Book Of Bill

i always thought of you as made of moonlight because of that first night…

the entire gravity falls community right now:

[ text: SO THE STAN BROTHERS BEGAN AN ADVENTURE OF A LIFETIME, THE KIND OF ADVENTURE THAT WOULD MAKE A GREAT MOVIE, HONESTLY. MAYBE A MINISERIES? IS THAT TOO MUCH TO ASK?

HONESTLY, WOULD IT KILL THEM TO GIVE US SOME NEW ADVENTURES? AFTER SUMMER COMES FALL, A WHOLE NEW “SEASON,” IF YOU WILL. I CAN’T BE THE ONLY ONE WHO WANTS ANOTHER SEASON, RIGHT? RIGHT?!

I’VE INVESTED SO MUCH TIME IN THESE CHARACTERS’ LIVES, THEY CAN’T JUST LEAVE ME! BY LUCIFER’S BEARD, WHAT WOULD IT TAKE FOR MORE GRAVITY FALLS?! ]

Desirée: I feel in love with my Ronnie at first sight because he came to defend me and he saved me even though he was a stranger.

Phoenix:

Bill & Ford & A Book, Oh My!

DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.

So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.

Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!

But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.

First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.

Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.

Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.

Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.

(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)

Anyways.

Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). The game we're playing here is not "How quickly can we woobify and excuse Bill"? No, this guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"

Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.

(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)

Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?

There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??

AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.

Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.

And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-

Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.

These rats.

The Love Cage.

The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.

Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. And, of course, I can't emphasize enough that Bill was still incredibly abusive to Ford! It's an unhealthy dynamic! I just don't think that we need to explore the relationships between characters as simply "Well, this character abused the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there". But the fact is, none of my analysis of Bill here changes the fact that the torture happened!

Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.

(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)

Anyways, that's the end of the post. Thanks for reading this long!

"I’m thinking of moving."

Simon Petrocov has two hearts, and the very existence of this fact implies that Golb possesses an infinite glitch, specifically when it comes to organs. Let me explain my horrific thought process.

During a spell, Ice King, trying to "steal Princess Bubblegum's heart," accidentally brought his own heart to life. If you watched the early seasons of Adventure Time, you probably remember him. Ricardio, the smooth talking heart.

But the one thing I didn't realize was that Ricardio actually never fused back with Simon, meaning that up until Come Along With Me, Ice King literally didn't have a heart. But once he was broken down by Golb, presumably, he was reset back to a time where he did have a heart. Because yknow, humans need those.

So basically, my thoughts are that it'd be insanely easy to harvest organs in Ooo if you ever came across Golb, and yknow, could survive that encounter without being zapped into puzzle pieces.

Maybe it only worked for Simon because Betty wished to have the power to be able to keep him safe at any cost, and maybe that means Simon literally doesn't have a heart anymore, and my whole theory is debunkable... But if that IS how it works: infinite organ farming.

Okay, but what the hell was that??? I think I need a thesaurus and a dictionary to find the right words to describe how that ending made me feel...

It's almost... Arcane.

OH MY GOD, I JUST REALIZED. EPISODE 7 HAS SO MANY ADDITIONAL SYMBOLIC TAROT REFERENCES. I WAS HALF ASLEEP AND I JUST. SHOT UP IN A COLD SWEAT. SO LISTEN TO MY SLEEP DEPRIVED RAMBLE ABOUT ONE OF MY HOBBIES AND MY HYPERFIXATION. I WON'T ADD SCREENSHOTS OF THE SCENES, BUT I'LL PROVIDE TAROT CARDS WHEN NECESSARY!

1. "The Star": This one is the most obvious because of the stakes miniseries. We already know the pattern of all the vampires being named after tarot cards, yadda yadda. The star in tarot comes right after the tower, symbolizing rebirth and hope in the wake of destruction. Clearly, this is meant to be two metaphors in a trenchcoat because if you consider her backstory in this universe, her becoming the daughter of the vampire queen is somewhat of a more hopeful end. If you ignore the fact that almost everyone died in that universe, at least. Also baby Finn??? What's going to happen to him??? Please??? Am I the only one terrified about that baby??? BUT ANYWAYS OFF TOPIC. TAROT TIME.

2. "The Tower": Although not explicitly referenced, though maybe they did call it the tower idk, is what comes before the star, a sudden upheavel. You can see it pictured as below.

The tower, although generally thought to be a negative card like death, is actually more of a positive one. Yes, sudden change is scary, but if a house is built on shaky foundations, no matter what, it will fall. This card is only negative if you refuse to accept life for what it is, which seems to be pretty in line with the theme of Fiona and Cake so far.

