No. Chandra isn't a she/they. Hindus have never seen Chandra as a female.
Whoever translated this did a very bad job. I think I did point that out already in one of my previous reblogs.
So no one ever told me about Ram ji roasting the moon and listing it faults because it's just not as beautiful as Maa Sita after looking at her once in the gardens? No one?
And then he just returned to his Guru like nothing happened? As if he didn't just talk to the moon and insult it?
I generally prefer Valmiki Ramayan but the Balkand in Ramcharitmanas is pure gold.
If that makes you happy, so be it. How you view women and I view women is totally different. That's the truth and makes me feel okay. And goodbye to you too
Hindu traditions and festivals just enslave women and reinforce patriarchal practices, karwa chauth for example, a festival where a married woman has to fast and stay famished for whole 24 hours, NO water and food and some of them don’t even swallow their own saliva and why? for the long life and well being of her husband. Husbands are placed on a pedestal in hinduism, he is more revered than god sometimes while reducing women to obedient and self sacrificing caretakers . It reinforces the idea that a woman’s purpose revolves around a man’s needs, his health, his happiness, his survival while her own identity and agency is considered as irrelevant. In this religion women’s existence will always be tied to men and are expected to embrace such misogynistic ideals or else she’ll be labelled as a “too westernised housewife” or other names they love calling when you go against the system
south asian diaspora students protest in solidarity of freedom for palestine, chanting for azadi (adopted from kashmiri slogans against occupation)
transcript under the cut
arre hum kya chahte? AZADI ! palestine ki AZADI ! cheen ke lenge AZADI ! hain haq humara AZADI ! cheekh ke bolo AZADI ! chillake bolo AZADI ! jor se bolo AZADI !
columbia main AZADI ! cornell main bhi AZADI ! palestine main bhi AZADI ! palestine maange AZADI !
aadhi raat main AZADI ! aadhi raat ko AZADI ! arre hum kya bole AZADI! baaki sunn le AZADI! columbia bole AZADI ! cornell bole AZADI !
cheen ke lenge AZADI! biden sunn le AZADI ! netanyahu sunn le AZADI ! modi sunn le AZADI ! columbia wale AZADI ! cornell bole AZADI ! nyu bole AZADI ! nypd se AZADI !
cheen ke lenge AZADI ! hain haq humara AZADI ! what do we want AZADI ! what do we want now AZADI !
Cheap/Free resources:
Wkipedia:
Wikipedia of Indian Art: I'll recommend reading the subtopics from bottom up; it seems more relevant that way!
Wikipedia of Indian Painting: once you go through this article you should further look into whichever style you like, and learn it in depth. It also has links to vernacular art.
Rasa: the classical theory of Indian aesthetics
From Archive.Org (maybe scholarly and/or illustrative. In case illustrations are not there, simply Google them for reference):
Stone Age Painting in India by Romert Brooks
The arts of India from prehistoric to modern times by Ajit Mookerji (If you have no idea about Indian arts, START HERE; it's a short book full of illustrations)
Rajput painting : romantic, divine and courtly art from India by Ahluwalia, Roda
Indian Painting by C Sivaramamurti
South Indian Paintings by C Sivaramamurti
Approach to nature in Indian art and thought by C Sivaramamurti
[There are many books on Indian art, architecture and sculpture by C Sivaramamurti on Archive.org. It's basically a goldmine.]
Kalighat : Indian popular painting, 1800-1930 by Balraj Khanna
Art of modern India by Balrak Khanna [Again, you can check out other titles by Khanna.]
