🐍Zoe Neuman🐍
Zoe, growing up in both a multiethnic and affluent home, is both marginalized and privileged in a myriad of ways. Her ethnicity, along with her mother’s, is never acknowledged outright on the show. For all we know, the directors could have cast white actresses for the both of them and the core of my analysis would be null and void, but I believe the fact they aren’t white provides a certain layer of tragedy to Zoe’s character in particular.
Going off of personal experience in uppity East Coast spaces, Zoe’s presumably one of few ethnic children in her social circle. While she’s debatably white passing, this would undoubtedly have led to numerous instances of her facing prejudice and most likely teasing of various kinds.
This is where her unique ability of generating snake-like tentacles from her mouth presents itself. Her being injected as a preteen means her body analyzed her current surroundings and decided what she needed most at this stage in her life was some form of aggressive defense that could come from her mouth. This most likely resulted from her being mocked, teased, harassed, or discriminated against, and wishing there was a way her “sharp tongue” could actually cut them. Now with these serpents that expel themselves from her mouth, she’s capable of holding her own against anyone who wishes to insult or berate her.
Her being subjected to Red River felt like karmic irony, Victoria injecting her in adolescence* because she decided having any ability at all would be better than being powerless. I’ve mulled over this decision from Vicky, but ultimately settled on it being near sighted and power hungry on her end. She knew full well that Compound V resulted in the death of her own parents, and could very well have given Zoe a disastrous mutation, if not killing her in a long, drawn out body horror scenario. Even Stan Edgar was repulsed and horrified at the idea that Victoria would stoop so low as to inject Zoe with V, which put the gravity of the situation into perspective.
Vicky additionally knew that, while she was getting herself tangled up in Vought and Homelander, that her life was on the chopping block, and if she died, Samir wouldn’t be able to fend off Firecracker, let alone all of Vought’s forces. This would, assuming Homelander didn’t execute her daughter, land Zoe in the same place Vicky ended up after the death of her parents, which is exactly what happened.
While this seemed unfair at first, I saw it more so as a cautionary tale of what corruption does to a person. Vicky wasn’t satisfied with what she had, and strived for absolute power at the expense of her daughter’s well being. The shift from a loving mother willing to give her child the world to a power hungry tyrant injecting her daughter with a potentially lethal drug to turn her into a #girlboss didn’t happen randomly. I can imagine every thought that went through Vicky’s head as she decided to this to Zoe, especially explaining away the consequences as trivial costs to her daughter’s safety.
My response to that, aside from it not panning out how Victoria intended, is to look no farther than Kris Jenner with Kim Kardashian. In both mother-daughter duos a power/money hungry mother mutates/exposes her child all in the name of giving her a “better life” at the cost of robbing her of her agency and ultimately her humanity. Society blames Kim for perpetuating beauty standards, all of which were thrust upon her by a mother who just wanted a bigger mansion.
*The horror of Vicky’s decision stems mostly from the fact that the older you are, the worse the mortality rates/negative mutations are with V injections. Stan and Vicky already knew this, and it’s why people were contemplating whether Ashley would die at the end of S4 or not. Babies appear to be more malleable, and while some gain adverse mutations, they’re hardly ever lethal, and may even be tailored to Vought’s liking (so it seems).*
I can’t be the only one who thinks Jason should’ve swapped places with Frank in HoO.
The Love Club (Ares, Aphrodite, and Hephaestus) at Camp Halfblood, and The Little Three (Jupiter, Neptune, and Pluto) at Camp Jupiter.
If only…
Naissance Rose by Arman
'H2O: JUST ADD WATER'
🐬The Deep🐬
The Peak Deep is such a fascinating character due to his utter pathetic excuse for being a superhero. While S4 shows off his strength, durability, and combat abilities, he’s referred to quite accurately as being “just the fish guy” by Annie.
While his abilities appear versatile, him both being able to breathe underwater and speak to aquatic life, they come at the major cost of him being robbed of his humanity by having grown gills in adolescence. This mutation is repeatedly referred to as disgusting by other people, and by his own psyche, all of this acting as a veiled metaphor for the thralls of puberty.
What I find interesting though is how he uses his ability to speak to marine life to have…relations with an octopus in a way that states he’s done this with other aquatic life before. The unfortunate, and honestly tragic aspect of his character is that he has this relationship, and it’s the most dynamic and mutually respectful he has out of every other character he interacts with in the show. This relationship with octopus-Tilda Swinton, Ambrosius, feels so organic because at his core, he believes that humans don’t get him, and I would even go so far as to say he believes this all makes him “subhuman”. He was the fish guy with freakish gills who thought the only way he could catch a date was by manipulating them or relying on his fame and connections. Despite the fact that HE’S in the Seven, he prattles on about how close he is to Homelander, implying that he never viewed his success as legitimate, especially when he has to hide the source of his abilities (his gills) from the world. Much like Noir, they both share aspects of their identity that Vought’s repulsed by, or at the very least resentful of. This may be why McDreamy Noir and him became as close as they did, and could be why Ashley felt so comfortable being verbally hostile to him; he’s so ashamed of who he is and what Compound V made him into he feels like he deserves it.
The Compound V itself gave him the ability to communicate with a world that goes unnoticed and unheard by everyone else. The most heartbreaking aspect of his character is that so many people could relate to his exact plight. When the V kicked in, he was a weird little boy who needed friends. For many of you reading this, that was in the form of internet friends, but in this world, little Kevin found fish, and was able to become part of their world.
Regardless of the origin of his character, his impulsiveness, simple mindedness, and blind devotion to Homelander borders on animalistic at times, this behavior mirroring a loyal pet subservient to a master. Once he fully embraces this role as a drone to his “owner”, he slays octopus-Tilda Swinton in a way symbolic to his own shunning of morality and conscience. His abilities tether him to nature, and yet he’s one of the most corrupt, industrialized men in the show. Any chance he has at redemption he squanders, which proves the point that it’s a fish eat fish ocean, and he understands he’s nowhere near the shark Homelander is.
rikki!!
aphrodite anadyomene
Eros kids 💘Overdramatic 💘Protective 💘Everyone is obsessed with them 💘Serial monogamists
No Cabin Assigned Yet Roman Aspect: Cupid Link in bio for more Eros info 💘
OSIRIS-ANTINOUS. antinous enters the nile human, and leaves a statue 🪷
greek mythology: gods & personifications
rikki: star of the coming of age film