Y’all Expose Yourselves And Take This Fanfic Test I Was Just Forced To By An Irl So Now I’m Making

gaysimp614 - ThatWeirdQueer

y’all expose yourselves and take this fanfic test i was just forced to by an irl so now i’m making you too

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More Posts from Gaysimp614 and Others

8 months ago

Does anyone else just sit and think about the fact that Six of Crows is literally the perfect book?

Like, we have a morally grey character who's actually morally grey and has a real reason to push people away other than "once I killed someone in self defense, so I'm a terrible person and we can't be together." And every other character has a super fleshed out backstory as well, including real world problems that don't usually get talked about in fantasy books.

There's just as heavy an emphasis on platonic love as romantic love, instead of "I can fix him", it's "he can fix himself", there's a gay couple that's actually happy and not suffering every five pages, and all of the gay characters have personality traits outside of the fact that they're gay.

And speaking of the romance, it's so not rushed or sexualized. No one even kisses in the first book, but it's still so obvious how much they love each other. Each couple has such a different dynamic, and the way their pasts mirror each other? Perfection. (I also firmly believe that Kanej is the best couple in all of YA prove me wrong)

And then the diversity??? 3/7 of the lead characters are POCs, 4/7 are queer, 3 have disabilities, 2 have addictions, 2 have PTSD, 2 are religious, one was raised in a cult, and it's not one of those books that has diverse characters just for the sake of being diverse!

The plot is so unique, especially among fantasy books, and despite the fact that there's so many moving parts, there is not a single plot hole. And the CK auction scene will forever be one of the best end of series climaxes I have ever read.

So basically I don't get why other authors even try anymore cause I'm sorry but no matter how great their books are, it's not going to be Six of Crows.

3 months ago
Manifesting 🙏

Manifesting 🙏

4 months ago
Hard Feelings (2023) Dir. Granz Henman
Hard Feelings (2023) Dir. Granz Henman
Hard Feelings (2023) Dir. Granz Henman
Hard Feelings (2023) Dir. Granz Henman
Hard Feelings (2023) Dir. Granz Henman
Hard Feelings (2023) Dir. Granz Henman
Hard Feelings (2023) Dir. Granz Henman

Hard Feelings (2023) dir. Granz Henman

7 months ago
HEARTSTOPPER 1.05 | 2.08 | 3.04
HEARTSTOPPER 1.05 | 2.08 | 3.04
HEARTSTOPPER 1.05 | 2.08 | 3.04

HEARTSTOPPER 1.05 | 2.08 | 3.04

1 year ago

Peter: sometimes facing your fears head on is the best way to realize they aren’t actually scary

James: yeah I totally agree. Like when I climbed a mountain during a lightning storm with a metal pole and demanded to get struck by lightening. I didn’t even get hurt and now I’m not even scared of God anymore

Sirius: you mean you did that without me?!

Remus: oh my fucking go-

Regulus: you did WHAT?

2 years ago
Last Week Tonight With John Oliver (02.26.23)
Last Week Tonight With John Oliver (02.26.23)
Last Week Tonight With John Oliver (02.26.23)
Last Week Tonight With John Oliver (02.26.23)

Last Week Tonight with John Oliver (02.26.23)

(Previously)

Last Week Tonight With John Oliver (02.26.23)
Last Week Tonight With John Oliver (02.26.23)
6 months ago

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

1 year ago

oh yeah cause it’s so incredibly heterosexual to give your homie prostate orgasms when he gets on your nerves a little. give me a break

1 year ago

Head canon/Theory Part 10:

The rise of the Vee's

We all know that Vee's are, in short, cowards and hypocrites, who, as you would expect from a demon...do things by trickery.

Head Canon/Theory Part 10:

They aren't the type to get their hands dirty and risk their necks. They wanted war so that those Overlods with greater resources, like Carmilla and Rosie, would lose their "capital" in battle.

Why? Again, the Vee's don't have many "assets":

Vox has his technology but it doesn't work in battle.

