Idleness (1900) by John William Godward
SILENT HILL 3 ↳ Growing Strong and Healthy …MINMO!
Gold and sapphire dress pin with cameo of a woman, Roman, 100-300 AD
from The British Museum
He Loves Me, He Loves Me Not (1896) by John William Godward
Dante's Inferno (1861)
— by Gustave Doré
Arthur von Ferraris (Hungarian, 1856 - 1940) • Interior with View of a Fireplace and Painting • Unknown date
Franz von Stuck (1863–1928) - “The Fanaticism”
from ‘Allegorien und Embleme’ by Albert Ilg, 1882
source
Artist: Albert Moore (English, 1841–1893)
Date: 1869
Medium: OIl on Canvas
Collection: TATE Britain
Description
Albert Moore was influenced by Japanese art. He produced decorative and subtly coloured pictures. He focuses on the colour, texture and movement of draped fabric on the woman’s costume. Art critic Sidney Colvin said Moore’s subjects were ‘merely a mechanism for getting beautiful people into beautiful situations.’ Moore used the flower-like symbol at the bottom of the picture as a signature.
Gold ring inset with carnelian intaglio representing Tyche
Hellenistic Period, possibly from Ptolemaic Egypt, 225-175 B.C.
J. Paul Getty Museum
Rosina (1878) by John Singer Sargent