Indian Textiles by John Gillow
Traditional Indian Textiles by John Gillow
South-Indian images of gods and goddesses by HK Sastri
Myths and symbols in Indian art and civilization by Heinrich Zimmer (no illustrations)
The art of Indian Asia, its mythology and transformations by Heinrich Zimmer (with illustrations)
History of Indian and Indonesian art by Ananda Coomaraswamy
A Concise History of Indian Art by Roy C Craven
Deccani Painting by Mark Zebrowski
Indian Folk Art by Heinz Mode; Subodh Chandra
Women of India by Otto Rothfeld (this isn't about art but has few informative illustrations on regional costumes of women)
Dress And Ornaments In Ancient India by Mohini Verma and Keya Bawa
Classical dances and costumes of India by Ambrose, Kay
Cultures and Costumes of India and Sri Lanka by Kilgallon, Conor (o course i had to see other books on costumes)
Studies In Indian Painting by DB Taraporevala
Five Thousand Years of Indian Art by Hermann Goetz
Indian Painiting by Philip Rawson
The Art of Tantra by Philip Rawson
MS Randhawa (different books on Punjabi paintings Basohli, Kangra, Guler and General Themes in Indian Painting)
The imperial image: paintings for the Mughal court by Beach, Milo Cleveland
Wonders of nature : Ustad Mansur at the Mughal court by Dāśa, Aśoka Kumāra
Imperial mughal painting by Welch, Stuart Cary
Painted delight : Indian paintings from Philadelphia collections
India : life, myth and art by Ram-Prasad, Chakravarthi
The heritage of Indian art by Agrawala, Vasudeva Sharana
The adventures of Rama : with illustrations from a sixteenth-century Mughal manuscript
Indian paintings from the Punjab Hills by WG Archer
Art in East and West by Rowland Benjamin
Stella Kramisch (An American art historian and curator who was a leading specialist on Indian art, including folk art, for most of the 20th century. Also a Padma Bhushan awardee.)
The transformation of nature in art by Coomaraswamy, Ananda K
Books available on Libgen:
Art Of Ancient India : Buddhist, Hindu, Jain by Huntington and Huntington
The New Cambridge History of India, Volume 1, Part 3: Mughal and Rajput Painting
Myths and Symbols in Indian Art and Civilization by Heinrich Zimmer
Four Centuries of Rajput Painting: Mewar, Marwar and Dhundhar Indian Miniatures from the Collection of Isabelle and Vicky Ducrot
Ajanta by Yazdani
The Aesthetic Experience Acording to Abhinavagupta
TheHeritageLab is a free website to connect you to cultural heritage through stories, public engagement programs, campaigns, and free-access content.
Also if you're in Delhi, do consider getting a membership of Indira Gandhi National Centre for the Arts (IGNCA) library.
Folk art:
Folk art is an entirely different area that deserve a post of its own. But i love them so here is a long list by Memeraki.com. You can Google each and then look more into what you like. This website also offers very cheap courses in traditional Indian arts by the hidden and disenfranchised masters themselves! It's doing a great work in giving them a platorm. I myself have taken the Mughal Miniature course here. You can consider it.
Illustrated Books:
Note: These are coffee table books with beautiful illustrations that you'd love to looks at.
The Night Life of Trees: In the belief of the Gond tribe, the lives of humans and trees are closely entwined. A visual ode to trees rendered by tribal artists from India, this handcrafted edition showcases three of the finest living Gond masters. THIS YOUTUBE LINK shows the making of the book. The channel also features other works of Gond art.
An Unknown Treasure in Rajasthan: The Bundi Wall-Paintings: This book celebrates the surviving wall-paintings at Bundi by presenting a stunning photographic survey
Painting In the Kangra Valley: Painting in the Kangra Valley is an attempt to survey the painting styles of Guler and Kangra, which flourished in the 18th and 19th centuries. The painting activity began with Kashmiri painters (...)
Indian Painting: The Lesser Known Traditions: India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms still survive and continue to develop.
Madhubani Art: Indian Art Series: Madhubani art's origin is believed to go back to the ancient era of the Ramayana, when the town was decorated by inhabitants of the region for the wedding of Lord Rama and Sita with elaborate wall paintings and murals (...) Primarily a significant socio-cultural engagement for the womenfolk of Bihar, this art was a welcome break from their daily drudgery.
Reflections on Mughal Art and Culture: Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars.
Monsoon Feelings: A History of Emotions in the Rain: Through a series of evocative essays exploring rain-drenched worlds of poetry, songs, paintings, architecture, films, gardens, festivals, music and medicine, this lavishly illustrated collection examines the history of monsoon feelings in South Asia from the twelfth century to the present
Sita's Ramayana shifts the point of view of the Ramayana - the saga of a heroic war - to bring a woman's perspective to this timeless epic. Illustrated with Patua painting.
Adi Parva: Churning of the Ocean: a graphic novel that is a revisionist retelling of some of our oldest tales which have inspired and guided generations of people.
Ajit Mookerji, Sivaramamurti and Craven Roy's books are concise from where one can begin and then delve deeper into the subject of interest. Reading history and myths behind the work for context and listening to music from the given time/region alongside will make the exploration even more enjoyable!
