Muttering To Myself: "The Sets Are Still There In Bathgate, The Sets Are Still There In Bathgate, The

And so it ends. I love an open ending - you're free to imagine what have they talked about afterwards, and how it went, and whether the Doctor found what he needed when he came looking for Grace, and whether it was with a heavy heart that Grace let him go again - or whether she made peace with her past and with herself of that past.

And both are written with such heartfelt precision. The Doctor is so on edge, so unsure of - well, pretty much everything, so wound up and deeply distressed, yet somehow determined. And Grace is seemingly - outwardly - fine, but still affected by what has happened, never not to be affected, and she knows it. She knows that no matter how much time passed, she would still be wondering and questioning her choice.

Part 3 of this untitled Doctor Who fic post Waters of Mars where 10 meets up with Grace Holloway again. (Well, I say untitled, and then I realized that when I posted the first bit to tumblr, I used the working title Saving Grace when linking it in this post, so let's go with that for now, shall we? It's better than my document title.) Posted for @gentildonna.

(Previous)

The Doctor made sure he was disconnected from all the machines before he set to work starting up his second heart. It wasn’t easy, not by himself. He would’ve liked to have someone else to help him. But he doubted the hospital staff would give him a good walloping on the back without what they deemed to be good reason, even if he specifically requested it. Not that he would, of course, because that would require explaining himself.

And when explaining himself didn’t work, he tended to run.

That would be slightly harder to do, given the conditions his clothes were in.

He’d started mending them, just a bit, so that he could get by. He could do a bit with the sonic screwdriver, mending fibres here and resonating dried blood off there. He was a bit surprised that, considering he had all manner of things in his pockets, he didn’t have a needle and thread. He made a mental note to put some in there in case anything like this ever happened again.

Though, if and when it did, he probably wouldn’t be wearing this suit anymore. Or this jacket.

Still. He’d worked quickly. Enough so that he’d finished before his scheduled appointment with the good Dr. Holloway. He doubted she’d be particularly disappointed, what with how she felt about him now.

He wished she hadn’t thought he was teasing her, poking fun at her stories. That hadn’t been his intention at all. He should have just come out and said it, but he hadn’t. He had such a gob on him in this regeneration, but did he open his mouth when he should? Of course not.

And now he’d missed his opportunity.

It was just as well. He shouldn’t have come. He managed to ruin them all, somehow, one way or another. This was simply proof that he was making more mistakes, not trying to compensate for his last one. How could he, when he ruined everything—everyone—he’d touched?

No shoes, but at least he was dressed in his suit again. Not that it fit quite as well as it ought to. Bit lumpy. He wasn’t the greatest at stitching. Never had liked all that domestic stuff. But it would do.

It wasn’t as conspicuous as a certain coat he’d worn in the past, one that would put the biblical Joseph’s to shame.

He’d get by.

Though he would like to find his trainers first.

Shouldn’t be too hard.

And then he could slip away to the TARDIS, no worse for the wear, and leave before he ruined Grace’s life any more than he already had.

-|-

The TARDIS refused to let him in.

Even when he claimed it would just be to get a change of clothes.

But she knew better, and he hadn’t been able to win an argument with her yet.

So he went back.

Not back to his hospital bed, no. No, he could do without that. He’d be fine. He’d only lost a bit of blood. Nothing serious. No broken bones, nothing lodged in his body, both hearts fully functioning, memory intact—not much more he could ask for.

He waited outside instead. It was, he thought, perhaps 2004, 2005. Grace may still be in San Francisco, but that didn’t mean she hadn’t moved. And, really, last time he’d been at her place, she hadn’t even had a couch, so she’d either have needed to buy quite a lot of furniture or move to a smaller place. And her place had been a bit of a hike from the hospital, if he remembered correctly. Not normally something that would bother him, but he was, perhaps just a little bit, under the weather.

The Doctor winced as he tried straightening up. Not quite healed up yet. Shouldn’t’ve tried running, really. That probably hadn’t helped. But he was sore enough that he figured pacing probably wasn’t the best way to pass the time, so he found a bench and sat down, waiting.

