessary!).

Nothing I buy is new and I prefer it that way. Nearly all of my clothes have been repaired or modified in some way. My jackets and pants have extra pockets. My shirts have sleeves adjusted to fit my arms better. My work pants and jeans all have reinforced knees. My water bottle lid has a piece of wire cut to shape to mimic a piece that broke off. My phone case corner is reinforced with a soda can tab so I can hang a wrist strap on it. Hell, even my car is 31 years old, and I put so much love into keeping that old beast alive.

All of the things I own feel like My Stuff, not just products I own, because I've put love and care into keeping My Stuff, I almost never discard things, even things that are completely nonfunctional, I'll use pieces of old broken things to repair and modify functional items. My favorite pair of jeans are reinforced with fabric from the jacket I wore every day in middleschool. I remember every single repair, every modification, every jerryrigged fix, every donor part and patch. I remember the context in which I made them. It helps me remember the life I've lived to wear my experiences on my person, and to see them every day. I like to be proud of what I have because it's mine and is a representation of my skills and resourcefulness and my love and dedication, not because it holds monetary value.

1 year ago

Things I look for in history books:

🟩 Green flags - probably solid 🟩

Has the book been published recently? Old books can still be useful, but it's good to have more current scholarship when you can.

The author is either a historian (usually a professor somewhere), or in a closely related field. Or if not, they clearly state that they are not a historian, and encourage you to check out more scholarly sources as well.

The author cites their sources often. Not just in the bibliography, I mean footnotes/endnotes at least a few times per page, so you can tell where specific ideas came from. (Introductions and conclusions don't need so many citations.)

They include both ancient and recent sources.

They talk about archaeology, coins and other physical items, not just book sources.

They talk about the gaps in our knowledge, and where historians disagree.

They talk about how historians' views have evolved over time. Including biases like sexism, Eurocentrism, biased source materials, and how each generation's current events influenced their views of history.

The author clearly distinguishes between what's in the historical record, versus what the author thinks or speculates. You should be able to tell what's evidence, and what's just their opinion.

(I personally like authors who are opinionated, and self-aware enough to acknowledge when they're being biased, more than those who try to be perfectly objective. The book is usually more fun that way. But that's just my personal taste.)

Extra special green flag if the author talks about scholars who disagree with their perspective and shows the reader where they can read those other viewpoints.

There's a "further reading" section where they recommend books and articles to learn more.

🟨 Yellow flags - be cautious, and check the book against more reliable ones 🟨

No citations or references, or references only listed at the end of a chapter or book.

The author is not a historian, classicist or in a related field, and does not make this clear in the text.

When you look up the book, you don't find any other historians recommending or citing it, and it's not because the book is very new.

Ancient sources like Suetonius are taken at face value, without considering those sources' bias or historical context.

You spot errors the author or editor really should've caught.

πŸŸ₯ Red flags - beware of propaganda or bullshit πŸŸ₯

The author has a politically charged career (e.g. controversial radio host, politician or activist) and historical figures in the book seem to fit the same political paradigm the author uses for current events.

Most historians think the book is crap.

Historical figures portrayed as entirely heroic or villainous.

Historical peoples are portrayed as generally stupid, dirty, or uncaring.

The author romanticizes history or argues there has been a "cultural decline" since then. Author may seem weirdly angry or bitter about modern culture considering that this is supposed to be a history book.

The author treats "moral decline" or "degeneracy" as actual cultural forces that shape history. These and the previous point are often reactionary dogwhistles.

The author attributes complex problems to a single bad group of people. This, too, is often a cover for conspiracy theories, xenophobia, antisemitism, or other reactionary thinking. It can happen with both left-wing and right-wing authors. Real history is the product of many interacting forces, even random chance.

The author attempts to justify awful things like genocide, imperialism, slavery, or rape. Explaining why they happened is fine, but trying to present them as good or "not that bad" is a problem.

Stereotypes for an entire nation or culture's personality and values. While some generalizations may be unavoidable when you have limited space to explain something, groups of people should not be treated as monoliths.

