Greenswitchery - Grounding Craft

🔧 Tools of Witchcraft  🔨

as you go along your path, you’ll find there are many tools used in witchcraft, and they all have different purposes. not all witches use the same tools, some use unconventional ones, some don’t use any. here are some that are well known 

wand  -  for directing energy in rituals and spells. represents energy, power, and fertility, used as both air and fire element. this can be anything, from a stick, to a pencil, to a spoon.

broom / besom  -  air element, for cleansing negative energy out of a space, or to clear the way for a different type of energy. there are many different ways to make a besom, or any old broom will do

chalice  -  for a mixture that does not need heat applied, for offerings of drinks, or a spell you intend to drink. it’s a water element that can be any type of cup.

crystals  -  earth elementals, often used for conducting and charging and storing specific types of energy. sometimes the shape can influence how the energy is used 

candles  -  fire elements good for color magic, also good for applying a fire element. can be carved, anointed with oils or herbs. they come in a variety of shapes: tea lights, votive, pillar, taper and jar candles. some scented candles can be used instead of incense

cauldron  -  water elements for mixing, cooking, and burning things. heat resistant. does not need to be the typical idea of a cauldron, it can be any fire/heatproof pot or kettle.

athame  -  though often characterized as a “black blade”, and an athame can be any knife you set aside for cutting up plants, or harvesting herbs. like a wand, it can be used in rituals to direct energy in a more hostile manner. considered a fire element

bell - earth element, for cleansing and clearing out, and bringing new energies in, very similar to a broom. for calling and dispelling spirits

jars  -  good for containing ingredients, potions (assuming properly kept and sanitized), and herbs, and especially jar spells. sometimes a jar is the only tool you need in a spell

Designing Spells, a how-to guide for every level of experience and discretion: Threshold Theory

Suggested Reading

*-Highly recommended

Threshold Theory*

Path of Least Resistance*

Anchors*

What is Witchcraft?*

Basic Energy Work

Conceptualization Vs. Visualization

Spell Dictation*

Spellcasting Basics*

Basic spell components:

All spells have a few components that are absolutely necessary for potent results. It is going to be assumed that physical and/or energetic work was done to actually prepare and cast the spell.

In order to cast a spell, one needs to be in a space of mind that facilitates the spell working. We often refer to this as ‘Headspace”, this assists one to be more focused. This can be the most difficult aspect of spellworking for some practitioners. The mind needs to be honed in on the spell, the energies, spirits, and intentions involved. This headspace exists to channel the practitioner's focus on the task at hand. This combination of headspace and focus is referred to as a state of gnosis.

Secondly, one would need to have passion, an emotional state that is used to fuel the spell.

Lastly, one needs to have an Intention for a spell. This is the most discussed aspect of spell casting, but is also the most misunderstood. Intention is not to be confused with desire. Intent is a personal truth, something that cannot be lied to. It is possible to cast a spell without one of these three components, however the spell most likely will not be as potent as if one did. You totally can cast spells based on desire and not intent, but validating the spell may be difficult or it may have varied results.

Too read about how to record your spells accurately, check out this post.

Correspondences, Tools, & External resources:

When looking through the internet or other informational resources and/or guides on witchcraft, you’ll probably notice that a few things tend to be regularly occurring:

1. That though a lot of practitioners may say that tools and correspondences aren’t necessary, a vast majority of sources and guides include and/or require correspondences and/or physical tools.

2. The correspondences used in each source are only as common as the dominant source for those correspondences within that specific tradition. For some, those sources are books, and for others they are the first result on a Google search.

When it comes to Tools used to perform magic, there are a few things that must be kept in mind. Some tools are culture/tradition specific and it would be disrespectful for you to use them, which may or may not have spiritual consequences. Many tools are used to accomplish the same ends. For example, wands and athames are used for very similar purposes, the casting and/or projection of energies within a specific space- typically when sanctifying an object or opening/closing a space for a working. If you decide to use a tool for your practice, please be sure that you understand the cultural ramifications of doing so within a spiritual space.

When it comes to Correspondences, there are a plethora of sources that may appear to have contradicting data. This is because they stem from various traditions and sources. This occurs because correspondences are 100% subjective. However, if you practice within a specific tradition or culture, then you are expected to follow the correspondences of that practice. This can be incredibly powerful because people have been building on those ideas and connections for lifetimes.

