Rock Face, Bradley Duncan Studio
AZURITE, MALACHITE, CONCRETE, PIGMENT 9.25” x 6.5” x 3” 2018
Nova Carinae Region [and] Reg. of Antares with Comet, [1898] Harvard College Observatory, Cambridge
Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.
Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)
Johannes Veldhuizen, The tree people, Korowai, 1986.
“Houses of Irian Jaya’s Kombai and Korowai people are built as high as 150 feet for a reason: to see the birds and the mountains and to keep sorcerers from climbing their stairs. Also, the Korowai live in treehouses because when there is a fight with another clan in the jungle clearing, the young, old and women can quickly escape. It’s also breezier that high up.” https://www.instagram.com/p/CMpvLVDgBW8/?igshid=1pojzq5alskb
To risk one’s life, in fact, is to reveal oneself as not-bound to the objective form or to any determined existence — as not-bound to life.
Jean-Paul Sartre, Being and Nothingness (via philosophybits)
Teresa Lanceta, Untitled, 1998 [Museo Nacional Centro de Arte Reina Sofía, Madrid]
Lotus IX from The Lotus Series, Robert Rauschenberg, 2008, MoMA: Drawings and Prints
Gift of Emily Fisher Landau Size: sheet: 45 ¾ x 60 ¾" (116.2 x 154.3 cm) Medium: Digital print with photogravure from a series of twelve digital prints, ten with photogravure
http://www.moma.org/collection/works/133589
Esplorando i fondali ©Tiziana Loiacono
Anna Marie Tendler for Harper’s Bazaar, January 2022.
Shot by Lorenz Schmidl. Carolina Herrera mini dress; jewelry her own.
Grazia Varisco, OH! (1997-2006), (exhibition view), Rotonda della Besana, 2006 [© Archivio Grazia Varisco, Milano. Photo: Thomas Libiszewski]