In 2006, the United States signed arms transfer agreements with Pakistan in excess of $3.5 billion, ranking Pakistan first among all arms clients of the United States during that calendar year. The key elements in Pakistan's arms purchases from the United States were 36 F-16C/D Block 50/52 fighter aircraft for $1.4 billion; a variety of missiles and bombs to be utilized on the F-16 C/D fighter aircraft for over $640 million; the purchase of Mid-Life Update Modification Kits to upgrade Pakistan's F-16A/B aircraft for $890 million; and 115 M109A5 155mm Self-propelled howitzers for $52 million. The rise of Pakistan to its new status as a major arms purchaser from the United States is particularly noteworthy given the difficulties the United States has had with Pakistan since the 1970s over its successful effort to produce nuclear weapons. The total value of Pakistan's 2006 arms purchases from the United States nearly matches the total value of all Foreign Military Sales (FMS) program purchases by Pakistan from the United States for the entire period from FY1950-FY2001 (more than $3.6 billion in current dollars). For the period from calendar year 2005 through calendar year 2008, Pakistan has placed orders with the United States for defense articles and services through the FMS program valued at $4.5 billion.1
It's outrageous and absolutely infuriating that the U.S. handed over more than $3.5 billion worth of deadly weapons to Pakistan—a country with a well-documented history of breeding terrorism, destabilizing the region, and violating every notion of peace. How can a nation that claims to fight terrorism fund and arm the very state that has time and again used such weapons against its own neighbors? This isn’t just hypocrisy—it’s a slap in the face to every nation that’s been a victim of Pakistan-sponsored violence. Strategic interests don’t justify empowering a reckless, dangerous state with F-16s and missiles. It’s not diplomacy; it’s feeding the fire. And then the world expects us to stay calm, to show restraint? Enough. Peace cannot survive in a region where one side is constantly armed to the teeth while the other is told to turn the other cheek.
Having said that. It made me really happy to see two women lead the Operation Sindoor since they thought of hindu women (the wives and family members of the deceased in the Pahalgam attack) as weak. And two women, one Hindu and one Muslim, proved to the terrorists that they aren't weak.
Whether they wear sindoor or they wear a burqa, women are not to be mistaken to be weak.
I might be too late to comment on this.
So yes Operation Sindoor was a success. It was a feat.
But the moment some fools in India came to know Col. Sofiya Qureshi was amongst the 2 women who led this, all of them started reducing her to just her religious identity. I even heard someone say "it must be intentional because the terrorists attacked based on religion" what if it's not. What if she was chosen because she could lead it. Not because of some DEI points either.
Let's not promote the same thing we stand against.
I don't really lean towards either left or right. Because there are times when the left is right about some things and the right is wrong about some things.
But some of the people on the left need to leave indigenous people's business to them. Don't try to fight their battles for them. Especially not when you are literally trying to frame them as the villain, without knowing the truth.
The left only wants validation from others for always supporting the right thing while being blissfully unaware of what the right thing actually is.
So go ahead and assume I'm a right wing Hindutva activist if I follow hinduism, do not like the abrahaic religions because of their teachings, and acknowledge the atrocities hindus have faced in the past, and are facing in the current timeline.
Atleast, I'm talking about people who have similar views and beliefs as me, people who really need a voice, people belonging to a place I belong to, people who look like me, talk like me, worship our gods and the nature like me, while you are still crying about a place that you have no business talking about, aka Gaza. If you really cared about people, you'd acknowledge that Hindus in Bengal are going through the same thing that islamic people are "supposedly* going through in Gaza.
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Welcome to Awadh ke Maati! This is my journey back to my roots, celebrating the rich culture, language, and art of Awadh and Uttar Pradesh. As someone who has faced challenges embracing my regional identity, I created this space to reclaim and honor the beauty of Awadhi heritage.
Whether you're from Awadh and disconnected from your roots or simply curious about the Awadhi culture, this is a place to explore and connect.
I’d love for you to be part of this journey. Together, let’s keep our heritage alive.
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﹌﹌﹌﹌﹌﹌𖤓ᗩᗯᗩᗪᕼ KE ᗰᗩᗩTI 𖤓﹌﹌﹌﹌﹌﹌ अवध के माटी - the soil of Awadh. Come celebrate the Awadhi culture through it's art and language
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