Velvette has social media and, if, Harley Quinn-type guns.

Valentino has...porn actors? Oh yeah, and some guns.

Head Canon/Theory Part 10:

Now, what does the song say about this? (I only put the most important fragments)

[Vox] After the battle, masterless cattle

By "cattle" he refers to the sinners of course, who in the absence of Extermination no longer fear, and know that they can defend themselves from any heavenly threat.

With proper guidance, they could do what the Vee's originally wanted, declare war on Heaven itself.

[Vox & Valentino] Overlords hanging by a thread

By Overlords here it refers to: Carmilla, Rosie and Alastor, since they are the ones who were involved in the defense of Hazbin Hotel.

Head Canon/Theory Part 10:
Head Canon/Theory Part 10:

Rosie gave Charlie free rein to convince her people to fight, risking their lives and therefore her power.

Carmilla armed the cannibals to the teeth, and that means a lot of weapons that won't be recovered. Furthermore, in the absence of the Extermination, Carmilla won't be able to get her greatest raw material…Celestial steel.

Alastor, needless to say, ended up seriously injured by a celestial weapon and I doubt he'll be 100% after that.

[Vox] Alastor's missing

[Vox & Valentino] Fled with his tail between his legs Nature abhors a power vacuum

That leaves room for you and me The future of Hell belongs to the Vees

Now, if they want to rise to the top, they'll have to do something similar to what Mimzy claims Alastor did. Eliminate the most powerful Overlords...

Head Canon/Theory Part 10:
Head Canon/Theory Part 10:

But how if Alastor defeated Vox just by talking to him?

We all have weaknesses, humans, demons, angels. And what's more interesting than the weaknesses of these Overlords, be other Overlords (pardon the redundancy). And in Carmilla's case, her daughters.

Alastor/Rosie

I feel that Alastor, despite his mysteries and how defeated he was in battle, would do anything for someone he loved. Rosie is certainly someone he would go crazy for… I mean, if he blew Sir Pentious away for a piece of cloth, what would he do to someone who hurt Rosie?

Head Canon/Theory Part 10:

Zestial/Carmilla

We don't know anything about Zestial so far, but he is certainly a character that strikes fear into the masses. What did he do in the past? After all, he is the oldest in hell.

Now, can you imagine the chaos he would cause if they threatened Carmilla or the girls? God, he would burn everything to protect them.

Head Canon/Theory Part 10:

Carmilla/Odette & Clara

We've already seen much of Carmilla's abilities, and while she defends herself well, her daughters make her an easy target. It is enough for them to capture her daughters, for her to hand over everything she has worked for, even…her life.

Vee's enemies

Furthermore, we already saw that each Vee's has a "counterpart", an Overlord enemy...one they consider outdated.

Head Canon/Theory Part 10:
Head Canon/Theory Part 10:

Now, I know that many will say that Valentino's enemy is Angel, because he wants to kill him as soon as he "betrays" him. But following the rule of three, there should be an Overlord to unhinge him.

Head Canon/Theory Part 10:

Zestial is a strong possibility, given that just as Valentino is a "Bug Demon", so to speak. Valentino is a moth and Zestial is a spider.

Now, the biggest conflict would be regarding their vision of people:

Zestial: He is an intelligent man who knows how to control his feelings. He is kind, understanding, and concerned with his loved ones. He doesn't like impulsivity or childishness. He's a gentleman, and he wouldn't tolerate Valentino's treatment of people at all. I mean…if he did to Carmilla what he did to Charlie, or Angel, he'd be dead.

Valentino: He is impulsive, machiavellian, cruel, carefree, interested…I can go on. He is the complete opposite of Zestial.

Rosie could be an option too, being elegant, refined, and quite helpful compared to Valentino. She has good manners and would correct Valentino all the time...Plus, she's friends with his boyfriend's enemy, what more does he want to hate her?

Head Canon/Theory Part 10:

If the Vee's want power, they will attack here…

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gaysimp614 - ThatWeirdQueer
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