The author seems to project modern politics onto much earlier eras. Sometimes, mentioning a few similarities can help illustrate a point, but the author should also point out the limits of those parallels. Assigning historical figures to modern political ideologies is usually misleading, and at worst, it can be outright propaganda.

Extraordinary claims require extraordinary evidence. "Big theory" books like Guns, Germs and Steel often resort to cherry-picking and making errors because it's incredibly hard for one author to understand all the relevant evidence. Others, like 1421, may attempt to overturn the historical consensus but end up misusing some very sparse or ambiguous data. Look up historians' reviews to see if there's anything in books like this, or if they've been discredited.

There are severe factual errors like Roman emperors being placed out of order, Cleopatra building the pyramids, or an army winning a battle it actually lost.

When in doubt, my favorite trick is to try to read two books on the same subject, by two authors with different views. By comparing where they agree and disagree, you can more easily overcome their biases, and get a fuller picture.

(Disclaimer - I'm not a historian or literary analyst; these are just my personal rules of thumb. But I figured they might be handy for others trying to evaluate books. Feel free to add points you think I missed or got wrong.)

1 year ago

I've been thinking about this for days now! Thank you for this post! ^^

Things I look for in history books:

🟩 Green flags - probably solid 🟩

Has the book been published recently? Old books can still be useful, but it's good to have more current scholarship when you can.

The author is either a historian (usually a professor somewhere), or in a closely related field. Or if not, they clearly state that they are not a historian, and encourage you to check out more scholarly sources as well.

The author cites their sources often. Not just in the bibliography, I mean footnotes/endnotes at least a few times per page, so you can tell where specific ideas came from. (Introductions and conclusions don't need so many citations.)

They include both ancient and recent sources.

They talk about archaeology, coins and other physical items, not just book sources.

They talk about the gaps in our knowledge, and where historians disagree.

They talk about how historians' views have evolved over time. Including biases like sexism, Eurocentrism, biased source materials, and how each generation's current events influenced their views of history.

The author clearly distinguishes between what's in the historical record, versus what the author thinks or speculates. You should be able to tell what's evidence, and what's just their opinion.

(I personally like authors who are opinionated, and self-aware enough to acknowledge when they're being biased, more than those who try to be perfectly objective. The book is usually more fun that way. But that's just my personal taste.)

Extra special green flag if the author talks about scholars who disagree with their perspective and shows the reader where they can read those other viewpoints.

There's a "further reading" section where they recommend books and articles to learn more.

🟨 Yellow flags - be cautious, and check the book against more reliable ones 🟨

No citations or references, or references only listed at the end of a chapter or book.

The author is not a historian, classicist or in a related field, and does not make this clear in the text.

When you look up the book, you don't find any other historians recommending or citing it, and it's not because the book is very new.

Ancient sources like Suetonius are taken at face value, without considering those sources' bias or historical context.

You spot errors the author or editor really should've caught.

πŸŸ₯ Red flags - beware of propaganda or bullshit πŸŸ₯

The author has a politically charged career (e.g. controversial radio host, politician or activist) and historical figures in the book seem to fit the same political paradigm the author uses for current events.

Most historians think the book is crap.

Historical figures portrayed as entirely heroic or villainous.

Historical peoples are portrayed as generally stupid, dirty, or uncaring.

The author romanticizes history or argues there has been a "cultural decline" since then. Author may seem weirdly angry or bitter about modern culture considering that this is supposed to be a history book.

The author treats "moral decline" or "degeneracy" as actual cultural forces that shape history. These and the previous point are often reactionary dogwhistles.

The author attributes complex problems to a single bad group of people. This, too, is often a cover for conspiracy theories, xenophobia, antisemitism, or other reactionary thinking. It can happen with both left-wing and right-wing authors. Real history is the product of many interacting forces, even random chance.

The author attempts to justify awful things like genocide, imperialism, slavery, or rape. Explaining why they happened is fine, but trying to present them as good or "not that bad" is a problem.

Stereotypes for an entire nation or culture's personality and values. While some generalizations may be unavoidable when you have limited space to explain something, groups of people should not be treated as monoliths.

