A regular and oblivious person works at a coffee shop not knowing its a place of ceasefire for assassins and mercenaries.
http://www.sci-news.com/biology/young-american-alligators-can-regrow-their-tails-09084.html
“Writing begins with forgiveness. Let go of the shame about how long it’s been since you last wrote, the clenching fear that you’re not a good enough writer, the doubts over whether or not you can get it done. Sure, the nagging demons will come creeping back, but set them aside anyway, and then set them aside again when they do. Concoct a hot beverage, play a beautiful song, look inward, and then begin.”
— Daniel Jose Older, from a Nanowrimo pep talk, but good advice for most any writing. (via superfluousbananas)
There’s nothing worse than getting hooked into a piece of media by a really cool concept—only to be let down through shallow exploration. The entire story I’m distracted from what’s happening by what could have been had they gone more in depth into what they promised.
The good news is, avoiding this in your own writing is fairly easy as long as you remember to continuously do one thing: ask questions.
I talk about this a lot, but making room to explore the implications (especially of worldbuilding and events, not just actions) is only going to deepen your narrative and create a more satisfying, well-rounded world. As well, the decisions you make here are going to set the use of your concept apart from the other stories we’ve seen it in.
If your concept is a character who has lived on a boat their entire life finally hits the shore, think about what it would mean for someone to have never seen land—how would they feel about trees, valleys, mountains, buildings. They would probably be very familiar with stars and constellations, navigation, the dark, swimming, fishing, and danger surrounding the water. They may prefer cramped spaces, sleeping under a low roof, a gentle rocking or white noise.
If there’s magic in the world but say only some people have it, how does that impact politics, healthcare, parenting? Do people have biases against magic users or non-magic users? Are there laws set to prevent or limit magic use in certain places, or at all?
You could ask endless amounts of questions about a concept, and you should. If you introduce something big, exciting, and full of consequences—you must also be willing to commit to it, and explore it to its fullest.
Good luck! If you feel like sharing, tag a concept you’ve come up with and some interesting implications that go with it!
I like the juxtaposition between the message of “the medic is beautiful” and just how ominous he looks in this image. (”You’re Beautiful” plays as he ominously walks towards you, syringe in one hand and snapping his fingers with the other)
Medic from TF2 is beautiful
Requested by @the-man-in-green
oh look, it's time to reblog more crocodiles.
I can’t stop thinking about crocodiles for some reason so here’s some cool pictures I found of probably the second largest one in captivity, his name is Utan:
isn’t he beautiful
listen to the SOUND when he bites
and that’s not even a real power bite, that’s mostly just heavy bone falling on heavy bone from his jaws and the air rushing out from between them
You know what? Pokemon Colosseum made me want for big things.
Pokemon Colosseum did not put you into the shoes of another 12 year old child going to see the world (not that there's anything bad with that!)
no, they gave you this:
and said "this world is so desolate that your goal is not to catch them all, but to blow up the evil organization you were a part of until ten minutes ago and steal all the pokemon back that were tortured until their hearts broke in order to rejuvenate them back to health".
Then the sequel went and made you a ten year old again. BUT they returned one of the best characters in the game, MIROR B. The FUNKIEST villain to ever grace the game.
All I'm saying is that I would absolutely adore another Pokemon Colosseum game but instead of playing as a ten year old you played as Miror B:
on a quest to make the funkiest team ever (let's funk up the Elite Four, baby!) and coincidentally also take down the mafia. Not because it's your sacred duty or anything, but because they're harshing your vibe (or maybe stole one of your fabulous Ludicolos and baby that just won't stand)
this looks incredible. Look at this remarkable gator, just chillin'.
American Alligator - taken at one of the Disney hotels, during the zoo/exotic vet conference appropriately enough some years back
Now I can’t unhear Marvin the Martian whenever RJ speaks. Thanks for that, lmao
Look, I love the changes in art style over time, but I will never forgive Morrison for going from ‘RJ’s face is always shrouded in shadow’ to ‘RJ is Marvin the martian’
we're sleeping on how varied crocodilians are in colour and pattern
Yacare caiman
Tomistoma
Cuban crocodile
Cuvier's dwarf caiman
West African crocodile
American alligator
Saltwater crocodile
New Guinea crocodile
Writers, please, please, please, I am begging you
I know we don't vibe with Mary Sues, and I know we like watching characters fail...
But if your character is the world's best assassin, they shouldn't be botching nearly every single step of every single job just because the plot demands it. If your character is one of the greatest fighters to ever live, they can't badly lose every single fight the plot throws at them and then barely win the final confrontation. If your character is a competent military strategist, they need at least a few small successes during the course of the plot. If your character is an experienced leader, they can't be constantly making the kind of missteps that realistically would cause their subordinates to lose confidence in them.
If your character is good at something. Show them being good at it.
A Cozy Cabana for Crocodiles, Alligators and their ancestors. -fan of the webcomic Paranatural, Pokemon, Hideo Kojima titles -updates/posts infrequently
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