I'm Nour Alanqar, and reaching out to you during a time of unimaginable hardship. I am 26 years old, married to Ashraf Ismail, who is 32, and together we have three beautiful children: Hussein, 6, Rajaa, 5, and Youssef, just 10 months old. Our lives have been turned upside down by the devastating war in Gaza, and we desperately need your help.
My daughter Rajaa is a radiant beam of sunshine, bringing boundless joy, warmth, and love to everyone she meets.
On a dark night at the beginning of the war, our area was subjected to massive bombing. The explosions reached our home, forcing us to flee into the night, running amidst periodic explosions and searching for survival. We made our way to southern Gaza by morning, seeking refuge in Rafah.
This is our home, filled with our memories and moments of joy and happiness, now reduced to rubble. Its destruction shattered our hearts.
In Rafah, we found shelter in a crowded warehouse filled with strangers, all of us struggling to find basic necessities like food, water, safety, and cleanliness. Despite these challenges, we were again hit by direct bombardment. My husband was injured in the shoulder, and the scene around us was filled with blood and corpses. The cries of my children in those moments still echo in my head.
A fragment of what it once was, and now, what it has become.
We moved several times to places described as safe, only to face new tragedies. During this period, my precious daughter Raja contracted hepatitis, adding to our suffering.
It was incredibly difficult for me to endure these disasters, especially as I was in the process of giving birth. Youssef was deprived of proper breastfeeding and the necessary nutrition for his age. Hussein's right to education and a safe childhood have been cruelly taken from him.
My baby Youssef, whom I clung to throughout the war, running with him through the rubble of shattered homes to escape.
At an age when Hussein should have been enjoying his childhood, all his rights were taken away from him.
Please, consider helping us during this critical time. Every donation, no matter the size, brings us one step closer to safety, stability, and a chance to rebuild our lives.
It's time for a new Project. This time i wanna be witch from Witch Hat Atelier. I started with the white dress they wear under the iconic big cape. For that i used the pattern 120 from the 08/2011 burda style magazine as a base for the top part and the sleeves.
I added the button placket first to the front part and marked where the 7 buttons are gonna sit. Then i decided a point at the armhole and connected that point to the top and the bottom of the button placket. After that i measured the space and divided that by 7 and marked each line with that result. To each line i added 0,7 cm for the pintucks later. For the back part i did it similar. For the sleeves i split off the bottom part and added space for another button placket. To the top sleeve part i added more space to the middle so the sleeve will be fuller and puffy. In the end my pattern looked like this: (all the dark gray parts got thrown away)
I also constructed a collar for the dress from scratch and for the bottom part of the white dress i used a simple rectangle as big as all the fabric that i had left after i cutted all the parts for the top part. Now to the fun part: sewing! The first thing i made was all the pintucks in the front and the back. That took more time than i thought because i sewed really slow to make them as accurate and neat as possible. After that i pieced the two front parts together and added the button plackets in the front and in the back. Next was the shoulder seam - I hid that one under another pintuck so it's barely visible! Because the embroidered fabric i chose is pretty thin and see-through i sewed in a lining. After that i sewed on the collar.
Then i prepared the bottom part of the dress by sewing on the lining. I made sure the scalloped edge from the fabric is still visible. I also made this for the bottom part of the sleeves. After that i pinned the skirt part onto the dress. Thought it would be good to use my dress form for that but in the end i just measured the distance between the highest and the lowest point of the V-shaped front part and the A-shaped back part. With that i could mark these points on the side and the middle of the skirt and could connected the points. Then i could cut off the excess fabric. Next i gathered the skirt fabric at the top, sewed it on the top part. Lastly i also gathered the fabric for the top part of the sleeves into a puffy sleeve and sewed that on the dress - then the dress was done~
What a sweet and powerful gesture. It's frustrating when people say "what do you expect them to do? they're entertainers not activists!" look at how simple this gesture of solidarity is and how resonant it is! This is wonderful.
if you're feeling powerless right now—and god knows I am—here's a reminder you can donate to the National Network of Abortion Funds, the Trans Law Center, Gaza Soup Kitchen, the Palestine Children's Relief Fund, and hundreds of other charities that will work to mitigate the damage that has been and will continue to be inflicted
life continues. we still have the capacity to do good, important work. that matters
I dunno if I can begin to explain how much of a ship purist I am for Haikyuu. Each character has a ship. That is their one true love and I will take no notes. I will avoid any fic that includes anything other than them, and I will refuse to acknowledge their existence.
