Hisboswell1895 - Pretending To Understand BBC Sherlock

for the last time steven moffat is a progressive guy yes hes said some weird things about women but that was all in like, 2011

Romancing the Text: Jeremy Brett, Paper, and Sherlock Holmes

It’s late, this week is still terrible, and I’ve got some time to consider a question that has been much on my mind of late: why is it that I love watching Jeremy Brett handle paper? I’m taking it up now partly because it was always my intention, after finishing the rewatch, to write up a post about why Jeremy Brett was the definitive 20th century Sherlock Holmes. But every time I start such a post, I think, oh what’s the point, it’s all already been said, by myself even, and anyway there’s too much. I’ve formulated a hypothesis, though, which is that if I can explain why Brett’s interaction with paper is so important to my enjoyment of this show, I will probably in the process be demonstrating what it was that made his Sherlock Holmes so unique and indelible. So follow me, friends, while I unfold my crackpot theories about the romance of the material text and how it binds us to the Master Paper-Handler.

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Can I Be of Assistance? BBC Sherlock and The Secret of Sherlock Holmes

The Secret of Sherlock Holmes was a play written by Jeremy Paul, who also wrote several episodes of the Granada series. Paul and Jeremy Brett, who had been friends for two decades before this play was produced, would often talk about Sherlock Holmes and his origins. During one of these discussions, Brett commissioned this play from Paul; it contains many of Brett’s own theories about the character so many people identified with him. The play was meant to be a one-off, starring Jeremy Brett and Edward Hardwicke in their famous roles, in celebration of the 100th anniversary of A Study in Scarlet. However, it was met with such enthusiasm that it ended up running for a full year (1988/1989), rather to the detriment of Brett’s health.

As a refresher, the Granada series ran from 1984 to 1995. The first season ended with The Final Problem, and the second ended with The Bruce–Partington Plans (episodes did not follow the order of Watson’s writings or any chronological order of occurrence). The play ran between the second and third seasons.

There will be lots of spoilers below the cut, so if you’d like to experience the play before reading, please click here for an audio recording of the original performance in two parts. Unfortunately, the play was never filmed. Also unfortunately, the audio becomes very poor around 19:20 in the second audio link. I promise it never gets loud again after that (except an exclamation or two by Jeremy Brett, of course!), so feel free to turn up your volume.

Before I read The Secret of Sherlock Holmes, I expected it to be entirely in keeping with the Granada series. It’s not. The series and the play differ in tone and content. There are no cases, and Holmes and Watson are the only characters. Stories that had already been adapted in Granada turn up in the play in different forms, but only to serve their relationship. The play adapts the subtext of the stories, rather than the text, which is something Granada rarely did, and mainly in the later episodes, like The Eligible Bachelor.

In the context of Sherlock, this means that The Secret of Sherlock Holmes is a greater source than the Granada series was, because the play was original in ways that the series wasn’t (perils of being faithful to the surface narratives of the stories). I’m going to talk about how the play adapted the Doyle stories, and how those choices are reflected in Sherlock, because as we know, “Everything is canon”.

The play develops the Holmes and Watson relationship from the time they meet and move in together, until some time after Holmes returns to Watson after faking his death in the Reichenbach. Along the way, they each address the audience to tell us secrets they keep from each other; the action (so to speak) culminates in a discussion of Moriarty’s role in their lives. 

Love, loss, lies, and John Watson being pretty damned smart, under the cut.

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투시 넣는 거 개잼 예쓰잼인 부분

Yes yes Holmes uses his talent for deduction to catch criminals but have you considered: the gifts so carefully considered they barely register as gifts. Watson, who has no family and few friends, doesn’t celebrate his birthday, hardly remembers it himself, and has certainly never told Holmes the date. And yet every year on that day they end up in a pleasant part of the country on business, with a little spare time to fish or stroll through the woods or eat a particularly good meal at the local inn. Every year Holmes gives Watson a small, oblique word of praise that sits in his mind like a warm ember. And every year Watson falls asleep thinking one year older, and it was quite a nice day.