IF you aren’t a part of a preexisting tradition ask yourself what you feel you should use. Magic can be a very personal and intimate experience. Don’t be afraid to create your own correspondences. Furthermore, don’t be afraid to invent your own tools- but be sure to do so as if it were a sacred act. Magical tools aren’t something that should be thrown together thoughtlessly and then treated like pencils or hair ties, they should be created and treated as what they are: a medium for your magic. They should be planned and made with materials that you deem appropriate. The should be stored as if they were fragile or put on display on an altar. If you’re not open about your practice, this aspect may be challenging to hide.

Types of spells:

In my experience, there are seven types of spells. Please bear in mind that these are by no means finite boundaries for spellwork to exist within, just an acknowledgement of trends.

Altar Spells: Spells that require not only tools and correspondences, but also require a ritual or ceremony in order to cast it. Often, these spells utilize candles and crystals, prayers and symbology, and may even go as far to actually require an altar.

Glamours: These spells more often than not, require only symbols and energy. They are use to altar the perceptions of whatever they’re placed on, whether targeting other or yourself.

Divination: Spells used to heighten your intuition. A lot of practitioners don’t view divinations as being spellwork, but a good diviner uses all three of the basic components of spellwork for their readings.

Psychological Spells: These are spells put on yourself to altar your own mind by manipulating your own subconscious. These spells are performed often through repetitive action and subliminal messaging through turn of phrase of symbology.

Energetic Spells: These spells require only the energies of yourself and/or beings and objects around you. Most energetic spells that are easy to find on the internet are very small spells, typically aimed at small scale manifestation. However, with enough practice and intuition, Energetic Spells can do anything that any other spell type can achieve.

Astral Spells: These are spells that require being in an Astral form or even on the Astral Plane. They are very similar to Energetic spells but they require even less. However, due to the nature of the Astral, maintaining the basic components of spellwork while in this form can be very challenging.

Spirit Spells: These are spells that either use spirits as the medium for the spell to travel through, or employ a spirit to do the spell work for you entirely. Like energetic spells, this type of spell can achieve anything that all the others can if given enough experience and practice.

Spell dictation: Whether it be for recording a spell that you have already cast or recording how to perform a spell you have only just thought of, the way you choose to record your spellwork with have a massive impact on your craft as a whole.

The importance of record keeping:

When performing spells, it is imperative to keep a record of the exact spell process and results. By doing this you’ll be able to keep track of successful spells and those that aren’t. Then it becomes easy to home in on effective spell processes.keeping a record also makes it a lot easier to undo spells that take an undesired turn. I recommend having a dedicated book or Google drive folder to record your spells.

Spell Design Process:

All spells can be thought of as a combination of Thresholds, Nodes, Intent, Focus, and Passion. (And an action)

Without any of these a spell will not function as intended or would not work at all.

Nodes are things like correspondences. They are individual concepts that are connected to form a complete web, or Threshold, for the spell to travel through. Correspondences need not be only for the physical objects involved. They can be as simple as word association or a memory.

Start creating a spell:

1: Decide on a goal, what you wish the spell to accomplish. It is important that your spell takes the path of least resistance in order to have the highest chance at success

2: Create or find correspondences and concepts to create your nodes from and then find how they can be connected. This can be done mentally or by using nodes that are associated with each other.

3: Get all your tools and sympathetic representations together, if you decide to use them. If not, skip to 4.

4: Decide what is the best headspace to be in for casting the spell. It is important to record this as well.

5: Find what is the best emotion to fuel the spell and record that as well.

6: Figure out what energetic programming you wish to use and record that. Do this as best you can, I do realize that the current energetic model definitely leaves a ton to be desired.

7: If you wish to involve spirits, be sure to commune with them beforehand if necessary. And be sure to keep record of the conditions that are reached and which entities you involve.

8: Compile your spell into a single process.

9: Cast and record results.

Be sure to do as much research into your target as possible. Like if you’re casting a spell onto the brain of another person, it would be wise to know their medical history or there could be unwanted side effects.

Discrete Spells and Practices:

The best way to keep your spell work private is to forgo your physical tools and sympathetic representations. This can be achieved by relying on spirit work or energy work.

If you wish to keep the physical aspects of the craft and the way you keep records, I recommend having a small discrete bag to hold your tools and such and coming up with a transcription orthography to write with. This can be either a personal alphabet or a simple encryption like a caesar cipher. A lot of discrete practitioners cannot use candles or burn, in order to get around this you can have ashes as your fire representation and draw things you would burn in water soluble inks. You can also draw Sigils using invisible inks as well.

