more of em!!!
did end up making Rosalyn into Apollo bc locking your sibling outside is peak sibling behavior
also!!! thank you @kill-vonkarma-again for reminding me about that strip!! I forgot about it and you’re right, it’s VERY them
source: Bill Watterson’s Calvin and Hobbes
part I :)
i suppose my programming is void of promiscuity. however i cannot eliminate the possibility
They really should teach people how to cook in school.
[Day 9 - Hockey player!Gavin/Figure skater!Connor: A Meet-cute -Veilder💖]
Boy do I love me some Ice Skating AUs 👀👀
You can check out the days early up on Patreon!
oh
WHAT IS THE FUCKING POINT
Whatever this is
i can’t think about kazuma’s various themes for too long bc i’ll throw up if i do. literally listen to ‘samurai on a mission’ and ‘a prosecutor, reborn’ back to back and you’ll see what i mean.
one thing that i am genuinely insane about is how the use of traditional japanese instruments gradually decreases throughout his 4 themes, so much so that you can barely hear it in his final theme, ‘a prosecutor, reborn’. other than symbolising how he’s assimilated to british society, it also serves to show how kazuma has changed:
all the grief and anger that was left to fester, hidden underneath a veneer of determination and justness has finally bubbled to the surface. kazuma cannot hide it anymore, he doesn’t have to. ryuunosuke sees a part of kazuma he’s never seen before: a grief stricken man looking for answers, searching for the truth no matter the cost
despite these differences, the melody remains almost the same because the man standing opposite ryuunosuke is still kazuma. he may be angry, cold and distant but he is still the same person; he is still the person who believed in ryuunosuke when no one else did, he is still ryuunosuke’s partner, he is still kazuma
textposts i made cause turnabout for tomorrow is making me Cry and i needed a break
plus bonus this thing i made for my wife (/p) while first playing aa1 (hi @apho-sappho)
Big Gay. Just here for the fandoms. Sometimes funny.
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