SENSHI would want you to get enough sleep and have nice nutritious meals
CHILCHUCK would want you to know your worker rights and what your labor is worth
LAIOS would want you to embrace your passions and try new things
FALIN would want you to take care of your health and treat others with kindness
MARCILLE would want you to practice necromancy and have gay sex
Maybe the real Yaoi Day was the friends we made along the way!
I think this is a really valid criticism, OP! Though, maybe I'm just optimistic, but I actually took the ending in a different way. I do agree with you that a lot of these mutliverse shows and movies lately have had that pattern of, "lmao get good loser", in response to valid issues, which is absolutely infurating to see. It feels demeaning, handwavy, and just overall frustrating!
But to me, I think the story of FC was about stagnation vs. growth; and about how wish fufillment isn't quite the way to achieve life of your dreams. Both Simon's and Fiona's stories are about acceptance about the shitty aspects of their lives, but more specifically, they're about how that acceptance begins to pave the way towards joy. At first it seems like it's the same message, but when you look a little deeper, it takes on a different form. Especially once you take in GolBetty and the Lich into account.
Fiona wants nothing more than to live in a magical world, one where she doesn't have to deal with the infurating nature of modern life. But once she goes on her big ol' magical, life changing adventure, she realizes that the world she holds dear is special in its own right. Her joy doesn't come immediately. She definitely seems happier after seeing Gary and Marshall together and not trying to kill eachother- but I think her true development comes from her being able to finally fulfill her dreams; and then being given a purpose: to rebuild their world and town. Sure, it's a lot of responsibility, but she's Fiona!!! I don't think this girl will ever go back to a traditional 9-5 ever again. She's their world's hero now.
Simon, on the other hand, is a bit slower to change. Yet again, though, his story is less about acceptance and more about ingenuity. As much as I hate to say it, because Finn is in no way a "mental health king", I think he was on the right path when tried to take Simon on an adventure to make him feel better. What Simon needed more than anything was to know that he was still needed. That he still mattered. Even though he felt alienated, like an artifact in a museum, he still had a point to be on that shelf. What Finn screwed up, though, was how he went about it. Simon could've gotten through this period by just talking to Marcy and being honest, but he's far too scared of letting her see him that unstable again. But once he's able to talk to Fiona about it, and see for a fact, that his actions mattered: that the simple act of caring for Marcline kept the Vampires from taking over Ooo- he begins to develop.
Again, although his final development wasn't shown until the montage, I think that's simply because we haven't seen the last of Simon. Or Fiona, for that matter. They aren't being told to accept the fact that they have nothing to live for, but to find it.
It's a story about how wish fulfillment doesn't always work out for the best and that sometimes, the true slice of heaven that you've been craving was just a world where you felt like you had a place. It's one where even a god who can make all your wishes come true can end up depriving you of a purpose once it's achieved. It's one about how dreams come true in stranger ways, like Scarab becoming Prismo's apprentice and being given the chance to make his own worlds, too. It's one where even when given the chance to imagine a new reality with your lover, you know it's time to accept the one you have for what it is.
Still, absolutely valid analysis, this was just my take! :D
A lot of things were fine. Good even. this isn’t about something as simple as “Simon didn’t end up with Betty 😡” because frankly I didn’t ever see that happening. No, it’s about this wishy-washy message I keep seeing in all this multiverse media. Tell me if this one sounds familiar: our heroes are unhappy with some aspect of their lives, like maybe they’re struggling to get by due to bad finances. then they go on some zany, multiverse-spanning adventure where they eventually learn that their universe is just fine!!! and that they’ve got to make the most of it!! (Also usually the big problem is cheaply resolved, like it never even mattered.)
and frankly, this style of story, which we keep fucking seeing, is starting to sound a hell of a lot like “suck it up, buttercup! if you wanted a good life you should have tried harder. have you ever considered getting out of your own way?”