The author seems to project modern politics onto much earlier eras. Sometimes, mentioning a few similarities can help illustrate a point, but the author should also point out the limits of those parallels. Assigning historical figures to modern political ideologies is usually misleading, and at worst, it can be outright propaganda.

Extraordinary claims require extraordinary evidence. "Big theory" books like Guns, Germs and Steel often resort to cherry-picking and making errors because it's incredibly hard for one author to understand all the relevant evidence. Others, like 1421, may attempt to overturn the historical consensus but end up misusing some very sparse or ambiguous data. Look up historians' reviews to see if there's anything in books like this, or if they've been discredited.

There are severe factual errors like Roman emperors being placed out of order, Cleopatra building the pyramids, or an army winning a battle it actually lost.

When in doubt, my favorite trick is to try to read two books on the same subject, by two authors with different views. By comparing where they agree and disagree, you can more easily overcome their biases, and get a fuller picture.

(Disclaimer - I'm not a historian or literary analyst; these are just my personal rules of thumb. But I figured they might be handy for others trying to evaluate books. Feel free to add points you think I missed or got wrong.)

1 month ago

Shoutout to websites that work like small digital minimuseums! Websites that work like small archives of obsolete technology, historical movements, art galleries, and more! Finding a website like that while searching for info is like finding a diamond inside of a cave of coal. To people who own and edit websites like that: you owe my deepest thanks for making the internet a beautiful place!


Tags
4 months ago

#andtogoonmoreaimlesswalks

the goal for this year and for every year is to be kind and also to stop being scared of literally everything

2 years ago

Everything I write ends up turning into an exercise in imagining a world wherein every single person puts other people first because I see it happen often enough to know it's within the realm of possibility


Tags
1 month ago

Autistic person here! Here's my list:

1: Ace Attorney

2: Danganronpa

3: MLP

4: MBTI and other personality tests

5: My relationship with art

I saw this meme going around on twitter and I think it'll be perfect for this account.

List 5 topics you can talk on for an hour without preparing any material.

11 months ago

RB if you think CD drives in computers are not obsolete, but in fact still necessary, despite being artificially phased out

2 months ago

In the wake of the TikTok ban and revival as a mouthpiece for fascist propaganda, as well as the downfall of Twitter and Facebook/Facebook-owned platforms to the same evils, I think now is a better time than ever to say LEARN HTML!!! FREE YOURSELVES FROM THE SHACKLES OF MAJOR SOCIAL MEDIA PLATFORMS AND EMBRACE THE INDIE WEB!!!

You can host a website on Neocities for free as long as it's under 1GB (which is a LOT more than it sounds like let me tell you) but if that's not enough you can get 50GB of space (and a variety of other perks) for only $5 a month.

Neocities
neocities.org
Create and surf awesome websites for free.

And if you can't/don't want to pay for the extra space, sites like File Garden and Catbox let you host files for free that you can easily link into NeoCities pages (I do this to host videos on mine!) (It also lets you share files NeoCities wouldn't let you upload for free anyways, this is how I upload the .zip files for my 3DS themes on my site.)

File Garden
File Garden
Host your files with decency.
catbox.moe
The cutest free file host you've ever seen

Don't know how to write HTML/CSS? No problem. W3schools is an invaluable resource with free lessons on HTML, CSS, JavaScript, PHP, and a whole slew of other programming languages, both for web development and otherwise.

W3Schools.com
w3schools.com
W3Schools offers free online tutorials, references and exercises in all the major languages of the web. Covering popular subjects like HTML,

Want a more traditional social media experience? SpaceHey is a platform that mimics the experience of 2000s MySpace

SpaceHey β€” a space for friends.
SpaceHey
SpaceHey is a retro social network focused on privacy and customizability. It's a friendly place to have fun, meet friends, and be creative.

Struggling to find independent web pages that cater to your interests via major search engines? I've got you covered. Marginalia and Wiby are search engines that specifically prioritize non-commercial content. Marginalia also has filters that let you search for more specific categories of website, like wikis, blogs, academia, forums, and vintage sites.

