Oh Yeah! Hell Yeah! It’s A God Damn Dinosaur Laser Fight! - Submitted by: fastman27
#7F1AD1 #5A6AFF #9CEBFF #F5FFCF #FFF067 #FF8E37
pretty cool head lighting ref thing
Tell Me What You Wished For - Submitted by SeesawSiya
#38393e #bdafbe #84af9e #eee0d5 #eece9b #efb2b3
Eye In The Dark - Submitted by PartiallyPeculiar #250909 #2E1510 #FFBF00 #431E58 #321247
This Vision Of My Spirit - Submitted by triskaidekaphobiaque
#141115 #492952 #643173 #58518F #9883E5
Quick little video tutorial! This is a method I use to block in shapes when I’m fighting the urge to polish my lineart at an early stage, especially in rough concept art that doesn’t actually need polished lineart.
I group two layers in photoshop—a rough sketch, and a flat color—and then carve out the negative space by painting into a mask on the group, instead of filling in the positive shapes. From there I can start painting and adding shading into that group, knowing that I’ve already locked down a good initial silhouette for the object/character:
It feels like oil painting, and I end up finding silhouettes/shapes in a way I wouldn’t if I was obsessively cleaning up the linework first. Digital art has a tendency to veer towards cleanliness/polish, so I love finding little opportunities for happy accidents and a bit of mess!
I used it on my unicorn piece last month, for instance, which I think would have lost a lot of its dynamism and charm if I had worried too much about doing a full ink pass:
Hope this is at all helpful! It’s not a method I use 100% of the time, but it really helps move my process along when I do need it 👍🏼
Analogue Bubblebath - Submitted by: fastman27
#CBFFA6 #80ED74 #4AD9B3 #12B9CC #1A90D9