When Max Gets Pulled Into Spirit Trance Again In Chapter 4, There's A Better Look At The Background.

Spectober 2020: Day 13

Get ready for Spectober Day 13!

Art Prompt: Graveyard

Writing Prompt: A graveyard seems like the perfect place to search for spirits, but will Stephen get more than he bargained for?

Don’t forget to tag your submissions with #spectober2020 ! Away you go!

Procrastination via uqiz is always fun.

i made a quiz for what your final act as a villain would be, and it would be very cool if you wanted to take it B) 

this is fabulous!

Okay but listen

Feraligatr and totobabies

This is so cool! And it’s already great at giving me ideas for some stories! Thank you so much!

johnny’s gang-misfit

Happy holidays @gatortavern, this is your @pnatsecretsanta gift! I’m so sorry it’s late, I was battling with my laptop every step of the way, but it’s here now! Enjoy!

How do you set a scene without overusing visual descriptions?

Practical Tips to Show, Don’t Tell

Show, don’t tell is probably the most common writing advice any author will ever receive. Instead of explicitly telling readers what is happening or how characters are feeling, showing allows them to experience the story firsthand. It’s good advice, and important for writers to take to heart, but sometimes it can be difficult to get the balance right. Here are some practical tips to show, don’t tell:

Set the scene

To really immerse your readers in your story, you want them to feel as if they’re in it – experiencing the world you’ve built. By writing about how characters perceive and interact with their surroundings, you’ll draw your readers in.

Examples:

Telling: It was winter, and the water was cold.

Showing: I hunched my shoulders up, burrowing deeper into my coat as my heavy boots crunched through the thin ice forming at the water’s edge.

Keep up the pace

Excess scene description will almost always bring your narrative pacing to a screeching halt. Instead of describing the scene every time, describe your characters’ actions within it.

Examples:

Telling: The lake was frozen and the trees were covered in snow.

Showing: My heart pounded as I almost lost my balance on the ice beneath my feet. I ducked and weaved my way home, dodging the snow that the howling wind shook loose from the treetops above me.

Keep your language descriptive, but simple

When it comes to show, don’t tell, it can be easy to fall into the trap of over-describing. Language that is too flowery or over the top can be just as bad as telling. You want to set a scene, not explain it to death.

Examples:

Too much: The azure-blue lake glinted like diamonds under a glittering sun that shone like a lightbulb in the darkness.

Just right: The sun reflected off the ice brightly, highlighting the deep blue of the water beneath it.

Create a sense of character

The way a character speaks and acts can be the perfect way to show your readers who they are and set a scene without over-describing it. For example, you can use body language, like gestures and posture to reveal a character’s emotions or attitude in a way you can’t reveal by simply describing the scene. Sometimes an intricate description of the location is not as important as how the character feels in the moment

Examples:

Telling: The room was the same as he remembered as a child, with its red carpets, brown-papered walls, high ceilings, and huge wooden table propped in front of large bay windows. It made him anxious.

Showing: He shuffled anxiously to the table overlooking the garden, his mind heavy with the weight of childhood memories.

we're sleeping on how varied crocodilians are in colour and pattern

Yacare caiman

Tomistoma

Cuban crocodile

Cuvier's dwarf caiman

West African crocodile

American alligator

Saltwater crocodile

New Guinea crocodile

reblogging for links

If you're celebrating Biden's win, consider celebrating by donating to a bail fund, planned parenthood, or the Navajo Water project.

Your action to help the marginalized shouldnt end at presidential candidates and voting.

Hump-nosed lizard (Lyriocephalus scutatus)

The hump-nosed lizard is a species of lizard within the agamid family, the only species in the genus Lyriocephalus. It is the largest agamid endemic to Sri Lanka and lives in dense wet zone forests. The hump-nosed lizard inhabits forests with high canopy and dense undergrowth, but it occasionally also enters home gardens. It is active during the day, when it dwells low on trees as well as on the ground. It goes higher up on trees to sleep at night. The typical threat posture is open-mouth gape, revealing the bright red lining of the oral cavity. This species is also known to feign death when picked up. Its diet comprises essentially of earthworms and also arthropods, including termites, butterflies, and moths. It is also known to feed on young shoots and buds.

photo credits: Kalyanvarma

yoooo this is rad!