He was very quickly reminded why he rarely sat down with only his thoughts for company.

Ignoring the pain and his fatigue, he started walking, slowly, around and around and around the hospital grounds.

When he noticed someone watching him, he stopped that and sat down again.

But the itch to be moving remained, gnawing at him.

He wondered why he was doing this.

It wasn’t like he had a lot of time left, as far as he could tell.

His song was ending.

And here he was, waiting, doing nothing except thinking, rehashing everything he’d thought before, when there were worlds to see and places to explore and people to meet and—

Lives to ruin.

That kept him in place, that single thought.

The Doctor waited, deciding what to say the next time he saw Grace.

Because as far as he could tell, he’d only have one shot to get it right. And if he didn’t—if he started off on the wrong foot again—well, then, he wouldn’t get what he needed out of it. Not that he was entirely sure what he would get, or did need, precisely. Not closure. Not peace of mind. More…understanding. So that he would know for the future. So that, perhaps, once he regenerated—if the circumstances were such that he could regenerate—he might be able to see it, in the future. And if he could see it, he could avoid it.

And then he’d never, ever—ever—make that mistake again.

The fact that he’d done it once still scared him.

Almost as much as what would have happened, had someone else not taken it upon herself to correct it, even knowing what that correction would cost.

-|-

Dr. Grace Holloway was not happy to learn that their patient, the self-proclaimed Dr. John Smith, had somehow managed to escape the hospital and that not a single security camera had seen him leave. She hadn’t been particularly pleased with him, pulling the stunt that he had, but he wasn’t in good health, and if he really was a doctor—something she was strongly doubting—then he ought to at least acknowledge the foolishness of his actions. It was something too few people did, thinking they’d just pull through something on their own when they needed some sort of medical care.

Then again, if she were in another country without a passport or so much as a cent to her name, she might have run off, too.

Still, that didn’t explain why he’d singled her out, nor why he’d tried pulling that cruel joke. There was no reason for it. She’d learned, very quickly, to make the entire thing out as a story. And she’d told it, time and again, when she visited the children’s ward. She told other stories, too, but somehow, she always went back to that particular one.

Perhaps because that particular one wasn’t just any story—or just a story at all.

But the amount of detail she’d put into her retellings of it had some people questioning her. Perhaps because the details never changed, as the details of invented stories tended to do. She’d been shocked by the first remark she’d gotten, and even by all the ones that followed, despite knowing better by then. Not that anyone ever meant anything by it, really, as far as she could tell. They were only joking about it—with her, in their eyes. But the comments still stung.

To have snippets of the story repeated back to her, in a manner that hid the joke a little bit too well…. It felt cruel. Uncalled for. And it wasn’t even April Fool’s Day.

Perhaps it wouldn’t bother her so much if she hadn’t spent so much time thinking about it. Wondering, for the most part, what she had missed out on. Whether she’d made the right choice. Whether she’d change her mind, given the chance to. Whether it really had all been just a story or a dream.

The hospital records of that particular John Doe had been destroyed. Explaining away a dead man walking was a bit more difficult than simply burning a couple of x-rays and covering up the death in the first place, but it could be done. Rationalized. It had been late. The orderly had been confused, half-asleep, mixing up reality with that blasted movie he’d been watching. The door hadn’t been closed properly and had been loose on its hinges. It had been battered during normal use but had functioned well enough to not be reported, but its evident failure of function had ultimately required its immediate replacement, holiday or no holiday.

And things had simply fallen into place, logically, rationally, and everything that hadn’t fit had been shoved under the rug and had become unmentionable.

She’d even tried to find Chang Lee, once, when it was all said and done. She hadn’t been successful. She suspected it was because of the two bulging bags he’d held the last time she’d seen him. She still didn’t know what had been in them, but she knew they were from the Doctor. And that…that meant that they could have held anything within them from trinkets to cash to something as outrageous as gold dust.

