Trying To Talk In Discord Servers Feels Like Trying To Sit At The Lunch Table With The Popular Kids In

1. A Primer for the Small Weird Loves - Richard Siken / 2. The Crane Wife - CJ Hauser / 3. Automat - Edward Hopper / 4. Red Doc> - Anne Carson / 5. Melancholy - Edvard Munch / 6. The Village (2004) / 7. So We Must Meet Apart - Gabrielle Bates and Jennifer S. Cheng

details of “organs of the house”

mixed media // ko-fi

that’s enough emotions for a whole year. ciao

the person that you could’ve been or the life you could’ve lived isn’t real. it’s an illusion and a fantasy that only exists in your head. all you have is here and now

"It’s often unhealthy to hyper-analyze your sexuality to the point where how you experience it changes where you belong. This is why the idea that broader terms are somehow more restrictive is baffling. Continuously breaking labels down and creating terminology for each facet of one’s identity shrinks communities until it’s just one person convinced that they’re the only one who relates to their experiences. It isolates people and ignores the importance of individuality within a collective identity."

On Hyperpersonalized Sexual Identity

Salman Toor (Pakistani, 1983), Immigrant Gathering, 2016. Oil on canvas, 122 x 81.5 cm.

Hunger Games didn’t really eat holes in my brain the way that it did for some other people but god the opening lines. The opening lines. Katniss wakes up in bed and immediately, instinctively reaches beside her, only to find the bed empty and cold. Before we even know her name – before we know literally anything about her or this world or her place in that world – we know that she loves someone. We know that she is reaching for where Prim should be, sleeping safe and warm beside her, but Prim is not there. She is not there, and her half of the bed is cold and empty. People talk about characters being “doomed by the narrative” when most of the time the character was literally just a well-foreshadowed death, but Prim WAS doomed by the narrative. It’s the very first thing we learned. It’s the most key, integral, important piece of information we’re given about everything that is about to happen: Every single choice Katniss makes is to protect her little sister, and it isn’t enough. In the end, Prim still dies. Prim was dead before the story even started. Katniss, reaching. Prim’s side of the bed was cold and empty. There is no version of this story where Prim could have been saved. Katniss, reaching. The very first thing she does in the series. She wakes, and she reaches, but Prim is already gone. THAT is how you do Doomed By The Narrative. Edit: Also it is key that there was literally nothing Katniss could have done differently. If she had not acted to save Prim, Prim would not have survived the Hunger Games. But by acting to save Prim, Katniss accidentally kicked off an entire rebellion and ultimately massively increased the amount of danger Prim was actually in. The key is that this is irrelevant. If Katniss had done literally anything differently, Prim still would have died. If Katniss had faltered or changed course at any point, Prim still would have died. There was never a point where Katniss could have changed Prim’s fate. There’s no version of this story where Prim lives to see the end of it. She’s dead before the story begins. That’s doomed by the narrative.

Twitter HQ - March 15th, 2023 CE

i've been trying to write this fic but the feelings become so much that i have to stop