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Jess and Hobie: their defining strengths + their weaknesses

I had a thought about Hobie while I was writing, have been thinking about Jess for a while and then this post about Miguel came out and it made me kind of want to yap. I'll only talk about Hobie and Jessica here because I'm biased + Peter & Gwen have been talked about a lot + I linked a post about Miguel + Miles & Pav have simpler, more obvious flaws that basically come down to youthful naivety.

I also find it really interesting that their flaws are basically opposites, Hobie's comes from "inconsistency" whilst Jessica's comes from stubbornness. And again, both these flaws come from their greatest strengths.

TL;dr

Jess' defining strength is her resolve when it comes to fighting for what's right and tussling with destiny but it causes her to have a one-track mind, even if it comes to dedicating herself to something wrong (from being misguided).

Hobie's defining strength is his optimism (e.g. anarcho-communism) but the extreme difficulty of pursuing those ideals and the struggle against systems can bring that optimism to a breaking point, causing him to be inconsistent or, more directly, to give up.

I think people forget that Jessica's pregnancy is by design and not just a 'feature' of Jessica Drew as a character. She was deliberately chosen to be represented in this stage of her life and I think it is so important to her character, even if it's not in the traditional way that pregnancy is typically portrayed as in media.

I think her pregnancy shows the kind of person she is: most obviously, it's cold, hard evidence that she's a bamf who takes care of spidey business even while pregnant.

More importantly to me, though, there's an implication that, as her universe's one and only spidey, she has been the one to save the day and been the change she wishes to seek, effectively enough that she feels comfortable bringing a baby into the world.

Unlike someone like Peter, she does not make the choice between bringing her child to work with her or leaving them behind. She just has to do what she needs to do to make sure her kid is safe, there's no failing for her. During her pregnancy, it's always going to be a matter of life and death. Jess is well aware and, instead of shying away from action, she's just committed to not making those kinds of mistakes. To get over her losses. She's going to take charge of her own world's destiny as she has always done and she's going to make sure it's good.

Her strong allegiance to Miguel's ideas is her most glaring flaw to us as an audience because A. we're seeing things through Miles' eyes, she's standing in the way of him saving his father and B. we know that Miguel can't be right about canon events - we know they wouldn't make the movies as bleak as that.

Of course, taking a step back from our perspective, it's also a flaw because she is being antagonistic to a teenager as a grown adult. It might make her seem cold and harsh.

However, Jess was the one to vouch for Gwen, to take her in, even though Miguel didn't want her to and they could have left things up to the web of destiny. Jess trusts her own capabilities but she doesn't trust the world to be kind. She doesn't assume Gwen can handle things just because she can, either. On top of being sympathetic, I think her dedication to being the change she wishes to see is why she accepts Gwen as a student; she trusts that a young girl can make the world a better place too, it's not a thing where she wants to micromanage everything. She just wants to know the multiverse is in safe hands. That's her "great responsibility".

The only reason she is following the anti-Miles agenda is because Miles, as far as she and anybody else in-movie knows, is jeopardising the existence of every universe (insidiously via the holes). Maybe, in another position, say, a bright-eyed teen who mainly worried about high school and puppy love, she would be more willing to risk things, to see how it goes.

She's not in that position though. Her world that she felt confident she had the power to keep safe has been made uncertain. One day, it could just go poof, along with her baby, and she wouldn't be able to stop it in the moment. If she makes the right decision now, if she doesn't make a mistake, she can prevent it. It's understandable that she's going to do whatever it takes to prevent anomalies.

What was the canon event chosen to represent her?

Her version of the moment from "The Final Chapter".

It comes from a story that largely focuses on Peter's personal life before spiralling into action to make up for a mistake that has made Aunt May fatally ill. In the panel, Spider-Man is trapped under machinery with the cure - the thing that will absolve the mistake - just out of reach. As the lair is flooded, drowning is imminent.

Against all odds, though, Spider-Man pushes past what should have killed him and rises to the occasion, with the thoughts of saving Aunt May and refusing to have a repeat of Uncle Ben.

"I won't fail you. No matter what - I won't fail."

Jess has had to handle her own fate as well as her world's. Now that the multiverse is involved, it's not going to stop at her own universe. She has to stop this. She won't fail. As per the dialogue between her and Gwen in ATSV, she's made a mistake before (by getting too close to someone) but she tells Gwen "I got over it". Sounds so savage in the moment but she still gives Gwen a chance to make her own situation right before letting her get kicked off the team. Helping Gwen in spite of the anomaly would be a mistake if she couldn't handle this.

And when the Spot gets away and Miles enters the picture? The gloves come off. It's tempting fate at that point. Jess' no mistakes mindset pushes her to even prepare to roll up on a teenager.*

Her greatest strength is her resolve - I mean, hell, she doesn't let even pregnancy slow her down when it comes to saving the world - but it causes her to be stubborn and leads her down a misguided path.

*By the end of the film, she seems to be questioning Miguel's method, though. On top of the fact that BTSV is obviously going to end on a good note, I think Jess' fight against destiny is going to have her come around in the end as Miles is doing the same thing.

Onto Hobie:

I luv luv luv Hobie as much as everyone else, he's definitely my favourite but I feel he has his flaws too (which tend to make me love my faves more lol).