Unless I find cute art, that gets a like and the occasional praising comment.
But under almost all other circumstances, no changes made. I will not budge on this.
Actually that’s not true.
KiyokoXTanaka
KiyokoXYachi
TanakaXEnnoshita
Tanaka alone
are all interchangeable and I will take them. However otherwise, I have a very strict little list of ships that I will read fanfic about, otherwise, out of my sight!
Tehe but no really I don’t have a problem with most ships, I just don’t enjoy them as much, especially as a sucker for childhood friends to lovers, there are some ships that tear Iwaoi, Tsukiyama, or Kuroken apart that I simply cannot look beyond. Like yes I know they’re best friends, but they’re actually so much more than that to me and I will hear nothing more.
And I’m AWARE that most of my ships are the most common but I like to believe that it’s because they make a lot of sense. Plus, this way, Everyone’s got someone they have chemistry with, when it gets mixed up some characters end up alone and I simply cannot do that to them.
(Also OsaSuna/OsaSunaKomo are both good. It’s like adding a little egg to your ramen, it doesn’t technically change the dish but it drastically changes the flavor.)
When Shirahama writes smth encouraging about magic which also very much applies to art>>>>>
Messages between me and Ibrahim @wolf-aid on the 17th of april 2025, shared with his permission
Ibrahim is only fifteen years old, and this is the kind of things he has to deal with because of the occupation. He dreams of continuing his education, but this genocide has taken that from him. Ibrahim’s home, school, and the places he used to spend his time have been destroyed, and he has been displaced multiple times and lost many relatives in the bombings. No one should have to go through this, and especially not at his age.
On top of this, both of his parents suffer from health issues, which is scary enough for a child to experience even outside of a war zone where they can’t get adequate treatment.
Prices in Gaza are sky high for food, medications and other necessities, and evacuations are expensive too. If you can donate to Ibrahim’s campaign, you are helping this family survive until the border reopens, and making sure they can afford to leave when they have the chance.
Thanks to Ibrahim’s hard work campaigning for his family, they have reached almost 90% of their goal, but they still have a little under 10,000 to go. Please don’t ignore him and don’t let this campaign slow down when they are so close to reaching their goal 🙏🏼🇵🇸
@90-ghost @tamamita @rhubarbspring @heritageposts @dirhwangdaseul @neechees @butchniqabi @socalgal @newporters @pikslasrce @vampiricvenus @danlous @loumandivorce @jackiedaytona @deepspaceboytoy @autisticmudkip @nashvillethotchicken @femmefitz @pitbolshevik @sawasawako @iregularlyevadetaxes @omegaversereloaded @hotvampireadjacent @boobieteriat @mens-rights-activia @ot3
AAAAAAAAA IT'S HIM
HE HAS A LITTLE TURTLE FRIEND
A lot of propaganda is not actually misinformation.
A lot of propaganda is not even half-truths.
A lot of propaganda actually is telling you the truth, but is feeding you a specific conclusion that the author wants you to draw from it.
This makes it a lot more robust, because if you go searching for sources to confirm the information, you'll find them!
So an important thing in evaluating information is not just "Is this true?" but also:
"Wait, does this lead inevitably to the conclusion this person is presenting? What other conclusions could I draw here? What other reasons for this piece of info could there be? How does this information fit into what I already know?"
"What are the motivations of the person who wrote or created this? Why did they want me to draw that conclusion? Do they themselves believe the conclusion they're drawing, or are they just trying to convince me? If they do believe it themself, why? If not, why are they trying to convince me? What's going on for them here?"
"What other pieces of information might I be missing? What am I extrapolating without noticing? What did this person deliberately leave out, or want me to ignore or gloss over? What other contexts and comparisons are applicable here?"
"How does this information with in with not only the specific conclusion that is presented, but with the author's overarching thesis? When I use it, how well does it fit into my thesis? When I take a step back, does this piece of information actually make any sense as supporting evidence for this person's thesis?"
Hopefully this is helpful, and can help your skills at evaluating information and arguments become more robust!