Grace laughed, a bit bitterly. Oh, look at her now. Pining away after a forgotten possibility. All because some skinny idiot who had no idea what he was doing, how much he was hurting her, was dredging up her memories and shoving them in her face. Someone would have had to put him up to it, she was sure. They’d gone to a lot of trouble, telling someone all her stories. Perhaps he was a friend or relative of someone, thinking he’d have a go at her and have a laugh at her expense.

Although the wounds had been all too real. And the heart trouble wouldn’t have been faked, either. She wondered if they still had those x-rays. She’d be able to tell if his heart was overworked, as he’d kept insisting, by its size.

Grace put her coffee cup down. It was cold anyhow, though the brew had barely been lukewarm to begin with when she’d gone on her break.

Still. John Smith. Doctor. She should have seen through it immediately. The lack of ID, the odd things in the pockets, no money. And then the jelly babies. Oh, it had been planned, all right. Carefully. Not the stabbing, though she expected he’d have come up with one reason or another to see her. It was quite understandable that they didn’t replicate circumstances too much—and it wasn’t easy to fake a gunshot wound, not unless the entire hospital staff was in on it except her. The heart trouble may have been unexpected, or it may have been the reason he’d been the one to try it. She couldn’t be sure. X-rays inconclusive her foot. Perhaps they hadn’t even been taken.

Pursuing that thought, she went to check. But when she got there, she was informed that they had already been disposed of. She demanded to know why, without her even seeing them, particularly before they’d had a chance to take more, and had simply been told that it was out of their hands.

She cornered the newest addition to the staff. She didn’t know the man very well, and she wasn’t good at intimidating people, so she didn’t even try it. She merely pulled him aside and asked for the truth. What they had looked like.

Double exposure.

Double exposure. Yeah, right. As if she’d buy that after all this. Apologetic tone or not, even if he had been the one to take the blasted things— That didn’t matter. They were all in on it. What was this for? There was no rhyme, no reason. Who was trying to make her life hell?

She needed a break. And not just a measly five minutes. She wasn’t the only cardiologist in the hospital. They could cover for her. Oh, not easily, but they’d make do. She might lose her job, but, given the circumstances, she wasn’t so sure that wouldn’t be a bad thing. She’d thought about leaving after that first time, back in 1999. She hadn’t. She’d hung on, clinging to normality after her life had spun out of control. She’d used it as an anchor.

But some things you couldn’t bury so easily.

Given time, it would resurface.

Time.

She’d seen it backtrack, loop around, and play again. Just the once. But that experience had changed everything.

They always say that if it doesn’t matter in five, ten years, it doesn’t matter now, not really. Well, it had been five years. And it was still affecting her. And she was fairly sure another five wouldn’t change that.

She didn’t head to the parking lot, to her car. She knew she’d come back. But now…she needed to walk, now. Just to work off some of her frustration, expend her energy. She needed some time to think, where other things weren’t crowding her thoughts.

She nearly didn’t see him, sprawled on the bench as he was, fast asleep.

“Dr. John Smith,” she said, looking him over. She frowned as she studied him further. She’d seen the condition his clothes had been in, bloodied and torn. And while they were a bit raggedy, there were no gaping holes, no dark red stains stretching across large portions of the shirt. But she knew it had to be the same, because there were smaller spots of blood still there. Only, when she moved closer to get a better look at the material, she couldn’t tell that it had ever been ripped. The holes had closed up as if they had never been there.

How the hell had he managed that?

She shook him, intending to wake him up. He didn’t stir.

She felt for a pulse and yanked her hand back. He was cold. How long had he been out here? She pried open his eyelids, wishing she had a flashlight to better test pupil reactions, and then tried checking for a pulse again. She couldn’t find it, but his pupils had contracted slightly in the light when she stopped shading them with her hand. He wasn’t dead.

He really was in trouble after all.

It was all a bit more serious than she’d been led to believe, then.

“I’ve got to get you back inside,” she said. She looked dubiously at the lanky body splayed over the bench. He’d be heavy enough if she had to carry him. She’d be better off going inside and getting a wheelchair or someone to help her than struggle with him alone.