Networking and How to Talk About Spells:

When discussing witchcraft, it is of the utmost importance to first establish personal semantic meaning. Since witchcraft is a multicultural and multilingual phenomenon, the words used to discuss it vary wildly. This is why I take the time to define my terms.

Once the baseline of semantics has been discussed, it is safe to proceed with discussions about magic. It would be easier to start with practitioners who have a similar practice. But I recommend connecting with anyone who is willing to have fair, free and, open discussions. Remain aware of the nuances of culture as to avoid taking and using what is not meant for you.

Validating Spells:

when recording spells, be sure to note the date and time of casting and have a timeframe in which you would expect a given result. Once the timeline runs its course take any notes of what might be pertinent.

If the spell is continuous, be sure to make note of the situation beforehand so that as time passes you can make notes of relative change.

Sometimes spells don’t work and that’s okay. That just means you need to reassess the working and try again.

Troubleshooting Spells:

If a spell effects more than what was desired, you likely weren’t focused enough or your nodes weren’t connected thoroughly.

If a spell worked but wasn’t to the desired intensity, you likely didn’t fuel it with enough passion during the casting.

If a spell didn’t work at all, it could be that it didn’t take the path of least resistance or you were missing a crucial element. As an example, it is more effective to cast a spell for your employer/client to notice your hard work than it would be to cast one to get a raise.

As you adjust aspects of your working, you’ll be honing it to perfection. Keep track of your changes and overall processes.

If you have any questions, want to know about my blog, commission a Sigil, commission a magical script, suggest content, get a divination reading, or see a list of my planned and published content click here.

Trans women are ALWAYS included when I’m referring to women

Witch Bottles? Witch Bottles! - Explained.

Witch bottles traditionally act as what can be described as ‘decoys’ for malevolent or baneful spirits and energies. This includes curses, hexes and jinxes - it includes anything and everything that seeks to ruin that good streak you’ve got goin’ on.

Historically, witch bottles included items such as rusted nails, thorns and wine (yep, you read it right: people used to stick wine in bottles to never be consumed!), and almost always include an item of your physical being, such as a lock of hair, a little bit of spit or blood or semen, etc,… you catch my drift here, right?

**IMPORTANT: if and when you draw blood, don’t just wing it. Use hygienic and sterilized equipment to prevent infection!

When creating a witch bottle of this ilk, your main goal is entrapment so personalize to your heart’s content.

Nowadays, we have witch bottles for protection, entrapment, cursing and myriad other things, but typically they all follow the same basic method of construction (for lack of a better word) as traditional witch bottles, which goes as follows:

For protection against baneful energies and the entrapment of them, some ingredients may include the following:

A item of your physical being

Sea salt

Needles/pins/nails

Broken glass

Sage

Garlic

Blood or wine

A sigil written on paper or the ashes of a burnt sigil

A tangle of black thread

Basil

Cayenne Pepper

If you’re creating a protection bottle, you may want to include protective herbs, (such as Rosemary, St. John’s Wort, Pennyroyal or Mandrake root) and small crystals, like amethyst and quartz, in place of the… angry-ish content of the negativity-trapping bottle.

Next, you put all of your ingredients into your chosen bottle which can be made of glass, clay, metal or ceramics, and seal it as tightly as possible with a lid or stopper (cork). Now, shake! If the mood takes you, fill the bottle with whatever thoughts and feelings fit the intent for a little extra oomph.

Now you must take a candle that again, corresponds with the intent of the bottle. Black for protection (for me!), - but each witch has their own colour correspondences, remember - and drop the hot wax over the lid/stopper of your witch bottle. Before you play with hot wax, set some paper down underneath your bottle to protect whatever surface you’re working on and please, please take care not to let the wax touch your skin whilst it’s hot!

Traditionally, again, ceramic witch bottles were burnt or placed in a fire or hearth and the ashes/remains then buried somewhere on the witches’ property. Nowadays this isn’t always an option, and many of us choose to use glass bottles or jars. In this instance, you can run the jar/bottle through the smoke of an incense that befits yours needs and wants, and then leave the witch bottle somewhere dark/somewhere it won’t be disturbed.

