well maybe if adoption was more accessible to single parents and lesbian couples, witches wouldn’t have to go haggling for people’s firstborns
So you're all caught up with Where the Stars Fell, and somehow, by some miracle, your to-listen list is not a mile long. Be not afraid! While you wait for news of season 4, here's a curated list of other incredible fiction podcasts to give a try (and don't forget some of the amazing shows we've crossed over with like @ameliapodcast, Forgive Me!, and more):
For... - bisexual disasters - sharp, snarky dialogue - personal growth whether you want to or not, buddy
A recently recovered drug addict tries to start her new lease on life; too bad life has it out for her. This dramatic comedy follows Marisol through the ups and downs of a week in her life.
For... - deeply damaged women falling in love - enemies to... well, you'll see - You Can Never Go Back To Who You Once Where And Thank God For That
On a faraway world, Captain Sophie Green is recovering from a war that ripped her planet apart and left her personal relationships for dead. Among the many atrocities committed on both sides was the invention of Pasithea Powder, a drug with memory altering properties. Thankfully, the drug has been eradicated and only a handful of scientists—now political prisoners—know how to recreate it. When Sophie sees one of those scientists walking free, she has no choice but to turn to an estranged friend for help.
For... - a Filipina lead (you can never have too many) - nontraditional supernatural fantasy - a quirky and well-developed supporting ensemble
Hi Nay, literally translated to “Hi Mom”, is a supernatural horror fictional podcast about Filipina immigrant Mari Datuin, whose babaylan (shaman) family background accidentally gets her involved in stopping dangerous supernatural events in Toronto.
For... - intricate, naturalistic world-building - guy who wants to clock out so fucking badly but can't because Plot - slow-burn mystery with a crazy twist
In Gilt City, conscripted couriers are both respected and shunned. They inhabit the borderlands between a growing industrial society and the untamed, arcane frontier that surrounds it. The Night Post is a weekly supernatural audio drama about survival, tradition, and the vast unknown.
For... - one country girl making do who loves her truck and brain dumping into an analogue audio device - ambiguous situationships - american gothic and the apocalypse
In 1968, two women find themselves in rural Pennsylvania during what turns out to be some kind of apocalyptic event. By the time they discover that everyone else is gone, it’s too late to figure out what happened. Despite not liking each other at all, the women work together to survive, until six years later one of them sets out on her own, driving around the country to find other survivors. This is her, calling out to anyone who might listen.
Do you miss all your old selves?
no they are inside of me i hug them everyday and say u did such a good job
Rereading the Lord of the Rings series recently, and it's so fascinating to me how much the series is a denial of the typical juvenile power-fantasy that is associated with the fantasy genre.
Like, the power-fantasy is the temptation the Ring uses against people It tempts Boromir with becoming the "one true king" that could save his people with fantastic power. It tempts Sam with being the savior of Middle Earth and turning the ruin that is Mordor into a great garden. It tempts Gandalf and Galadriel with being the messianic figure of legend who brings salvation to Middle Earth and great glory to herself.
The things the Ring tempts people with are becoming the typical protagonists of fantasy stories that we expect to see. and over and over we see that accepting that role, that fantasy of being the benevolent all-powerful hero, is a bad thing. LotR is about how power, even power wielded with benevolent intent, is corrupting.
And its so fascinating how so much of modern fantasy buys into the very fantasy LotR denies. Most modern fantasy is about being that Heroic power-fantasy. About good amassing power to rival evil. But LotR dares not to. It dares to be honest that there is no world where anyone amasses that power and remains good.
I guess that's one of the reasons its so compelling.
everyone loves Predynastic Egyptian Terracotta Bowl with Human Feet. shout-out to a real one
Mitski for Pitchfork // Richard Siken for TinHouse
A horrifying mushroom
Like. We're all super hyped because we know this series intrinsically that we forget that we know this show intrinsically
How bizarre is that?? We don't merely get spoilers on our dashes from episodes we haven't watched yet, we know what will happen at the end, at the end of the next season, in eight years
It's hilarious! It's rediculous! It's like Neil Gaiman would start an open Google doc so we could all watch as he wrote the next Good Omens episode! Only EVEN MORE
"aw this scene will look so cute when they are a couple in college" when the show itself has not even HINTED AT A CRUSH
"damn too bad Luke's the bad guy" WE SAY 3 EPISODES ON
Think about it, people! This is a fandom experience with no ship wars! No headcannons we desperately hope don't collide with cannon! We know every. Single. Thing. That will happen.
And we still watch it.
I have a point with this. Remember how Marvel movies would be 👉this close👈 to murdering an actor over spoilers? There's a great post here somewhere on how that's because of the low quality of modern day superhero movies. It's supposed to be a quick hit, a rush of dopamine and special effects and one liners exploding into colour until you walk out of the cinema so dazed you only remember days later that the movie itself wasn't actually that good. These movies aren't built for rewatching, or becoming cult classics. It's fast food. Delicious for the moment, satisfying a certain itch, but not wholesome or precious.
And this. This beautiful series launched with the full knowledge that almost the ENTIRE FANBASE know exactly what was coming, every step. What are premier day spoilers against years of finished arcs.
And still, we watch. We love. We laugh and cry and post about it.
I guess what I'm trying to say is #hopepunk. They think we don't need beautiful, nurturing adaptations? That they've wrecked our mental health so bad we can't concentrate on smth unless the special effects are forcefully grabbing our attention? That older things get forgotten as quickly as Tick Tock trends? They were wrong. We love, and we care. Not everything bows to the rules of fast production capitalism. We aren't a predicted consumer statistic.
We love Percy Jackson.
idk what they’re called but if u put them on ur younger and say the alphabet they’ll drink ur saliva