“And here I only wanted some time to think,” she muttered as she arranged the unconscious man into the recovery position.

She’d just finished making sure his head was tilted at the right angle when his eyes snapped open.

It was a bit hard not to shriek at that.

A grin spread across his face. “Hello, Grace,” he said as he pulled himself into a sitting position. “Just the person I wanted to talk to.”

“You need medical help,” she hissed, too angry with herself for losing her self-control earlier and for letting her emotions interfere with how she’d treated a patient than to wonder about how quickly he’d woken up, let alone how he’d woken up at all.

“Nah, better now. Had a bit of a rest. Didn’t expect to. Well, didn’t mean to. I did expect it would sneak up on me. Haven’t had much the last few days, and then, what with getting stabbed and all, well, I do need to replenish my energy now and then. Even I can’t run full-out forever.”

She grabbed his arm and only just stopped herself from pulling him roughly to his feet. “Come with me,” she said, her tone not allowing for argument.

“I don’t need to check back into the hospital if that’s what you’re thinking. If I need anything, I ought to see if I’ve got another zero room hiding out in the TARDIS somewhere. Listen, please. I just…. I think I need to talk to someone.”

Oh, and he was still at it. TARDIS indeed. Not that she knew where he got that bit about a zero room from, but that was beside the point. “I’ll make sure someone will be there to listen to you.”

He frowned, carefully extracting his arm from her grip. “I don’t need a visit from psychiatric,” he groused. But then his expression fell again. “Or perhaps I do, by your terms. But it wouldn’t help. Well, not me. I don’t need to end up in a padded room, thank you very much. Plenty to do without having to deal with that.” He sucked in a breath. “Please. You have to listen to me. I….” He trailed off. “It’s different now,” he said, starting again. “I’m alone now. Gallifrey’s gone.”

“Why do you insist on doing this?” Grace demanded, but she was uncertain now. There was something in his eyes….

“I can regenerate twelve times. But don’t worry; you’re the only one to kill me by punching a hole through my second heart. I’m not about to make that mistake again. Not that it was working earlier. Sign that I wasn’t doing so well, that. But she’s pumping now.” He caught her hands and placed one on either side of his chest before she could think to fight him—maybe because she didn’t want to. Maybe because she wanted it to be true.

A near-impossible duality of rhythm beat beneath her palms.

“There, see?” he asked, giving her a lopsided grin. “I’m easy to find. I’m the guy with two hearts.”

Same here. It's funny and lovely - and somehow different from the whole lot of other funny/lovely funart.

A pre-show commission from Thoughtbubble 2019

Aziraphale and Crowley don't communicate and it stems from their first meeting.

Let me explain.

Before the Beginning, Crowley is at his most honest and his most vulnerable. He tells Aziraphale so excitedly all about stars and how long it's hoping to take for them to form.

Aziraphale is also bluntly honest (a trait he never really loses but does learn to temper) in telling him about the 6K year timeframe.

Crowley then mentions creating a suggestion box and Aziraphale frets over him, concerned already, and we all know how much trouble Crowley got in for asking a few questions.

This sets the tone for everything after.

Crowley stops being honest - "I'm a demon. I lied." - which also means Crowley has been disparaging his own demonhood at least since Aziraphale looked at him askance on a wall and said, "You're a demon. That's what you do."

Aziraphale stops trusting him, but he never stops being polite. Crowley doesn't attack him, so he doesn't attack either. Not at the Ark, and not with Job's goats. Aziraphale is still vaguely seeing the angel he saw in the stars.

Crowley even gives him the permit so he can doublecheck that everything's above board, so to speak. Then we've got Crowley lying straight to Aziraphale's face about killing Job's children because Crowley still sees the angel in the stars who told him the world and his nebulae were going to prematurely end.

The angel who let kids die in the Flood.

Yes, the angel who shielded him on the wall and gave away a flaming sword, so there's some comfort that he won't instantly get smote - "smitten" 😇 - but still the angel who staunchly toes the party line.