you see this in EEAAO of course. “oh is the world too financially cruel? is your mom homophobic? well have you ever considered just asking nicely about both of those things, you dummy?” And honestly in a lot of ways the ending of Fionna and Cake is even worse. Why should Simon be happy with his shitty job at the fucking human zoo? Why should Fionna be happy with working a shitty job her entire life?
and then you think about who’s actually writing and directing our oh-so-uplifting multiverse stories and it’s like. oh yeah. millionaires. successful people. who actually got what they wanted out of life. they’re not saying *they* should be happy with nothing, no no no. they’re part of the *special people* who get to dream. *you’re* the one who should be satisfied with nothing. and let’s take it even further why not. how many of these successful types even deserve it? how many of them even make beautiful things? not a lot!!
personally, being told by someone who’s living their dream that I should just be happy being a little scrap of nothing makes me want to burn down the whole world. and I would have at least preferred at least a drop of that catharsis in the ending of Fionna and Cake
The fact that this is 80 fucking years ago but still just as relevant is terrifying.
i always thought of you as made of moonlight because of that first night…
I've recently realized just how much bs I know about this series, so I've decided to try and shed light on the more unknown aspects that I've never seen people talk about. Might as well put this knowledge to good use, eh?
So, traveler, if you'd like to accompany me on this journey, buckle in, and let's have some fun! First off on our trek is....
THIS FREAKING CG IN CHAPTER 6 OF SDR2
Looks normal, right? RIGHT?
At first, I thought it was just some kind of stock text. Think, lorem lipsum. But nah, I'm almost completely sure that they had used a real-life newspaper, likely from Sydney, Australia.
If you piece the text together, you can basically gather its about economic tensions between North Korea, South Korea and the United States, or something along those lines. With all the missing letters and difficult font, it's hard to fully grasp what it came from; which was obviously intentional. Maybe it's a few different articles, but I doubt that partially due to how often it repeats.
I tried my best to see if I could find the real article, but from my ten minute search, I came up empty-handed. I don't have time or the motivation to continue that investigation, but either way, it's an interesting detail. I just can't help but wonder why they chose THAT out of all the things they could've, instead of like... something medical related.
hey did you guys know its the pines twins’ 23rd birthday today? I had no idea.
anyway, here’s a thing I’ve been working on for a while. This was originally supposed to be for the show’s 10th anniversary back in June, but I definitely didn’t anticipate how long it’d take and had to push it back to the end of August. It feels like an appropriate way to send off the summer :]
ps: as per gf tradition, there’s a hidden message along the first 10 pages
stay weird etc etc
I desperately wanna be serious about this and write up a whole analysis on the nature of toxic relationships and love since, yknow, this is such a beautiful work of art. Everything from the angle of the shots to the color of the text and the poems chosen - it's brilliant. Not to mention the whole amazing digital exhibit online of poetic code. I'd say give it a shot, snoop around the site if you have the time. biennale.py is another interesting piece!
But... Okay, I'm ngl, my first thought was: "oh god, they gave the robots std's". Like can you imagine trying to explain this to an AI? Just. Oh yeah, we used to make art of you guys destroying each other. All I can think about now is that! I feel like if there's ever a robot/AI takeover, whoever gave an old brick computer STDS (Sneha Solanki) is going to be the first to go. Beautiful art, but oh my god. 💀
Sneha Solanki ‘The Lovers’
Two networked machines, one infected with a virus, slowly infects the other through the interface of classic romantic poetry.
A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.
Okay, but what the hell was that??? I think I need a thesaurus and a dictionary to find the right words to describe how that ending made me feel...
It's almost... Arcane.
William Tell Overture- Rossini (Most famous part at 8:45, but why not listen to the whole thing?) I’m adding hints, at least to the ones I recognized culturally. This one is “go, horsey, go!”
Also Sprach Zarathustra- Strauss Slow, dramatic entry scene, IN SPAAACE.
