Not A Big Fan Of AI But This Is A Top 10 Video Of All Time For Me

WHOOOO GYAXAPOSTING

Okay, the ending of Fiona and Cake was cute and all, but how the hell are the citizens of the real world Ooo gonna react when they see a show other than Cheers playing on their TV's ?!

Like, imagine waking up, constantly just watching Cheers, and then you hear the damn Law and Order intro for the first time. Like yeah, beating Scarab, and not dying horribly and painfully was cool and all, but I'm more psyched about the new cable channels.

the entire gravity falls community right now:

[ text: SO THE STAN BROTHERS BEGAN AN ADVENTURE OF A LIFETIME, THE KIND OF ADVENTURE THAT WOULD MAKE A GREAT MOVIE, HONESTLY. MAYBE A MINISERIES? IS THAT TOO MUCH TO ASK?

HONESTLY, WOULD IT KILL THEM TO GIVE US SOME NEW ADVENTURES? AFTER SUMMER COMES FALL, A WHOLE NEW “SEASON,” IF YOU WILL. I CAN’T BE THE ONLY ONE WHO WANTS ANOTHER SEASON, RIGHT? RIGHT?!

I’VE INVESTED SO MUCH TIME IN THESE CHARACTERS’ LIVES, THEY CAN’T JUST LEAVE ME! BY LUCIFER’S BEARD, WHAT WOULD IT TAKE FOR MORE GRAVITY FALLS?! ]

Would anyone be interested in an Owl House Fangame RPG? (Spoilers for finale insuing)

I'm considering turning my old fanfic plots into a playable fangame, but I wanna make sure that's something that people would actually, yknow, play. So, here's my ideas!

1. Season 4 "The Game"

This would primarily be a game focused on wrapping up some unfinished storylines/rebuilding the Isles. I believe one of the main bosses would likely be the Titan Trappers since they were puppetted in WAD.

I think this would be the closest to a traditional rpg game, but I'm leaning more towards an unconventional combat style considering the way magic works in TOH. Regardless, combat wouldn't be a primary focus of the game. It'd be more exploration based and decision based, fleshing out the other areas of The Boiling Isles and all that jazz.

Possibly, the final boss may be the other archivists? I think in this one, by the end, you'll have the Collector in your party.

2. Side Stories

This would be more so a collection of routes trying to tell the stories that, sadly, The Owl House team never got the time to tell. These likely wouldn't actually be RPG games, but they're RPG maker, but I'm not sure how many of them there'd be, but I do have a few ideas for various routes, like:

-Wittebros Backstory (You play as Caleb, and it covers bits and pieces over the years up until... Well, you know the rest.)

-Hunter, Dale, and The Bat Queen (Focuses on two different interconnected plots. One is a story about The Golden Guard being tasked to find the last known Palistrom forest, only for those plans to get detailed by one sweet old man. Yadda yadda, learning ensues. And, the other is a story focused on Hunter going into the Palistrom forest with a few friends to start on some conservation efforts, facing his past, and him getting a new job.)

-Divorce Simulator (I think you know what this one's about :) )

-Vee (Have no idea what this one would be about, other than a game adaption of that MorningMark concept of Cabin ???- or one focusing on just her adapting to the human realm.)

3. TOH/GF/Amphibia Crossover

Okay, so I know probably nobody will vote for this one, but it's one that I have too many ideas for!

Basically, it's just going off the idea that after The Collector got that gross green stuff on him, from Belos, he was affected by Titian magic; screwing up his magic a little and making him semi-immortal rather than fully immortal. The Collector says they're going off to "grow up," but really, their main goal is to just find their siblings and find out what's going on with them.

This leads the little guy to the last known whereabouts of one of his siblings, Gravity Falls. Again, the dude's magic is kind of iffy, and he ends up crashlanding near the Mystery Shack and gets taken in by the new Mr. And Mrs. Mystery... Who... Somehow, are way more connected to Luz than he thought.

This is the closest thing to an RPG out of all of them because the main focus of the game is basically trying to stop the multiverse from splitting entirely. It'd be the casts from both TOH and GF; with a healthy addition of amphibia references.

In this universe, all of the archivists are just God's from other Disney Channel cartoons. And yeah. Told ya I had a lot of ideas!

Btw if anyone would be down to help either with writing, art, or music- please dm me! I can totally do it on my own, but I thought it might be nice to put it out there.

"I’m thinking of moving."

I think this is a really valid criticism, OP! Though, maybe I'm just optimistic, but I actually took the ending in a different way. I do agree with you that a lot of these mutliverse shows and movies lately have had that pattern of, "lmao get good loser", in response to valid issues, which is absolutely infurating to see. It feels demeaning, handwavy, and just overall frustrating!

But to me, I think the story of FC was about stagnation vs. growth; and about how wish fufillment isn't quite the way to achieve life of your dreams. Both Simon's and Fiona's stories are about acceptance about the shitty aspects of their lives, but more specifically, they're about how that acceptance begins to pave the way towards joy. At first it seems like it's the same message, but when you look a little deeper, it takes on a different form. Especially once you take in GolBetty and the Lich into account.

