This is the Red Keep. It's made up of distinct towers and structures.
Maegor's Holdfast is the place of the royal residence, where the king's apartments are located. This is where the king and/or queen and their immediate household. It has unique characteristics:
"The royal apartments were in Maegor's Holdfast, a massive square fortress that nestled in the heart of the Red Keep behind walls twelve feet thick and a dry moat lined with iron spikes, a castle-with-a-castle. Ser Boros Blount guarded the far end of the bridge, white steel armor ghostly in the moonlight" (p. 502, Edward XIII, A Game of Thrones).
Well-designed and well-guarded, not even a rat catcher in the castle knows of a hidden way in or out of Maegor's Holdfast:
"The hidden doors and secret tunnels that Maegor the Cruel had built were as familiar to the rat catcher as to the rats he hunted. Using a forgotten pssageway, Cheese led Blood into the heart of the castle, unseen by guard. Some say their quarry was the king himself, but Aegon was accompanied by Kingsguard wherever he went and even Cheese knew of no way in and out of Maegor's Holdfast save the drawbridge that spanned the dry moat and it's formidable spikes" (p. 424, The Dying of the Dragons - A Son for a Son, Fire and Blood).
This is the most secure location within the Red Keep itself, which is why the royal family lives there. It is a large space with many rooms, including the Queen's Ballroom. In season one of House of the Dragon, Viserys lives in the king's apartments with his wives and there are many bedrooms where members of the royal household and their household staff live. After Alicent marries Viserys, she moves from the Tower of the Hand where she lived with her father to the king's apartment in Maegor's Holdfast and lives there until Viserys' death.
Separate from Maegor's Holdfast is the Tower of the Hand, where the Hand of the King and his family live. The tower contains many rooms, including the bedchamber of the Hand of the King, rooms for his household, and the Small Hall. There are guards in the Tower of the Hand, but there were those who were familiar with its hidden doorways and secret tunnels:
"Any man of normal size would have had to crawl on hands and knees, but Tyrion was short enough to walk upright [...] He came to the third door and fumbled about for a long time before his fingers brushed a small iron hook set between two stones. When he pulled down on it, there was a soft rumble that sounded loud as an avalanche in the stillness, and a square dull orange light opened a foot to his left. The hearth! He almost laughed [...] When he found himself in what had been once his bedchamber, he stood for a long moment" (p. 1070, Tyrion XI, A Storm of Swords).
After Aegon is crowned, he, Helaena, and their young children move into the king's apartments in Maegor's Holdfast, so the Dowager Queen, Alicent moves out. But where does she move to? In Fire and Blood, Alicent moves back into the Tower of the Hand, where she lived as a child with her father. It's because of this move to the Tower of the Hand specifically that Blood and Cheese have the opportunity to access Aegon's sons. Every night, Helaena and her kids would leave Maegor's Holdfast to go to the Tower of the Hand and visit Alicent before bed, which allowed Blood and Cheese to plan their ambush. Despite Helaena having a guard and the presence of guards throughout the Tower of the Hand and the Red Keep itself, Alicent's new bedchamber and its secret passageways have Blood and Cheese a chance to sneak in and make their move:
"The Tower of the Hand was less secure. The two men crept up through the walls, bypassing the spearman posted at the tower doors. Ser Otto's rooms were of no interest to them. Instead they slipped into his daughter's chambers, one floor below [...] Once inside, Cheese bound and gagged the Dowager Queen whilst Blood strangled her beadmaid. Then they settled down to wait, for they knew that it was the custom of Queen Helaena to bring her children to see their grandmother every evening before bed [...] Blood barred the door and slew the Queen's guardsman, while Cheese appeared to snatch up Maelor" p. 424, The Dying of the Dragons - A Son for a Son, Fire and Blood).
House of the Dragon, however, decided to make some major changes to the event of Blood and Cheese. In HOTD season 2, Queen Alicent doesn't move out of Maegor's Holdfast, and and instead, despite having choice of several different bedrooms, decides to move into the specific room where Rhaenyra lived up until episode 6 of season one.
The show previously added a tunnel from Rhaenyra's old room to the outside of the Red Keep in season one. However, instead of using that connection to have Blood and Cheese surprise Alicent in her room as they did in the book, they instead use a tunnel to sneak into the Red Keep. They then proceed to walk through large portions of the Red Keep, including the throne room, eventually walking right into Maegor's Holdfast, all the while unchecked by any servants or guards. They walk right into the king's apartments where the unguarded Helaena is with her sleeping children. Once Blood begins killing Jaehaerys, Helaena carries Jaehaera through empty hallways to Alicent's room where she walks in on Alicent and Criston.
