Latest Posts by generalelective - Page 4

Teressa Foglia Zora Hat

Handmade in New York City with ethically sourced fur felt.

Jess Meany Green Log Cabin Kalina Quilt Coat

Larry Poons, Photo by Hollis Frampton, 1963

Zhong Lin

365 Challenge - #322 #numb

Sara Meinz

“Loss has a wider choice of directions Than the other thing.”

— W.S. Merwin, from “The Nails,” The Moving Target (Macmillan Pub Co, 1963)

Untitled from the portfolio Garden, Amagansett, Photogravure and Chine Collé, by Ellen Phelan, 1990

Anastasia Savinova

Beautiful architectural collages, very neatly-organized.

Angela Lindvall | ph. Enrique Badulescu

The sensitive suffer more; but they love more, and dream more.

— Augusto Cury

El Sereno, Los Angeles

© Sinziana Velicescu

Meeting the Man: James Baldwin in Paris, 1970 (dir. Terence Dixon)

Dmitry Vyshemirsky

Hailey Bieber for Elle Magazine, shot by Mario Sorrenti.

Dress, Noir Kei Ninomiya. Bikini bottom, Versace.

‘hold-on’

There is a strange interdependence between thoughtlessness and evil.

Hannah Arendt, Eichmann in Jerusalem (via philosophybits)

Josep Iglésias del Marquet, 1984 [from Pintures i collage mínims (1984-1989)]

Michons Marigot

Elliss Jaybird Print Dress

Water elements in SAMURAI I: MUSASHI MIYAMOTO (1954) dir. Hiroshi Inagaki

Gold Corner, New York City

Joel Meyerowitz, 1974

Vija Celmins, Untitled (Saturn), 1985 [© Vija Celmins]

Close eye. Trust. Concentrate. Think: only tree. Make a perfect picture down to last pine needle. Wipe your mind clean. Everything but tree. Nothing exists whole world. Only tree.

Early Chinese-American Historian Judy Yung (1946–2020) Pictured here profiled in East/West, where she served as Associate Editor.

Tribute by AsAm News.

JOEL MEYEROWITZ, St. LOUIS

Spinning Chirstmas Tree, New York City, 1977

Considering himself as a ‘street photographer’ this piece of work is unusual to be showing up in his collection of photographs. This photo was clearly taken with a slow shutter speed, capturing most of the colourful light but blurring the ornaments and lights.  Although Pattern is suppose to create a sense of unity, in this case it opposes that; there are multiple different patterns showing up throughout the photograph, however they are all different. The different patterns are 'fighting’ one another and just create conflict in the photograph. The converging lines of the two walls meeting together draw your eyes straight to the focal point: the tree. 

Yayoi Kusama (Japanese, b. 1929), Coffee Cup, 1979. Acrylic on canvas, 18 x 15 in.

I had been working on the assumption that eventually everyone figures it out & goes on living the life they've created which is mostly true but as soon as you figure it out, something else changes so you figure that out too, & you keep going so it really doesn't stop & there isn't just 1 "it" to figure out which is ok & a little intimidating but i know we will be fine as long as we keep on creating & help each other along the way

by AdamJK