«Graphis» 95, Edited By Walter Herdeg, Graphis Press, Zürich, 1961 [Museum Für Gestaltung Zürich].

Mònica Subidé (Spanish, b. 1974), La casa, 2018. Oil, pencil and collage on wood, 36 x 50 cm

Princess Diaries (2001)

Michael’s M&M keyboard in the auto shop :)

Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.

Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)

Shimabuku

Mónica Cordera Cashmere V-Neck Sweater Ethically manufactured in A Coruña, Spain, with Japanese knitted machines and finished by hand.

There is a strange interdependence between thoughtlessness and evil.

Hannah Arendt, Eichmann in Jerusalem (via philosophybits)

Mònica Subidé (Spanish, b. 1974), La casa, 2018. Oil, pencil and collage on wood, 36 x 50 cm

@henni.kristin https://ift.tt/2EgKv54 -> Telegram Design Bot

“Loss has a wider choice of directions Than the other thing.”

— W.S. Merwin, from “The Nails,” The Moving Target (Macmillan Pub Co, 1963)