Why the changes from the book? A few possibilities:
1) The show made the change because they write the characters of Alicent and Criston as intrinsically linked to Rhaenyra, so they wanted to make a point of showing them have sex in her old room, in order to make them both hypocritical, something that could only likely happen if Alicent lived there. Placing this scene at the end of the Blood and Cheese sequence adds an extra shock element for viewers. Removing Alicent's presence during Blood and Cheese and giving her a sex scene during the event instead viewers to focus on her "hypocrisy" as well as point the blame and outrage towards her and away from the true culprit. Additionally, the show doesn't have to include a scene where the Greens act like the family they are.
2) The show made the change of hallways being empty of servants and guards, as well as personal guards being absent from members of the royal family, to show viewers that the Greens have somehow become incompetent almost overnight when it comes to household security, despite having lived in the Red Keep for the last several years and effectively ruling the kingdoms in Viserys' stead. This diverts blame away from the Blacks and toward the Greens, as they should have been protecting themselves. Specifically, the blame is in on Criston Cole for not having guards posted (there's no real explanation for why he did not have them posted).
3) The show made the change because they wanted to film a one shot of Helaena and her baby walking through Maegor's Holdfast to call back to Rhaenyra's walk through the same hallways with her newborn in season 1 episode 6 because everything comes back to Rhaenyra in this show and they wanted viewers to connect the two events for whatever reason.
Among other changes to Blood and Cheese, it seems to me that the show ultimately changed these aspects of the event in order to minimize the event itself and shift the blame.
"what do i do now that i finished the hunger games books?"
if i may suggest:
- listen to the katniss chronicles by tkc productions.
- read peeta's games trilogy by igsygrace on ao3.
- check out @everlarkficquestions's and @thgfanfictionlibrary's masterlists and have a blast reading fics.
- watch the film adaptations and lustily point out the discrepancies from the books.
- search everlark + edit on twitter. here's a thread of my favorites.
- search the hunger games + art on tumblr.
- make hunger games/everlark boards on pinterest.
- curate hyper-specific hunger games playlists.
- get crazy wild with headcanons (and write them down if you want).
- doodle everlark or any characters doing the most random things.
- stare at a wall.
Me at the function (House of the Dragon watch party) sharing what I learned from this open access book chapter about authority in Game of Thrones
I'm gonna need these people to stop mixing the book with the show because frankly not everybody has read the book but we have watched the show which clearly shows Alicent as a victim who's just trying to keep her children and herself safe and also shows rhaenyra being the stupidest targaryen woman to ever live, but because y'all wanna keep trying to make rhaenyra the saint in the whole situation and act like she can't do any wrong, y'all bring up the book because y'all know that if y'all didn't you would have to be forced to face the fact that you're all wrong about rhaenyra and that she is literally the person that y'all want Alicent to be
I really liked your analysis on Rhaenyra and Laenor's dynamic for ep 6. Do you think that you could do one for ep 7? c:
Oh boy, you are trying to give me an aneurysm lol. Listen, I have a lot to say about this. So get some tea and have a seat, anon.
Let's start with the funeral.
Rhaenyra was looking for Laenor when she pulled Jacaerys aside, that much is certain, and I am painfully aware that they were both mourning their losses, as Jacaerys so tactfully put it /s
In response to Baela and Rhaena losing their mother:
[Jacaerys:] I have an equal claim to sympathy. We should be at Harrenhal, mourning Lord Lyonel and Ser Harwin.
Little fucking bastard.
If Rhaenyra and Laena were truly as close as some show watchers believe, do we truly think that Jacaerys would be so comfortable saying that openly? I think not.
Not to mention, that whole conversation between Rhaenyra and Jacaerys earns some iconic questionable looks from Alicent and Criston.
Moving on before I get off topic.
A few minutes later in the episode, you can actually hear Seasmoke crying out, which kind of alerts Daemon and Aemond that something is amiss, then the camera cuts to this.