Picture Credit [x]

What it's like trying to learn about the Occult

Trying to learn more about the occult is so intimidating. I am trying to gather as much knowledge as I can, but there is so much reading material. Like for most other western religions it's "𝘏𝘦𝘳𝘦 𝘪𝘴 𝘵𝘩𝘪𝘴 𝘣𝘰𝘰𝘬. 𝘙𝘦𝘢𝘥 𝘪𝘵 𝘢𝘯𝘥 𝘭𝘦𝘢𝘳𝘯 𝘪𝘵𝘴 𝘵𝘦𝘢𝘤𝘩𝘪𝘯𝘨𝘴." But for the occult it's "𝘏𝘦𝘳𝘦 𝘪𝘴 𝘢 𝘥𝘦𝘤𝘳𝘦𝘱𝘪𝘵 𝘰𝘭𝘥 𝘭𝘪𝘣𝘳𝘢𝘳𝘺. 𝘔𝘰𝘴𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘣𝘰𝘰𝘬𝘴 𝘩𝘢𝘷𝘦 𝘱𝘢𝘨𝘦𝘴 𝘵𝘰𝘳𝘯 𝘰𝘶𝘵. 𝘈𝘭𝘭 𝘰𝘧 𝘵𝘩𝘦𝘮 𝘤𝘰𝘯𝘵𝘳𝘢𝘥𝘪𝘤𝘵 𝘦𝘢𝘤𝘩 𝘰𝘵𝘩𝘦𝘳. 𝘚𝘰𝘮𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘱𝘰𝘱𝘶𝘭𝘢𝘳 𝘰𝘯𝘦𝘴 𝘸𝘦𝘳𝘦 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘣𝘺 𝘣𝘪𝘨𝘰𝘵𝘴 𝘢𝘯𝘥 𝘭𝘶𝘯𝘢𝘵𝘪𝘤𝘴. 𝘛𝘩𝘦 𝘧𝘶𝘳𝘯𝘪𝘵𝘶𝘳𝘦 𝘴𝘮𝘦𝘭𝘭𝘴 𝘭𝘪𝘬𝘦 𝘮𝘰𝘭𝘥. 𝘛𝘩𝘦 𝘭𝘪𝘣𝘳𝘢𝘳𝘪𝘢𝘯𝘴 𝘢𝘳𝘦 𝘺𝘦𝘭𝘭𝘪𝘯𝘨 𝘢𝘵 𝘦𝘢𝘤𝘩 𝘰𝘵𝘩𝘦𝘳."

i think it’s so wholesome that whenever me or my friends have issues w our plants 🌱 .. i always send my mom a pic and she gives us a diagnosis and what to do

How To Find Your Path As A Witch (Or Not)

New witches often come to me confused and lost because they’re overwhelmed by the sheer number of directions that they could potentially take their craft. They see talk of green witches and kitchen witches, tech witches, sea witches and so many others and they have a completely human reaction to being confronted with such an overabundance of information.

THEY FREEZE UP!

Without a defined direction they feel incapable of continuing forward, they stagnate while they try to pick a path and they stop learning. They don’t want to pursue something only to have to backtrack later so they pursue nothing at all!

How is anyone supposed to get their start in the craft when they have NO IDEA what direction they want to go in? Or what if they have more than one kind of witchcraft that interests them? How do they choose?!

The answer is surprisingly simple.

You don’t!

Having a specialization or a personal path in your witchcraft can be a wonderful thing but unless you just KNOW right from the jump what kind of specialty is for you there’s no need to get wrapped up in those sorts of details.

The important thing is that you keep learning.

For the majority of people their path unfolds in the natural course of events.

Maybe you try a bunch of different things but you find after a few months that you’re gravitating toward divination almost every time you practice your craft.

Or perhaps you started out with kitchen magic but suddenly find yourself with a burning interest in stars and how they can be used in the craft.

Perhaps over the course of your time as a witch you even find that you prefer not to narrow your focus, instead pulling from many paths to create something personal to you.

Every individual witch will find their own path which, while they may choose to call it by a recognizable title, will be entirely unique to them. Finding your path is not about choosing what kind of witchcraft you want to practice, it’s about allowing your craft to develop its own flavor and personality as you learn and grow.

In order to find your path you must let go of the imposed boundaries of titles. Titles can be useful in many ways but for newer witches they can be limiting. Witchcraft is a way to claim your power! Why would you limit yourself in that pursuit?