Pennsylvania Archaeology and You

The Pennsylvania Archaeological Council (PAC) is an organization of professional archaeologists from all over the State dedicated to education, consultation, ethics, and advocation of Pennsylvania archaeology. The PAC works to advise policy and legislative interests in the commonwealth as well as provide consultation with the Pennsylvania Department of Transportation. Anyone with a graduate degree in anthropology, archaeology, or a similar subject is encouraged to apply. Recently this membership has been expanded to include those with extensive experience and PAC has taken an interest in student membership. Check out this website for more information.

For anyone interested in local archaeology, the Society for Pennsylvania Archaeology (SPA) exists alongside PAC. Anyone is welcome to join this special interest group that is made up of regional chapters. Established in 1929, the goals of SPA include; promoting the study of archaeological resources in PA, discouraging irresponsible exploration, connecting avocational and professionals, and promoting the conservation of sites, artifacts, and information. To disseminate information, the SPA facilitates one of the oldest State Archaeology Journals, Pennsylvania Archaeologist. 83 years of the publication are available for purchase on the website.

The Society for Pennsylvania Archaeology, Inc., the parent archaeological society, meets annually at announced places. Membership in the SPA is highly recommended. Dues are $30 per year for individuals. Membership entitles one to receive The Pennsylvania Archaeologist twice a year. For those interested in taking an active role, the SPA is made up of many individuals from regional chapters. I’ve decided to highlight two of those chapters in this blog. To find your regional chapter visit pennsylvaniaarchaeology.com/Chapters.htm

If you live in Pittsburgh, our local chapter is called Allegheny Chapter #1. We meet the first Tuesday of every month at 7:30 p.m. Due to the pandemic, this is currently done virtually. For membership information contact Amanda Valko at amanda@quemahoning.com The chapters take an active approach by conducting investigations of sites in their region. The Allegheny Chapter started working on a local site called the Hatfield site back in July of 2007. The first thing we did was set up a grid and took some geomorphology samples under the direction of Brian Fritz.

Brian Fritz and Nina Larsen examining a soil core sample at the Hatfield Site. (Photo Credit: Amanda Valko)

Setting up the grid for soil sampling. Chapter members front to back: Brian Fritz, Peggy Sinclair, Ken Fischer. Chapter members under the shade shelter: Don McGuirk, Nina Larsen. (Photo Credit: Amanda Valko)

The Allegheny Chapter is hoping to produce a report of these excavations soon. Hopefully we can get the Chapter together over the summer to work with the artifacts and start the whole report preparation process.

Southeast of Allegheny County, the Westmoreland Archaeological Society Chapter #23 used to meet on Wednesdays, but due to the pandemic are following an erratic schedule. For membership information contact Jim Barno at bar3686@calu.edu (Jim Barno is a dedicated volunteer in the section of Anthropology at CMNH.)

Chapter #23 was actively engaged in 16 years of excavation at the Console Site, which was an important Monongahela Site. They reach out to the students and faculty at the Indiana University of Pennsylvania encouraging them to become involved with the Westmoreland Archaeological Society by participating in various public events such as artifact displays and colloquiums held at the IUP campus, Fort Necessity National Battlefield, Green County Historical Society as well as local community events such the Derry Agricultural Fair.

IUP students are actively involved in continuing excavations at the Bergstrom Hollow Rock Shelter Site (weather permitting). The chapter also publishes a monthly newsletter called The Trowel that has interesting archaeological subject material as well as listings of local archaeological events and now Zoom links for folks interested in these types of activities.

From the left are the following people Stephanie Zellers, Rachael Smith, Bob Oshnock, and Dr. Chadwick at the Bergstrom rock Shelter. (Photo Credit: Jim Barno)

Earth Day Event at St. Vincent College. Bob Oshnock and Dr. Lara Homsey-Messer (IUP) doing flotation. (Photo Credit: Jim Barno)

Remember to always report archaeological finds to the State Historic Preservation Office! Follow the guidelines specified in the links below.

PA SHPO/State Museum of PA: Instructions for Recording Archaeological Sites in Pennsylvania

PA State Historic Preservation Office (PA SHPO): Guidelines for Archaeological Investigations in Pennsylvania

Amy L. Covell-Murthy is Archaeology Collection Manager at Carnegie Museum of Natural History as well as a member of the SPA Allegheny Chapter 1, and a recently elected executive board member of the PAC. Museum employees are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

barely reblog anything these days, but this is nice.

I added a Lotad (and some friends) to this drawing for 131 days! See if you can find everything I hid in here!