A very distraught Laenor standing in the water (likely where his sister was buried) which brings up the question: If Rhaenyra was intent on keeping up appearances, why did she spend the last few minutes openly eye-fucking Daemon? Why didn't she continue her search for her husband who was prone to drinking? If they had such a close friendship as some of the fandom believes, her first thought would have been to ensure that he was all right. But... she didn't.
And it doesn't help the situation that Corlys has an outburst towards Ser Qarl to retrieve Laenor, but even when that does draw in attention, Rhaenyra doesn't even bother asking what happened. Instead, she continues eye-fucking Daemon while he's talking to Viserys.
And after Daemon leaves the balcony, she walks straight towards her children to send them to bed, and proceeds to follow Daemon. She didn't even bother waiting for Laenor to come back up and ask if he was okay or even offer him an ounce of comfort, which earns this look from Otto.
She... is a horrible and selfish friend.
Moving on, let's break down the conversation she had with Daemon about Laenor.
It begins with this:
[Rhaenyra]: Laenor has been restless for years, but now, he will be useless. Or worse. I know better than anyone that our marriage is a farce. But I at least make the effort to maintain appearances.
Did she? Clearly not, if Otto, Criston, and Alicent were all giving her the bombastic side eye. And that's not even mentioning the visible bastards she brought to Laena's funeral. Her lack of empathy towards Laenor was blatant during that entire funeral, and believe me, everyone fucking noticed.
[Rhaenyra:] We did try to conceive a child. We performed our duty as best we could. But to no avail.
Again, clearly not. Especially if we take into account the canonical age of Jacaerys and compare it to the date they wed. (Yes I am referencing book canon, but it still drives my point)
Rhaenyra and Laenor wed in 114 AC, and Jacaerys was born the same year.
I could understand if the boy was born like two, maybe three years after the wedding, but nope. In my opinion, I would have assumed that "performing your duty" would have meant being monogamous for at least a year to get it over with, but I digress. What's done is done.
And here is where we get to the root of the issue, and where she tells on herself a little bit.
[Rhaenyra:] There was no joy in it. I found that elsewhere. It felt good to be desired.
Well of course there wouldn't be any joy in it, he's a gay man, and you knew this when you agreed to marry him (mind you, when she had the full pick of the litter - a privilege that nobody else was granted.) However, there were several fucking ways that they could have attempted to conceive a child - hell, even Margaery had solutions to the situation with Renly. But clearly Rhaenyra wasn't as intelligent as she thought she was.
Now, glossing over the blatant disrespect towards her grieving husband and his dead sister by sleeping with Laena's widower, let's get to the aftermath of the shitshow between her and Alicent.
After she sends the children out to have a private word with Laenor the conversation goes like this:
[Laenor:] I should have been there. [Rhaenyra, begrudgingly:] Those should be our house words.
If you pay attention to Laenor's face after she says that, he looks like he doesn't want to deal with this, yet he stays, and proceeds to provide an explanation.
[Laenor:] I have fought dreadful enemies, but I could not defend my dear sister, far from home and in agony. I could not defend you... [Rhaenyra:] Sit down.
To me, this feels like he's attempting to gauge a semblance of understanding from Rhaenyra as to why he wasn't present during the climax of this episode. And believe it or not, it is VALID. As I have said in the previous analysis of episode 6, those children were NOT his obligation, and he was grieving his own flesh and blood.
However, Rhaenyra continued to act indifferent and dismissive to his loss, and proceeded to bring up her bastards as if that was the bigger problem. Not once did she ask how he was feeling this entire episode, which again, made me believe that they were never truly friends. (I'd wager IF they were, that friendship quickly crumbled after Joffrey Lonmouth was murdered, and I think it's safe to assume that Rhaenyra has behaved similarly to how she is behaving now.)
[Laenor:] I have failed you, Rhaenyra. Our marriage... I tried. Our boys... I do love them. Deeply. But I have not, mayhaps... loved them enough.
Now as Laenor is speaking, you can see the apathy she has so plainly displayed on her face while he is quite literally pleading with her yet again, so much that he has resorted to self-deprecating language in spite of the fact that he stayed by her side for ten straight years, playing his part as a loving husband and father, possibly being berated by other lords and ladies at court. He is not afforded the same protections that Rhaenyra has, and mind you, he was alone.