Instead cast your net as far as you like, read about anything and everything that interests you. Allow yourself to wander in your learning, follow your whims and soak up as much variety as you can.

Don’t limit yourself to only the things that are obviously magical! The mundane can always be made magical. What do you love? Can you transform your hobbies and existing interests and incorporate them into your craft? (Hint: the answer is almost certainly yes!)

As you explore and learn and practice your path will make itself clear, the things you love, the things that make you excited will always come to the surface. You will find yourself reaching for the practices that truly FEEL magical to you again and again.

That is the essence of your craft! Those foundational practices that you use so regularly that they come as easy as breathing are what make up your personal path.

Tomorrow I’m going to be telling you about the workshop I’ve been putting together to help new witches get started and avoid the stagnation that can come from this sort of information overload!

What’s your biggest struggle when it comes to pursuing your craft? Tell me about it in the comments!

CIRCLE CASTING 101

A magickal circle is an energetic construct that you build or envision around yourself before working magick, doing a ritual, some like to cast a circle before meditating or reading tarots. For a solitary practitioner the circle is typically 5-6 ft in diameter, but the size expands based on the size of the group. It can be defined physically, energetically, or both.

Circles provide protection and serves as a container for your personal energy as well as the energy you conjure.

Please remember that this is just what i personally like to do when casting a circle, but that there are many methods.

Preparation for circle casting

1. Determine how much space you will need.

2. Cleanse your area. Vacuum, sweep, throw away any trash in the area.

3.Make sure you have everything you need for your ritual! Theres nothing more frustrating than having your circle casted and realizing you’ve forgotten an herb or any supplies you need for the work you’re about to do.

4. Purify your area. Light purifying incense, sage, sprinkle salt and holy 💧. Most importantly, Visualize the negative energy dispersing. If you don’t focus & visualize, your physical actions will have little effect. Visualization is hands down one of the most important things in any and all magickal workings!

5. Now its time to cast your circle!

Visualize protective energy coming from within you and direct it towards your casting arm. Focus it through a casting tool (Athame, wand, or ✋)  and visualize a beam of energy coming from it and settling on the ground. Trace your circle with this energy, 3 times in a clockwise direction. Once for protection, once for focus, and once for power.

Call the 4 quarters

Face North and say “I call to the North, to the element of Earth. Grant me (us if not practicing alone) your endurance, your strength.”                                  Sprinkle salt onto your altar or crumble soil into a bowl on your altar.

Face East and say “I call to the East, to the element of Air. Grant me your creativity and your intuition.”                                                                             Light incense, wave a fan,or drop feathers onto your altar.

Face south and say “I call to the South, to the element of Fire. Grant me your passion and your energy.”                                                                                 Light candles.

Face west and say “I call to the West, to the element of Water. Grant me your empathy and your emotion.”                                                                              Pour blessed/storm/moon/natural water into a bowl or into your chalice.

Now would be the time to call on any deities you’d wish to work with. You can call any Goddess or Angel by personalizing this to them. I typically do not personally work with deities, but if you were to want to, Call to them similar to how the Elements are called. Ex. “I call to Gaia, Mother Goddess, Spirit of Earth.” and then place an offering symbolizing them, so for Gaia you might place  grain on your altar as an offering.

If not solitary, now would be the time to invite others to the circle. The group leader typically invites others in by a series of phrases, although i know every coven has their own method fine tuned for themselves, This is just the method i’ve seen used and am familiar with.                                                                    Group leader:”Children of the Goddess, I now invite you to enter our circle.” Each member will be asked “How do you enter this circle?” The response should be “In perfect love and perfect trust.”

Now its time to raise energy. This is the most important part of this process. It is so important because when you open your circle at the end of spellwork, You release all of your energy you have filled with intent out into the universe to go manifest whatever it may be you have called to. You want as much energy as possible to be released carrying your intent!

Here are a few ways! There is no wrong way to do this part, and there are SO MANY ways. You can fine tune this all to you. Remember that this is your ritual, and you want your energy fully behind everything you are doing. This is all customizable, most of all the energy raising.

-Witches Rune Chant

“Darksome night and shining Moon,

East, then South, then West, then North,

Hearken to the witches’ rune;

Here i come to call thee forth.

Earth and Water, Air and Fire.

Wand and pentacle and sword,

Work ye unto my desire,

Hearken ye into my word.