Eine Kleine Nachtmusik- Mozart People running out of a fancy wedding or something. Also known as DUN, dun DUN, dun DUN dun DUN dun DUUUUN.
Symphony 94, Mvt. 2 “Surprise Symphony”- Haydn ?
Toccata and Fugue in d Minor-Bach Halloween organ!
Nocturne Op. 9 No. 2- Chopin Picture a tiny old woman playing piano in a sunlit room with lots of flower vases, about the spill the tragic secrets of her past to some timid young visitor.
Rondo alla Turca- Mozart the babysitter from The Incredibles: “Time for some COGNITIVE ENRICHMENT!”
Sinfonie de Fanfares: Rondeau- Jean-Joseph Mouret Royalty is coming. Or someone is getting married. Or royalty is getting married. Also the PBS Masterpieces theme.
The Four Seasons: Spring- Vivaldi (I just linked to the whole thing because it’s great) Again, someone is getting married, but this one is strings instead and a lot less frumpy.
Jesu, Joy of Man’s Desiring- Bach That one that amateur guitarists love where the notes are all up and down but all the same length. Also used in movie weddings.
O Fortuna (from Carmina Burana)- Carl Orff SONG OF DOOM. Also song of “baby on fire!” in The Incredibles.
Funeral March- Chopin ?
Orpheus in the Underworld: Infernal Galop (A.K.A. Can Can)- Offenbach Well, “aka can-can” says it all.
Pomp and Circumstance (You probably graduated to this)- Elgar Oh yes, Baaaa dun dun dun duun duuuuun… Also if you were a bandie you had to play it for 3 years before graduating to it.
Gayane: Sabre Dance- Aram Khachaturian Comically hectic productivity, a circus clown juggling while standing on a ball, or perhaps a rapidly-approaching termite infestation. Could go any way, really.
A Midsummer Night’s Dream: Wedding March- Mendelssohn The song movies play right AFTER they both say “I do.”
Carmen: Les Toreadors- Bizet I can’t be the only one who remembers when ‘Hey Arnold’ did this. “Bullfights and swordfights, rolling in manuuure!”
The Ride of the Valkyries- Wagner Good song for a naval battle I guess? I can only think of the mini golf course I went to as a kid with the creepy castle on Hole 18 that played this.
Für Elise- Beethoven That one every amateur piano player loves to play because the beginning is just E and E-flat over and over. Also ballet and piano recital scenes in movies.
Dance of the Hours- Ponchielli Hello mudda, hello fadda, here I am at, Camp Granada…
Rigotello: La Donna e Mobile- Verdi More than a few sophisticated movie villains (or snobby good guys) have this playing on a Victrola. Also, tell me you don’t picture Pavaroti no matter who’s actually singing.
Night on Bald Mountain- Mussorgsky ?
Romeo and Juliet: Love Theme- Tchaikovsky More movie-love, usually building up to admitting they live each other.
Entry of the Gladiators- Julius Fucik I have one word for you: CIRCUS.
Lakmé: Flower Duet- Delibes OMG ALIAS. Nadia’s spy backstory in Film Noir!
Peer Gynt: In the Hall of the Mountain King- Greig Mischievous Tiptoeing in Movies song. Also something growing out of control, slowly at first and then quickly, and (comically) exploding.
Rodeo: Hoedown- Copland The title says it all tbh.
Peer Gynt: Morning Mood- Greig Sunrise/waking up Movie Song du jour.
New World Symphony Mov. [2][4]- Dvorak Well now I’m thinking of “An American Tail” and I’m crying…
Ave Maria (You knew this, but did you know that it was by Schubert?) Nothing to add. I’m not a music snob, really, but if you didn’t know this, YOU SHOULD.
Canon in D- Pachelbel This is the one that the pretty Trans-Siberian Orchestra Christmas song comes from. :-)
Add others if you want! Have fun!