Laenor's entire family had been away from King's Landing, so he had to navigate this by himself, all while getting comments against his ability to sire children, and against his sexuality as so wonderfully displayed by Alicent. /s
[Alicent, Episode 6:] Do keep trying, Ser Laenor. Soon or late you'll have one that looks like you. [Alicent, Episode 7:] Where is Ser Laenor, I wonder? The boys' father? Perhaps he will have something to say in the matter... Entertaining his squires, I'll wager.
I fully believe if the Queen was comfortable saying this so openly, everyone else was more than comfortable with saying things like this to his face, too.
Now, back to the point, Rhaenyra continues the conversation with this:
[Rhaenyra:] I had hoped to bear your children. The few times we lay together. Things might've been different. [Laenor:] I hate the gods for making me as they did. [Rhaenyra:] I do not.
Hm. Are you sure about that, Rhaenyra? Because your dialogue with him in the previous episode had quite a few microaggressions against his homosexuality. But I digress.
[Rhaenyra:] You are an honourable man with a good heart. It's a rare thing.
Yet, she called him useless behind his back about twenty minutes ago, which tells me that she's being disingenuous, and Laenor seemed to catch it, too because he makes this face right after she says it.
[Laenor:] We made an arrangement all those years ago to do our duty, and yet explore happiness. [Rhaenyra:] *chuckles* [Laenor:] But there are times I think when these things cannot mutually exist.
Now I found that a bit interesting. She starts laughing at the little contract they drew up ten years ago. Now sure, this can be taken as a bit of levity, or it can be taken as her actually laughing at him in a condescending way. Pick your poison. However, given everything I've presented above, my opinion leans towards the latter.
Sure we can argue that he did smile with her, but is that a genuine smile, or is that a "I hope she's taking me seriously," smile? I'll let you decide.
Now to address his next statement, he was absolutely correct, and I'll wager that he probably had been thinking about this for a very long time. Maybe I'm reading into it, but his expression grows serious after he says it.
[Laenor:] Ser Qarl will return soon to the fighting in the Stepstones. But I recommit myself to you. And to strengthening our house as we prepare you for your ascension. I will raise our sons to be princes of the realm. You deserve better than what I have been. You deserve a husband. (emphasis mine)
And this is the final frame we have of Laenor before his death is staged. His entire expression is pleading.
This right here was a final cry for recognition in his longstanding efforts. His last words to her really drove the point home that he does want to try, despite the fact that he has been all along. Perhaps it's just me, but Laenor seems like he is actually on his last leg if he is going so far as to put himself down in an attempt to receive some semblance of acknowledgement from Rhaenyra in hopes that she wouldn't cast him aside like she has done these last few years.
So let me get this straight - Alicent was “evil” and “crazy” and “overreacting” for wanting an eye for an eye (a belief she doesn’t normally hold unlike Daemon) in a moment of fear and desperation after her son was permanently maimed and her husband’s response was to not give any punishment at all to Luke, sending a message to everyone that Alicent’s children don’t matter even to the King and anyone can harm them without recourse. Viserys even threatened to further maim and disable “anyone”, meaning Aegon and Aemond, by cutting out their tongues to protect Rhaenyra’s obvious lies. Viserys proved he will never protect Alicent’s kids and Rhaenyra confirmed Alicent’s fear that she will kill her children by not even trying to apologize or show any remorse or diplomacy at all (but Alicent is the enabling boy mom, and also an abusive bitch when she does punish her son for being a perv… okay) instead blaming Aemond and demand he be “sharply questioned” (aka probably tortured) for exposing her lie. Of course Alicent would want to make a show of strength back after such a clear threat to herself and her children.
But a grown man ordering the murder and decapitation of an innocent toddler is totally justified. Like they’re celebrating the murder of a toddler, I know not all Team Black people are doing that but enough to be deeply disturbing. And this is the same grown man who cut the hands off of poor people for stealing while he has never known what it’s like to not have food or clothes. Hammurabi’s Code is totally good with Team Black except it’s barbaric and evil when it’s over Aemond being disabled and disfigured for life by his childhood bullies. Even if it was gonna be revenge, Aemond should’ve been killed then (even though he didn’t mean for that to happen, he’s more responsible than a baby). That’s what Rhaenyra wanted. Daemon is a psychopathic abuser who can’t help but undermine Rhaenyra’s power and the lengths people will go to justify his actions astounds me.