Cords and censer, scourge and knife,

Power of the witches blade waken all ye unto life,

Come ye as the charm is made.

Queen of Heaven, Queen of Hell, Lend your power unto my spell,

and work my will by magic rite.

By all the power of Land and Sea, By all the might of Moon and Sun,

As I do will, So mote it be;

Chant the spell, and be it done.

Eko, Eko Azarak

Eko, Eko Zamilak

Eko, Eko Karnayna

Eko, Eko Aradia”

-Meditating to raise energy. Visualize energy building and building by visualizing warm, yellow light fill your body until its expanding out of your body and filling the dome above your circle. visualize it filling with energy until you are content.

-Music or Drumming, Dancing and Chanting.

Once you reach your desired energy level, it is time to get into whatever spellwork or ritual you desire to preform!

After your spellwork, its time for Cakes and Ale. I like to make little spirit cakes and have some red wine after a ritual. Expelling all of that energy from your body is draining, and you should take your time to enjoy this part of the ritual. Set a cake and some wine aside for the entities who have lent you their energy as thanks. Cakes can be anything, from saltine crackers to cupcakes. Ale can be water. Anything that works for you is ok. For my cakes, i bake a shortbread and mix whatever ingredients i want into the dough. This way, I can craft them with the intent for whatever ritual i may be doing.

ONCE YOU FINISH YOUR WORK SAY GOODBYE TO THE ELEMENTS AND THANK THEM FOR THE POWER THEY BROUGHT. ALWAYS SAY GOODBYE AND THANK ANY DEITIES CALLED ON. 

HERE IS HOW I DO IT:

-Farewell to Goddess. ex. “I thank you, Gaia, for gracing me with your glory. Farewell and Merry met.”

-Farewell to Quarters (Counterclockwise). 

“My thanks to the element of Water, Your compassion was a gift. Farewell & Blessed be.” Now cover your dish of water or pour it out, Physically say goodbye as well.

“My thanks to the element of Fire, Your fierceness was a gift. Farewell & Blessed be.” Douse your candle. 

“My thanks to the element of Air, Your wisdom was a gift. Farewell & Blessed be.” Douse incense/flip fan/turn over feather.

“My thanks to the element of Earth, Your protection was a gift. Farewell & Blessed be.” Cover earth with a cloth, or return it to ground.

I like to walk the circle the opposite way of its casting three times, and voila!

Keep in mind that this is just my method! There are many methods and this is just one of them.

I hope this is helpful to you! 

-Love and light, @lapiscat

Zodiac Correspondences

/ˈzōdēˌak/ noun ; astrology

1. a belt of the heavens within about 8° either side of the ecliptic, including all apparent positions of the sun, moon, and most familiar planets.

*On the bottom of the post we have included some vocabulary.*

1. Aries ♈

The Ram. March 21st-April 19th. The House of Self. Begins at the Vernal Equinox. A sign of a new beginning. The Aries moon is a good time to work on charging yourself or a loved one with courage and positivity.

Anatomy: Head

Animal: Ram

Astrological Fall: Saturn

Brightest Star in Constellation: Hamal 

Celestial Body/Domicile: Mars

Color(s): Dark Red

Crystals: Bloodstone & Garnet

Detriment: Venus

Element: Fire

Herbs: Allspice, Cinnamon, Cloves, & Sage

Incense: Dragon’s Blood

Quality: Cardinal

Symbol(s): Horns

2. Taurus ♉

The Bull. April 19th-May 21st. The House of Possession. The Taurus moon is a good time to work on love-related and healing-related magick, general material gain, and stability.

Anatomy: Neck & Throat

Animal: Bull

Astrological Fall: Uranus

Brightest Star in Constellation: Aldebaran

Celestial Body/Domicile: Venus

Color(s): Green & Yellow

Crystals: Emerald, Jade, & Malachite

Detriment: Mars

Element: Earth

Herbs: Honeysuckle, Patchouli, & Thyme

Incense: Storax

Quality: Fixed

Symbol(s): Bull & Crown

3. Gemini ♊ 

The Twins. May 21st-June 19th. The House of Communication. The Gemini moon is a good time to work on divination and prophecy wishing spells, luck, communication, and success.