After all's said and done and Aziraphale cries about being fallen - cries over being just what Crowley is, even after seeing Crowley circumvent Hell's rules - Crowley tells him he won't tell anyone.

Crowley is good at not telling anyone things, but so is Aziraphale.

Season 1, we get this. Crowley doesn't tell Aziraphale about the hellhound until the last minute. Aziraphale doesn't tell Crowley about finding Agnes's book. Aziraphale doesn't tell Crowley he's meeting with Nazis, and Crowley certainly never tells Aziraphale how he knows them. 

Season 2, we get more. 

Things Aziraphale doesn't tell Crowley:

• Deringer in a carved out book and gun license

• Drivers license he's had for 90 years - as long as Crowley's had the Bentley

• Why his French is so bad (not until he's asked a direct question)

• He knows Crowley likes to rescue him

Things Crowley doesn't tell Aziraphale:

• Beelzebub dragged him to Hell and made him an offer

• He'd never shot a gun before

I'm sure there are more things I'm forgetting, but those are some of the big ones.

More evidence of their continued lack of communication after the Apocanot is the apology dance. (Although I love it and do need to see Aziraphale do it too.)

Crowley is not wrong, and Aziraphale is not right. They are both both. But that never gets discussed, which is why Crowley never has to talk about being brought to Hell. He never talks about Aziraphale being threatened by Extreme Sanctions.

Aziraphale doesn't know why Crowley comes back, but he very likely assumes it's because Crowley wants to do the right thing after all. Aziraphale is still thinking about the angel Crowley was (season 1, "You were an angel once") and sees every single instance of good as PROOF that Crowley could/should/wants to be an angel again.

Additionally, some of the things they do say don't get heard. Aziraphale likes to tell someone he's doing good now that he's no longer reporting to Heaven. Crowley teases him for it twice, back to back. Tone of voice and "doing good again, angel?" after Maggie says something about the rent.

Aziraphale craves being told he's doing the right thing. Aziraphale has been pushed into a place where he won't get that from the place he always has because Heaven is out of reach. If he'd communicated this to Crowley, who is doing everything he can as always to keep him safe, that Crowley would keep teasing him? That Crowley wouldn't gesture to someone in need and say, "Right. Have fun, angel." Anthony J'acts-of-service Crowley would absolutely let Aziraphale have all the bouncy fun miracles in the world without shame. 

Also, when they discuss how to make Nina and Maggie fall in love. Crowley's idea - canopy, rainstorm, vavoom - is absolutely informed by his own experiences, but he doesn't leave it at that. He says he "saw in a Richard Curtis film." He won't let that uncomfortable truth live in reality, pushing it off to humans and film. The realm of fiction, as Aziraphale immediately latches onto.

They don't talk about themselves. They don't talk about being an US. They said their side without getting into the nitty gritty of what that means to the point where neither knows where the line is.

Aziraphale says our car and when Crowley refuses because my car, Aziraphale also says they both get use out of the bookshop. Our car, our bookshop. It's a melding that Aziraphale assumes is perfectly natural, but Crowley hasn't seen it that way. They haven't talked about it.

And when they finally do, Aziraphale is running on the assumption that because Crowley does good and was happiest as an angel, looking over a colourful nebulae - so happy with it, he didn't want to lose it and ended up Falling for it - of course Crowley would want to go back. Of course Crowley would want to be in charge (second in command) since it means doing what they do on a larger scale.

Crowley, however, is still keen to keep going as they have been. Alcoholic breakfast at the Ritz, fixing up the bookshop like nothing happened, getting Muriel away so it can just be the two of them. Crowley is ready for the status quo. Although he does have new knowledge that the car and the bookshop are theirs, he and Aziraphale still carried the plants back to the Bentley.

They are still not talking.

And when they do, it's too little and it's too late. And they never ask each other why.

Next season, they need to learn how to ask why. And I have faith they will.