It never really sunk in until you mentioned it but yeah, there is something weird and gross about how a handful of the characters on Team Green are disabled, especially when the show is choosing to portray them as the villains, or at least that's what the casual audience thinks.
it's a stark contrast to game of thrones/asoiaf, which is still praised to this day for its inclusion of multiple disabled characters. tyrion, jaime, and bran each had several dedicated episodes exploring what happened to them and how they are disadvantaged and discriminated against in a world not made for their bodies.
on the other hand, aemond and larys are widely viewed as evil. their disabilities are footnotes in the origin story of sick and violent individuals, as if they are disney villains. helaena is the epitome of the magical savant stereotype/trope, and she goes from cryptic to conversant, touch-averse to touch-neutral, whenever the writers want to show that she approves of team black or hates team green. people care more about rhaenyra getting scratched and luke getting threatened by alicent than the person she was fighting for, the person who actually permanently lost an eye.
this is wild to me because we literally watched aemond and helaena grow up. there was so much opportunity to show how aemond's depth perception would've changed as he trained with criston and learned how to ride vhagar. so much opportunity to flesh out helaena's prophecies and communication style. and don't even get me started on how larys's entire relationship to his body is reduced to an evil foot fetish. there's no examination of how disabilities have affected any of these characters' lives or how they've made accommodations. the only reason why any of their disabilities are brought up is to vilify or ostracize them. it's deeply dehumanizing and ableist
„Are you for real(?) (…) there was a war! (…) which started immediately after Lucerys‘ death.“ if there was no war at the time of Lucerys‘ killing it wasn‘t a warcrime as War crimes can only be committed during an armed conflict qualified accordingly under international humanitarian law. (See link cited above)
It is literally in the name. The text says During NOT immediately preceding or causing.
Now the obvious point you seem to be making is an analogy to Pearl Harbour but the attack itself is usually qualified as a crime against peace under Section III of the 1907 Hague Convention, which defines the responsibility of all signatories as needing to engage in negotiation and issue a final ultimatum before declaring war,(with regards to Imperial Japan and Pearl Harbour the Charges in the Tokyo Trials counts 1-53 deal with crimes against peace with only the last teo counts dealing with warcrimes and crimes against humanity. ) see https://www.icc-cpi.int/sites/default/files/NR/rdonlyres/A9B8696D-FF7E-4CF0-90B0-F47C4C2D9EAB/283891/Totanichapter_correctversion.pdf page 9 of pdf and 154 of book.
But the Green Council actually do offer an ultimatum, making that comparison null and void and I think IRL you would have some trouble convicting anyone on the Green Council of the crime of aggression/crimes against peace. In Response Rhaenyra issues a formal declaration of war, in the show she orders the Velaryon fleet to Blockade Kings Landing and shelters Rhaenys both of which constitutes a hostile act towards the Greens even before the Greens have time to do anything, giving a reasonable ground to declare that she was not negotiating in good faith.
„And wih his death the war of ravens came to an end the war of fire and blood began in earnest.“
Meaning: this is where hostilities proper start NOT where the war itself starts. War had been declared prior and it had been declared by the blacks, as I pointed out and cited in one of the points you left unadressed. Wars usually begin with a declaration of war not with immediate hostilities.
My friend you were the one to bring Alicents opinion on the matter into this. And even if you were correct (I don‘t believe you are) it does not exclude me from being correct as well. Her not valuing human life does not mean she considered herself and her faction not in a state of war.
Regarding Otto, yeah, that is literally what that quote means. As far as it being a war crime, see above.
I‘m very curious where you got that impression from, becuse we see the Greens seconds after then not at all for nearly two weeks. Otto bot bringing it up at Peace talks doesn‘t mean it isn‘t an important issue, just one that might be counter productive.
In fact Rhaenys not being offered a pardon might indicate them caring a bit more than you seem to think.
Calling an envoy, a soldier and a threat, is quite literally the dumbest thing you can say. They are basically postmen with diplomatic immunity. It really sums up the extent of intelligence I have come to expect from team green fans. Lucerys was innocent and he will keep being it, murdering him was a war crime + king slaying being a taboo.
You can take your stupid posts somewhere else. Him saying "I will not fight you" isn't a joke, he is representative of borros's enemy and his only Job is to take a letter and bring back an answer, if he joins in fighting he starts a war.....like aemond did.
If he commited a war crime than there must have been a war. You kind of need one to have the other. Otherwise it would have been a „crime against peace“, but at a cursory analysis of the facts that does not seem to fit the bill either, and is very rarely used.