You'll immediately see the parallel to the final scene if you look at this picture. With the birds (or vampires) falling with them, the smoke and the tower, with a dark sky... The only difference is Bonnie and Marcy were holding one another, which I find to be interesting. There's many different decks, but considering the AT crew is probably going off of the Rider-Waite deck, (yes I spelled it wrong, sue me), I hardly believe that was unintentional. I think it's to go to show that even if they may not be happily in love in every universe, you can't deny that there is some kind of soulmate au fuckery going on. Their two options in any given universe is: ride together, and / or die together.

I'm pretty sure there was also The Devil symbology with The King, and there was something going on with Simon's bones, but I'll leave that for tomorrow.

Obscure Danganronpa facts, part 1:

I've recently realized just how much bs I know about this series, so I've decided to try and shed light on the more unknown aspects that I've never seen people talk about. Might as well put this knowledge to good use, eh?

So, traveler, if you'd like to accompany me on this journey, buckle in, and let's have some fun! First off on our trek is....

THIS FREAKING CG IN CHAPTER 6 OF SDR2

Looks normal, right? RIGHT?

ZOOM IN ON THE WORDS.

At first, I thought it was just some kind of stock text. Think, lorem lipsum. But nah, I'm almost completely sure that they had used a real-life newspaper, likely from Sydney, Australia.

If you piece the text together, you can basically gather its about economic tensions between North Korea, South Korea and the United States, or something along those lines. With all the missing letters and difficult font, it's hard to fully grasp what it came from; which was obviously intentional. Maybe it's a few different articles, but I doubt that partially due to how often it repeats.

I tried my best to see if I could find the real article, but from my ten minute search, I came up empty-handed. I don't have time or the motivation to continue that investigation, but either way, it's an interesting detail. I just can't help but wonder why they chose THAT out of all the things they could've, instead of like... something medical related.

I think this is a really valuable take, and it definitely did feel a little strange for that to be the final test. There's definitely a little underlying misogyny there, and whether it was intentionally written to show Lumons values or incidental on the show-writers part, I think it should be analyzed. I really hope next season they're able to develop all of the female characters more- especially Gemma. But, with the direction the story is going into, I really do think the female characters will carry the next season. I see a lot of Checkovs guns being loaded, so I can only hope.

However, I think the reason why the (disassembled) cradle was her final test was because her miscarriage had been the reason she came to Lumon in the first place. And, if I remember correctly, wasn't her fight with Mark over the broken cradle what caused her to seek help from Lumon? Having her take apart something that had meant enough to her to take part in Lumon's experiments (until it no longer was a choice) was the final way of destroying her will to leave. This was something that had been a source of so much of Gemma's pain, anger, fear, and, well, hope- all four tempers- yet it was something else that caused her to fail the test. Maybe, too, her taking it apart could be framed as a form of empowerment? No longer is her greatest worry or concern tied to motherhood - she has something else to fight for. Her own freedom and happiness.

And hell, if my theories are right, I think girlie is gonna take down Lumon with Cobel or Devon. Like, stick her in the birthing cabin, get all the details from each separate Gemma, reintergrate that girl, and she'll destroy that whole company. Do I know how that'll work? A different Gemma per room??? Who knows. Tldr- I think we've only seen a fraction (haha) of Gemma so far, and that season 3 will focus a lot more on who she really is.

Cause it's not like you can't do a story involving miscarriage without it being sexist. That's a real and traumatic experience that many people go through that can and should be thoughtfully explored in fiction.

The thing that makes it feel sexist with Gemma is that it's the only new thing we learn about her as a person in Chikhai Bardo. There's all the plot stuff happening to modern Gemma of course, but that's stuff happening to her, it's not who she is. Everything we see about her outside of Lumon in that episode is either stuff that Mark has already told us about her and the miscarriage, which was also already alluded to. Which makes it feel like prior to Lumon kidnapping her, she didn't exist as her own person but rather as Mark's Wife who wanted to be The Mother of Mark's Children. Which, would suck as a way to write any woman, but feels like a particularly egregious way to write an Asian woman given the whole submissive China Doll stereotype (I know she's not Chinese, that's just what the trope is called).

And it's reinforced in Cold Harbor with the revelation that what Cold Harbor is is a test to see if her strongest, most fundamental memories can break through severance. And what Lumon has determined to be her core self that they're so worried about whether or not they can separate her from it, is maternity. And yes, you can argue that that is Lumon's perspective of her, not the show's, and that Lumon viewing her that way is meant to be viewed critically as more of the Eagan's patriarchal, white supremacist bullshit. But if it's just Lumon's view of her and not the show itself, then why didn't we learn anything else about her in the episode ostensibly about her?