#i think he's been smitten for a long time, crowley

GOOD OMENS 2.05 • "The Ball"

the worst part about the ending of season 2 is that it's actually very well written. it makes perfect sense and it's a very realistic conflict which makes it hurt even more. but i do have hope because this conflict IS solvable. and also, there is absolutely no way neil is going to give aziraphale and crowley a bad ending.

thing is - and hear me out - if s3 does by any minute chance incorporate any suggestion of a sex scene, it is imperative for me that they commit to the bit. i need crowley to nearly topple over trying to get out of his jeans, i need aziraphale to complain that they cant do anything downstairs because that would be scandalous, and i need them to trip over going up the stairs because they keep getting distracted. i need one of them to accidentally get an elbow to the face, i need them to have a long forgotten book digging into one of their backs, and aziraphale is horrified when crowley launches it across the room, and i need there to be hard cut to whickber street having a huge power surge, lines sparking, all the power going out, and every car alarm in a 2-mile radius start screaming, i don't need it to be explicit or overly romantic but i do need it to be fucking funny

Crowley has a bad habit of being the architect of his own misery.

From what he's sure was Earth's first (and, in his opinion, worst) hangover, to shutting down London's mobile networks only to have to make an urgent call himself, or purchasing the cheapest plant mister and using it in a bluff only to have it leak giving the damn game away, Crowley is frequently frustrated and frequently so at himself.

Now is no different.

He's sitting alone in his car (it still smells like angel and yellow and good lord he didn't know he could be this miserable) with only his plants for company and running through the last few days in his mind and wondering exactly where he cocked the whole thing up.

There was progress, he's sure of it. There were touches, moreso than usual. Hell, he thought he was going to drag the angel off to, well, somewhere, when they were at the pub and he just oh so casually placed his hand over Crowley's useless heart.

He can still feel it, those thick, strong, warm hands that even through layers of fabric felt divine and it made him want things. Tangibly want.

Imminently want.

How was that mere days ago? How had it gone so pear shaped so quickly? He went slow, he did the right things, he tried to protect his angel like he's always done. Well, bugger him for a lark considering how all that turned out.

He knows things now, like the depth of commitment Aziraphale had to the almighty and certainly not to him.

He knows what it's like to love and hate someone in a moment in equal measure. Knows what it's like to have someone awfully close but never further away.

He knows how the angel tastes, the love of his damned pointless, interminable existence, but only when tinged with fury and betrayal and desperation. (It was never supposed to be like that, it wasn't). He knows how soft those lips really are and he knows how those hands would grab him and maybe, in the right circumstances, pull him closer and then maybe-

He wishes he knew less. He'd like to know nothing at present.

But there's nothing for it now, Aziraphale's gone where Crowley can't follow and for the first time in six millenia, Crowley is untethered and entirely alone. Not the kind that protects you but the kind the hollows you out.

He had always promised himself he'd never tell Aziraphale howhe felt, would never break that boundary. Now that he knows how it plays out, he can't help but think he was right, Maggie and Nina be damned.

For the original tempter, the being who brought knowledge to humans and defended that with his entire infernal being, he's currently questioning if this is just one, big, awful joke with him as the natural punchline.

Knowledge, it turns out, is a real heavy burden.

All praise to DT – the patron saint and/or totemic being of us all, Who Cannot Sit Normally. 

I, for one, find this exact arrangement of lower extremities quite comfortable. Years of reading crouched in various crooks and nannies + breaststroke swimming have got my joints used to being put in positions that are not conventionally normal for the average human. Having knees that do… well, turn outwards, I guess is the right way to put it –  is pretty useful. 

Full credit for tag furniture_abuse goes to the incredible @mizgnomer, of course. (I'm awfully sorry if I'm breaching the Tumblr etiquette there, tagging non-mutual, but that blog is a bona fide treasure trove of all things DT-related, especially visual stuff.  It was the reason I came to Tumblr at all, for what it's worth.)

I knew that! Flipping conspiracy!!

end of time secret ending (the bbc wont tell you about this one)

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.