Anatomy: Arms & Shoulders

Animal: Hybrids

Astrological Fall: Neptune

Brightest Star in Constellation: Pollux

Celestial Body/Domicile: Mercury

Color(s): Orange & Yellow

Crystals: Agate, Alexandrite, & Citrine

Detriment: Jupiter

Element: Air

Herbs: Lavender & Lily of the Valley

Incense: Lavender

Quality: Mutable

Symbol(s): Mirrors & Twins

4. Cancer ♋

The Crab. June 19th-July 21st. The House of Family and Home. The Cancer moon is a good time to work on domestic life, family, or hearth and home related magick, and supports comfort.

Anatomy: Chest & Stomach 

Animal: Crab

Astrological Fall: Mars

Brightest Star in Constellation: Al Tarf

Celestial Body/Domicile: Moon

Color(s): Blue & Silver

Crystals: Moonstone & Pearl

Detriment: Saturn

Element: Water

Herbs: Eucalyptus, Milkweed, & Lemon

Incense: Sandalwood

Quality: Cardinal

Symbol(s): Claws

5. Leo ♌

The Lion. July 21st-August 19th. The House of Pleasure. The Leo Moon is a good time to work on courage, creativity, confidence, success, overcoming obstacles, and fulfilling dreams.

Anatomy: Heart & Upper back

Animal: Lion

Astrological Fall: Mercury

Brightest Star in Constellation: Regulus

Celestial Body/Domicile: Sun

Color(s): Gold & Yellow

Crystals: Amber, Sunstone, & Tiger’s Eye

Detriment: Saturn

Element: Fire

Herbs: Heliotrope, Marigold, & Nutmeg

Incense: Frankincense

Quality: Fixed

Symbol(s): Belts & Tails

6. Virgo ♍

The Maiden. August 19th-September 21st. The House of Health. The Virgo moon is a good time to work on helpful energy for spells, organization, communication, financial planning, and to build networks, and overall health.

Anatomy: Intestines & Lower Digestive System

Animal: Rooster

Astrological Fall: Venus

Brightest Star in Constellation: Spica

Celestial Body/Domicile: Mercury

Color(s): Purple & White

Crystals: Amazonite, Amethyst, & Chariote

Detriment: Jupiter

Element: Earth

Herbs: Cypress, Moss, & Peppermint

Incense: Narcissus

Quality: Mutable

Symbol(s): Innocence & Virgins

7. Libra ♎

The Scales. September 21st-October 19th. The House of Partnerships. The Libra moon is a good time to work on artistic expression, partnerships, balance, and love-related magick.

Anatomy: Kidney & Lower Back

Animal: Elephant

Astrological Fall: Sun

Brightest Star in Constellation: Zubeneschamali

Celestial Body/Domicile: Venus

Color(s): White & Yellow

Crystals: Ametrine, Topaz, & Watermelon Tourmaline

Detriment: Mars

Element: Air

Herbs: Majoram & Sweet Pea

Incense: Galbanum

Quality: Cardinal

Symbol(s): Scales

8. Scorpio ♏

The Scorpion. October 19th-November 21st. The House of Sex. The Scorpio moon is a good time to work on psychic-related magick, including talking to other planes, merging with Deities, reincarnation, karma, cleansing, psychic healing, and spirituality.

Anatomy: Genitalia & Groin

Animal: Scorpion

Astrological Fall: Moon

Brightest Star in Constellation: Antares

Celestial Body/Domicile: Pluto

Color(s): Dark Red, Grey, & Black

Crystals: Apache’s Tear, Obsidian, & Serpentine

Detriment: Venus

Element: Water

Herbs: Cumin, Ginger Root, & Myrrh

Incense: Benzoin

Quality: Fixed

Symbol(s): Blood

9. Sagittarius ♐

The Centaur or The Archer. November 21st-December 19th. The House of Philosophy. The Sagittarius moon is a good time to work on travel-related magick, growth, spiritual relationships (including Deities), and change or transformation. 

Anatomy: Liver, Hips, & Thighs

Animal: Horse

Astrological Fall: Ceres

Brightest Star in Constellation: Kaus Australis

Celestial Body/Domicile: Jupiter

Color(s): Brown, Orange, & Gold

Crystals: Labradorite & Smokey Quartz

Detriment: Mercury

Element: Fire

Herbs: Anise, Juniper, & Sage

Incense: Cinnamon

Quality: Mutable

Symbol(s): Bow & Arrow

10. Capricorn ♑

The Goat. December 19th-January 21st. The House of Social Status. The Capricorn moon is a good time to work on spells related to making plans, clearing clutter and banishment, investment or business growth, organization, networking, and foundation security.