In fact, I think he says what they are when we first meet him, though they are veiled as jokes.

I find that the audience tends to position him as a perfect distillation of anarcho-communism at its best. I think the teen spideys see him in a similar light; they see him as effortlessly cool & charismatic, a wise mentor figure ("use your palms" + his play fighting with Pavitr featured him taking on the stance of a boxing trainer as Pavitr tried to punch his palms) but he's not like the adult adults - he's relatable, he's cool, he's anarchist, he's not always on their case like Jess and Miguel.

He neither calls himself a hero nor a role model... but he is the perfect hero and role model, right? He's the best! He's the only one who's looking out for Miles and, when Miles is getting chased down by the entire society, what does he do?

He... quits.

Wouldn't that perfect hero we all believe him to be swoop in with his cape, know exactly what to do and save Miles, the underdog? He can't have possibly known Miles would manage against the society and, if he knew it was possible, then why wouldn't he lend a hand? He didn't drop off the watch in Miles' dimension, he gave one to his bestie, Gwen, likely in the scenario that she wanted to quit or got booted because 'it [didn't] work out'.**

I think Hobie's major flaw is his lack of consistency, as he famously said himself.

He has a strong moral code - he believes in the right things for the right reasons... but communism and anarchy are pretty much impossible to properly/entirely employ in a system that is consumerist, capitalist and authoritarian. He riots, he fights, but it's never over. London isn't free. In my experience, people with strong moral compasses tend to have issues with themselves because they hold others to higher standards than most and hold themselves to even higher and impossible standards (think Diane from Bojack Horseman).

One of the first comic panels I encountered of Hobie was him getting real with Captain Anarchy about losing morale because, despite killing President Ozzy Osborne, the face of fascism in his dystopia, nothing changes. He wasn't able to save the world like a hero in a movie or like a proper role model. He 'failed'. When you give your everything and nothing changes, no matter how optimistic, clever or read-up on theory you are, it can be hard to keep going.

And what is chosen as his defining canon event?

His version of Spider-Man quitting in "Spider-Man No More". Rather than being fed up with the world antagonising him as 616 is, Hobie is done with an antagonistic world.

The Hobie/Spider-Punk that has been built up externally, as far as I understand, would never give up. He'd keep raging forever and ever because that's the cool thing to do, because it's the heroic thing to do - because it's the right thing to do.

But under the mask, he's just a teenager, imperfect as any other.

He's still a Spider-Man too. Before the bite, he was another lanky black boy in racist-af, peak National Front, send-the-blacks-and-the-Asians-back, '70s England. He's a nerd, as evidenced by his ability to build such a high-tech watch, especially as a teenager who wouldn't have had access to anything like it until joining the society, meaning he had to pick it up quick. And I'm to think he didn't have any Flash-esque characters in his life? "Come out of it."

As Spider-Man with the mask on, he yells to the rooftops; as Hobie with the mask off, he mumbles and whispers. Sure he looks cool now but people don't tend to come out of the womb as Spider-Punk. On top of that, he's still so young and surely has plenty of room to grow.

I believe he joined the society in earnest, optimistic that he could help the multiverse but eventually reached his limits with actively facilitating death and trauma, with saving the multiverse not meaning freedom in his own universe, with being shackled to the web of destiny. I'm not convinced he made the watch in one day; I think he had been planning on quitting for some time and was waiting for the right moment (as he also wanted to support Gwen because friendship is important to him). That's why he tries to dissuade Miles from joining but, when he does leave, he doesn't go out in a riot, he doesn't even leave knowing that Miles has people on his side other than him. Hobie just quits.

I think his greatest strength is his optimism (his anarcho-communism & adamance about "love, joy and freedom" as per the un-permitted performance art pieces in his montage) but he's smart and he's been through shit - he isn't naive like Pavitr or Miles - the great heights of that optimism lead to intensely low lows.

**(I don't really see why or how he would have been able to predict everything that happened in the chase. I know that the watch is set to 1610 but if Hobie believed Miles would make it out of 928 and get back to 1610, would that not be things 'working out'? Or did he predict that he would get to the go-home machine but was the only one who considered that he would be sent to the place his spider came from. Why? And why wouldn't he set the watch to 42 if he knew Miles wouldn't be in 1610? I feel like the 1610 on the interface is just there to be there and that Hobie gave Gwen the watch so she could have the freedom to leave 65 if she wanted to, in the event that she quit the society because they captured Miles or because Miguel kicked her out as Jess kept warning.)

YESSIR

Shout out to my Quirky black girls Tall black girls Short black girls Fair skinned black girls Light skinned black girls Dark skinned black girls Fun sized black girls Ivy League black girls Community college black girls Hippie black girls Trans black girls Queer black girls Nerd black girls Alternative black girls Black girls with disabilities Blck girls with mental health issues Indie black girls Afrocentric black girls Curly haired black girls Short haired black girls Long haired black girls Straight haired black girls Black girls with piercings Black girls with colored hair Black girls who love to read Black girls who play instruments Black girls who are scholars Black girls who like ballet Black girls who like to twerk Black girls who like rap Black girls who like art Black girls who like classical music

To all black girls who refuse to be subjected to prejudices and forced into a mold. I love you.

Mel Medarda x Jessica White