Fiona wants nothing more than to live in a magical world, one where she doesn't have to deal with the infurating nature of modern life. But once she goes on her big ol' magical, life changing adventure, she realizes that the world she holds dear is special in its own right. Her joy doesn't come immediately. She definitely seems happier after seeing Gary and Marshall together and not trying to kill eachother- but I think her true development comes from her being able to finally fulfill her dreams; and then being given a purpose: to rebuild their world and town. Sure, it's a lot of responsibility, but she's Fiona!!! I don't think this girl will ever go back to a traditional 9-5 ever again. She's their world's hero now.

Simon, on the other hand, is a bit slower to change. Yet again, though, his story is less about acceptance and more about ingenuity. As much as I hate to say it, because Finn is in no way a "mental health king", I think he was on the right path when tried to take Simon on an adventure to make him feel better. What Simon needed more than anything was to know that he was still needed. That he still mattered. Even though he felt alienated, like an artifact in a museum, he still had a point to be on that shelf. What Finn screwed up, though, was how he went about it. Simon could've gotten through this period by just talking to Marcy and being honest, but he's far too scared of letting her see him that unstable again. But once he's able to talk to Fiona about it, and see for a fact, that his actions mattered: that the simple act of caring for Marcline kept the Vampires from taking over Ooo- he begins to develop.

Again, although his final development wasn't shown until the montage, I think that's simply because we haven't seen the last of Simon. Or Fiona, for that matter. They aren't being told to accept the fact that they have nothing to live for, but to find it.

It's a story about how wish fulfillment doesn't always work out for the best and that sometimes, the true slice of heaven that you've been craving was just a world where you felt like you had a place. It's one where even a god who can make all your wishes come true can end up depriving you of a purpose once it's achieved. It's one about how dreams come true in stranger ways, like Scarab becoming Prismo's apprentice and being given the chance to make his own worlds, too. It's one where even when given the chance to imagine a new reality with your lover, you know it's time to accept the one you have for what it is.

Still, absolutely valid analysis, this was just my take! :D

Wasn’t crazy about the Fionna and Cake ending

A lot of things were fine. Good even. this isn’t about something as simple as “Simon didn’t end up with Betty 😡” because frankly I didn’t ever see that happening. No, it’s about this wishy-washy message I keep seeing in all this multiverse media. Tell me if this one sounds familiar: our heroes are unhappy with some aspect of their lives, like maybe they’re struggling to get by due to bad finances. then they go on some zany, multiverse-spanning adventure where they eventually learn that their universe is just fine!!! and that they’ve got to make the most of it!! (Also usually the big problem is cheaply resolved, like it never even mattered.)

and frankly, this style of story, which we keep fucking seeing, is starting to sound a hell of a lot like “suck it up, buttercup! if you wanted a good life you should have tried harder. have you ever considered getting out of your own way?”

you see this in EEAAO of course. “oh is the world too financially cruel? is your mom homophobic? well have you ever considered just asking nicely about both of those things, you dummy?” And honestly in a lot of ways the ending of Fionna and Cake is even worse. Why should Simon be happy with his shitty job at the fucking human zoo? Why should Fionna be happy with working a shitty job her entire life?

and then you think about who’s actually writing and directing our oh-so-uplifting multiverse stories and it’s like. oh yeah. millionaires. successful people. who actually got what they wanted out of life. they’re not saying *they* should be happy with nothing, no no no. they’re part of the *special people* who get to dream. *you’re* the one who should be satisfied with nothing. and let’s take it even further why not. how many of these successful types even deserve it? how many of them even make beautiful things? not a lot!!

personally, being told by someone who’s living their dream that I should just be happy being a little scrap of nothing makes me want to burn down the whole world. and I would have at least preferred at least a drop of that catharsis in the ending of Fionna and Cake

D:BH - 28 Stab Wounds Explained

It's 28th so it's the best day to share Bryan's explanation of the famous "Twenty-Eight stab wounds!" scene.

Bryan confirms there is 'a lot of little moments like this in the scenes' but personally I know only about very few of them. "Got it!" / Slamming the table / Pushing away by arm / Angrily gesticulating frustration from boss / More humane movements and expressions Did you guys noticed some other subtle things Connor repeats from Hank? Let's find them :D

Noticed the runes on the "thisisnotawebsite.com" website seem to correlate to Journal #3 pages. Maybe it's just a conspiracy, but hey, that's the first step of solving a mystery!

(This is coming from someone who hasn't gotten their hands on The Book of Bill yet, so go easy on me, lol.

The first thing I want to note is the red ink in the corner. It's very similar to those that Ford used on various pages in Journal 3. However, I haven't been able to find an exact match yet.

Here is an example of what I'm describing.

The closest thing I got to a match came from well... The page with the portal.

But who cares about that! There's more to talk about! Like the fact that these runes also show up right before Ford stops writing in the journal???

And uh. Who else disappeared? Just recently? Just saying.

More proof, these are known anti-bill symbols. Whatever that website will show us, I don't think it'll be from Bill himself. If it is... Let's get ready for Weirdmagennon 2024.

shoutout to kal cabbagegunk for providing me the screenshot