Anatomy: Joints, Teeth, & Bones

Animal: Goat

Astrological Fall: Neptune

Brightest Star in Constellation: Deneb Algedi

Celestial Body/Domicile: Saturn

Color(s): Black & Maroon

Crystals: Black Diamond & Onyx

Detriment: Moon

Element: Earth

Herbs: Cypress & Vervain

Incense: Musk

Quality: Cardinal

Symbol(s): Horns

11. Aquarius ♒ 

The Water-Bearer. January 21st-February 19th. The House of Friendships. The Aquarius moon is a good time to work on magick related to innovation, inspiration, inventions, and social and philanthropic causes.

Anatomy: Ankles & Circulation

Animal: Peacock

Astrological Fall: Pluto

Brightest Star in Constellation: Sadalsuud

Celestial Body/Domicile: Uranus

Color(s): Blue & Lavender

Crystals: Amethyst & Lapis Lazuli

Detriment: Sun

Element: Air

Herbs: Almond, Lavender, & Peppermint

Incense: Galbanum

Quality: Fixed

Symbol(s): Vase & Water

12. Pisces ♓

The Fish. February 19th-March 21st. The House of Subconscious. The Pisces moon is a good time to work on a journey to seek out wisdom and truth, psychic development, dream work, and your connection to your spirit. 

Anatomy: Feet & Immune System

Animal: Fish

Astrological Fall: Mercury

Brightest Star in Constellation: Eta Piscium

Celestial Body/Domicile: Neptune

Color(s): Pink, Blue, & Indigo

Crystals: Pearl & Aquamarine

Detriment: Ceres

Element: Water

Herbs: Catnip, Gardenia, Iris, & Jasmine

Incense: Cypress & Orris Root

Quality: Mutable

Symbol(s):  Water

Vocabulary:

1. Astrological Fall: The sign that is positioned directly opposite of a celestial bodies sign. The fall is a position of weakness concerning the functioning of the celestial body and what it represents.

2. Cardinal: Associated with being active, self-motivated, insightful, and ambitious. The Cardinal Houses are the First, Fourth, Seventh, and Tenth.

3. Detriment: When a celestial body is positioned in the zodiac sign opposite of which it is domicile. 

4. Domicile: A planet’s domicile is the zodiac sign over which it has rulership.

5. Fixed: Associated with stability, determination, depth, and perception. The Fixed Houses are the Second, Fifth, Eighth, and Eleventh. 

6. Mutable: Associated with adaptability, flexibility, and sympathy. The Mutable Houses are the Third, Sixth, Ninth, and Twelfth.  

7. Quality: Cardinal, Fixed, or Mutable. How the sign is.

*If there is anything we missed, incorrect information, or something you’d like to add, just let us know!*

xx ~ @chlovoyant

So you wanna make your own incense?

You've come to the right place sweetness. For clarity's sake I want to specify that I am not a professional. This is simply what I did to make the incense that I use. Always research your herbs and herbal mixtures, be aware of your allergies, and remember to use herbs from high quality sources to protect your health. And remember, the best witchcraft is safely practiced witchcraft.

What you'll need: Herb of choice (no correlations listed here, otherwise we will be here all night)

Coffee grinder (or a mortar and pestel, but baby we are in the 21st century work smarter not harder)

Tap water (charge it if you want for extra pizzazz)

Optional: oven, preheat to 190 degrees Fahrenheit

Step one: grind up your herbs in the coffee grinder, the finer the better. My herb was food grade lavender.

Step two: Divide the ground herb into two separate bowls, a wet bowl and a dry bowl. Into the wet bowl, mix into the herb with some water so the consistency is a modable clay. Sacred water is great for this.

Step three: Form the clay into a cone shape in any way that makes the most sense for your body. For me, that involves using my thumbs and middle fingers, but whatever way works best.

Roll the wet cone into the dry bowl, coating the cone in a layer of powdered lavender.

You can either leave the cone to dry over night, alternatively---

Place in oven for 40 minutes to an hour to dehydrate the cones!

Ta-da! I hope these directions inspire you to give this a shot yourself. I know I had a lot of fun making this lavendar incense, and I know I'm excited to make more in the future. Don't stop creating lovelies.

<3 Magnolia