You are contradicting yourself.
Otto being there to prevent war from spreading does not negate war having broken out. It merely means that the Greens are willing to avoid further bloodshed. I will admit however that me calling Rhaenys‘ massacre of Non combattants (which according to our standards should have been protected from the hostilities) the first act of war, was somewhat debatable. It could just as well be regarded as an act of Terrorism.
In any case the Greens were justified acting as if at war, because the blacks did the same:
Her first act was to declare Ser Otto Hightower and the Dowager Queen Alicent as traitors and rebels. (G.R.R.Martin, Fire and Blood, Dublin 2018 this edition 2020 p. 408) (Highlights mine)
That is as formerly a declaration of war as we ever got. And it did not come from the Greens.
As with regards to what Alicent and Otto thought on the matter:
„Queen Alicent went pale when she heard what he had done crying „mother protect us all.“ Nor was Ser Otto pleased „You only lost one eye,“ he is reported to have said „how could you be so blind?““ (G.R.R.Martin, Fire and Blood, Dublin 2018 this edition 2020 p. 422) the word warcrime does not appear on the page once what does appear however is the term kinslayer, and that seems to be what Alicent is so horrified about, as no crime is so accursed in the eyes of both gods and men. Otto meanwhile seems to be of the Fouché-mindset „This is worse than a crime, it is a mistake.“ (Yes, I know the quote is sometimes attributed to Talleyrand or others)
And later we have this line from Alicent with regards to Lucerys‘ death:
„Bastard blood, shed at war“ (G.R.R.Martin, Fire and Blood, Dublin 2018 this edition 2020 p.483) (Highlights mine)
So in what capacity was he there then? Into which category does he fit? Was he trying to surrender? Was he trying to arrange an exchange of prisoners? and how was Aemond supposed to know that from what was spoken?
Calling an envoy, a soldier and a threat, is quite literally the dumbest thing you can say. They are basically postmen with diplomatic immunity. It really sums up the extent of intelligence I have come to expect from team green fans. Lucerys was innocent and he will keep being it, murdering him was a war crime + king slaying being a taboo.
You can take your stupid posts somewhere else. Him saying "I will not fight you" isn't a joke, he is representative of borros's enemy and his only Job is to take a letter and bring back an answer, if he joins in fighting he starts a war.....like aemond did.
(an overview so we can be on the same page when discussing Alicent and Criston's sex)
I've been looking into the history of courtly love for quite a while now, trying to figure out where the "chaste" bit comes from. And honestly I'm still not sure. (My best theory at the moment is that it was Elizabeth I's contribution?) Histories consistently trace courtly love to The Knight of the Cart, the OG Guinevere and Lancelot story — a story where they do have sex.
They are the poster children. And they have always been unambiguously sexual.
Queen Guinevere and Lancelot have sex about halfway through The Knight of the Cart. At this point, Lancelot has traveled for a week and braved all sorts of hurdles to come rescue Guinevere, who's being held captive. He wants to have sex with her, but he does not expect sex from her — he doesn't think he's owed anything. This is expressed in this line:
"It would take more than these bars to keep me out. Nothing but your command could thwart my power to come to you. If you will but grant me your permission, the way will open before me. But if it is not your pleasure, then the way is so obstructed that I could not possibly pass through."
A reminder that The Knight of the Cart was commissioned by a woman, Marie de Champagne. This is a female fantasy — and specifically, the fantasy of a noblewoman who's in a political marriage where sex is presumbably expected and owed.
So Guinevere says yes, he climbs through her window, and they have sex. It's written "fade to black" style, but the author does tell us they had a great time.
Their sport is so agreeable and sweet, as they kiss and fondle each other, that in truth such a marvellous joy comes over them as was never heard or known. But their joy will not be revealed by me, for in a story, it has no place. Yet, the most choice and delightful satisfaction was precisely that of which our story must not speak.
I've seen too much discourse where Criston wanting to worship Alicent and have sex with her are framed as if they're in opposition or mutually incompatible. Which just — no. Lancelot kneels to Guinevere in an explicitly religious way, both when he enters the room to have sex with her, and before he leaves.
then he comes to the bed of the Queen, whom he adores and before whom he kneels, holding her more dear than the relic of any saint. .... When he leaves the room, he bows and acts precisely as if he were before a shrine; then he goes with a heavy heart, and reaches his lodgings without being recognised by any one.
Please share.