Marginalia Search
Marginalia Search is a small independent do-it-yourself search engine for surprising but content-rich websites that never ask you to accept
wiby.me
Wiby is a search engine for older style pages, lightweight and based on a subject of interest. Building a web more reminiscent of the early

Maybe you wanna log off the modern internet landscape altogether and step back into the pre-social media web altogether, well, Protoweb lets you do just that. It's a proxy service for older browsers (or really just any browser that supports HTTP, but that's mostly old browsers now anyways) that lets you visit restored snapshots of vintage websites.

Home - Protoweb
Protoweb
With ProtoWeb, you can browse the web like it's 1995!

Protoweb has a lot of Geocities content archived, but if you're interested in that you can find even more old Geocities sites over on the Geocities Gallery

geocities.restorativland.org
A restored visual gallery of the archived Geocities sites

And really this is just general tip-of-the-iceberg stuff. If you dig a little deeper you can find loads more interesting stuff out there. The internet doesn't have to be a miserable place full of nothing but doomposting and targeted ads. The first step to making it less miserable is for YOU, yes YOU, to quit spending all your time on it looking at the handful of miserable websites big tech wants you to spend all your time on.

1 year ago

The thing I've always loved most about aa4 is how much darker the tone is than the rest of the series in a way that isn't just edgy for the sake of it, but subverts your expectations from the original 3 games in a really interesting way. The trilogy was built upon the trust Phoenix had in others, and it was something we as players could almost always feel certain in. AA4 flips this on its head and makes it so Apollo effectively can't trust anyone but himself.

Your mentor, who the in the trilogy was a paragon of wisdom you could always turn to no matter what, gets revealed to be the culprit and sent to jail in the first trial and by the end of the game his list of crimes has stacked high but you still have so few answers on why he did any of it.

Your boss, the goofy protagonist of the trilogy, is now inexplicably a washed-up, disgraced, cheating poker player with an implied drinking problem who seemingly found a new hobby in evidence forgery and jury rigging.

He has a codependent relationship with his daughter, your assistant, who usually is a completely innocent and hapless victim of circumstance. She sees herself as the provider for the house and will help her father cheat at poker, or forge evidence, or guilt trip the poor attorney they knowingly screwed of out of a job into working for them for dirt cheap.

The detective, the only other returning main character, a previous assistant, is completely changed since we last saw her. In the trilogy she was chipper and bright despite the hardships she faced, and now she's unfriendly and burned out, turned bitter by the world. The scene we're first properly introduced to her in Apollo genuinely spends several minutes thinking his boss is making him bribe her with cocaine.

Every single defendant is a criminal guilty of something other than what they're charged for. Each case centers around an underground black-market poker ring, a mafia family and medical malpractice, a smuggling ring, and a family of forgers and an incredibly shady troupe of magicians. The one thing all of these people have in common is that none of them will tell you literally anything about what's happening, half of them clearly reveling in being as big of cryptic assholes as possible.

The only person who doesn't fit this description is, for once, the prosecutor. Usually your biggest obstacle and the most morally corrupt of the main cast, he's the only person who's both 100% on the side of truth and on the same page as you for the entire game. He's just as clueless as you, being used nothing more than a chess piece just like you are.

But the truly masterful thing about AA4 is how morally grey it is. These characters aren't just one note villains. They're not even villains at all. Most of them aren't even malicious.

Your boss, for all the low levels he stoops to, is underneath it all the same guy he's always been, doing everything he can to bring a criminal to justice and protect his family. Your assistant is a sweet girl who truly cares about you, she's just prioritizing herself and her fathers safety before anything else. The detective is the same passionate and kind woman under everything else. The rest of the defendants are genuinely well-meaning young people who got involved in shady stuff they didn't fully understand.

The game is filled with good people trying to make the best of bad circumstances. The game has just as many fun moments as the original trilogy. For all it's rough appearance, the game has a similar heart. For every unanswered question or unrighted wrong, there's a smile or a hope for a better future. For every bad action, there's usually someone trying their best behind it. The game is melancholic and dark, but isn't afraid to let good shine through. It knows there's no shadows without the light.

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ilsimizi - Hello! I'm just vibing
Hello! I'm just vibing

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