New Org Member Lets Go

AU where Ruby works in a music store and hosts a local radio and Penny starts to come regularly mostly to see her (totally inspired from Life is Strange True Colors-)

Desiderium

finally made rwby meme slides. after like a literal fucking decade

Greek/Roman mythology x KH!

X-I-O-N

WELCOME! to Fridge’s tumbling zone—

if you find my real name through another profile, still call me Fridge please and thanks 🙏 (it's what I go by in fandom spaces, and 90% likely how you "know" me)

I’m graduating art school this spring and majoring in illustration, if all goes as planned! I have a website for my work and a Redbubble for buying a few of my designs. I animate and make prints as well.

I am cake n' aces and apparently my brain is wired differently!

Interests :

The main fan stuff I reblog is 👑 Kingdom Hearts, 🥀 RWBY, and sometimes ❄️ Frozen.

I am teeth-and-nails obsessed about Xion (KH) and Penny Polendina (RWBY)

I also like

🦎 geckos, especially New Caledonian geckos! I'm making a comic about them! My crestie OC Ves is basically my fursona at this point, and he has his own young readers' adventure story incorporating my interest in their ecosystem

🌟Flight Rising, the dragon petsite into which I pour my conlang hobby. I sell chibi stickers of all breeds chronologically released up to 2023, am in the Light flight, and Aethers are my favorite breeds.

🎧Coldplay! They are my favorite band, I know their discography extensively. My favorite album is X&Y -- though my favorite songs are probably from A Rush of Blood to the Head)

🦉 Guardians of Ga’Hoole… aside from the books being fantastic by their own merit, I have 100%ed the shovelware Wii game to the ends of the earth and back, and I still have the Soren Christmas ornament / Soren and Gylfie Beanie Babies from when I was a kid

💎 Spyro the Dragon-- I was introduced on the ones where Spyro is in a beat-em-up genre, but I love my spunky skateboarding little collectathon dragons. (Legend of Spyro -> Skylanders -> Reignited)

Tags:

I love reading tags and comments on my work btw. If you’ve left a message I’ve probably read it!!

I'm kinda inconsistent with my tags— only recently started using them to make things searchable on my blog

#fridge’s art for.... guess

#fridgefanatic is for all other original posts

for fictional characters, if they have a name that is common, I usually add fandom specifiers in the tag for their name

If I think of anything else I'll add it! (And of course, feel free to ask "About Me" questions)

Hold up, cushfuddled made that video?? Cushfuddled, the RISD alum who made Warriors: Twin Shadows, an absolute masterpiece of a comic in terms of visual storytelling? Well THAT gave me whiplash to find out Like cushfuddled, I'm an artist, not a musicologist-- but I love looking at the scores for my favorite games and movies, and for Frozen, it was a special kind of musical fixation. So I've been putting off watching that video.

I made leitmotif compilations combing every animated feature and even the Broadway musical. Comparatively observing where the Frozen musics use themes and how. What I learned from doing that is, the way Frozen uses its leitmotifs, it's like the equivalent of consistent writing for music.

The goal is for those leitmotifs to be recognizable, and you can hear callbacks all throughout the film. (Sorcery shows up very often of course, which makes sense given how many magical duels are going down, and how often it's used to represent Elsa.)

But there's also PLENTY new recognizable leitmotifs which F2 introduces-- the spirits all share one (G#, G, E) in addition to each having their own unique one. More on this.

And concerning Atohallan's kulning / Dies irae, it actually does show up a lot, just not in a form that would be glaringly obvious to the audience.

The notes in the siren call are F# F, F# D#. As characters are moving through the mist, or find the ship, you get little inklings of the spirits' theme (that G#GE I mentioned, though sometimes it's transposed to something like E E♭ C or has a few notes changed to sound dissonant and create tension). The general formula though is: a root note, followed by a half-step down, and then three semitones down from that.

The relation of the siren call is that it's a resolved form of this dissonance. The first two notes will have the same relationship as in the spirits' theme but it ends with D#, completing the chord. Almost like Ahtohallan is a higher power presiding over the spirits...

There's a special leitmotif which plays whenever Elsa performs "the next step" in her journey (i.e. taming a spirit). This one begins F# E C. I'm pretty sure anyone who has watched the film can hear the moment when Elsa gets on Nokk's back and there's that triumphant swell of strings as she rides toward the glacier. That same motif plays again when she stops the flood. THAT'S THE ONE I'm talking about. That's beautiful! That's so beautiful actually!

And guess what! It's designed to resolve the spirits' themes (or at the very least Nokk's), and then it leads into Show Yourself, which is itself a resolution of the main theme which all the spirits share

Saying the music is bad because it's not putting up more glaring road signs about the siren's call... takes away the artfulness? It's intelligently written. It's also so fun to catch bits of other songs in parts of the score. The Epilogue does a really good job of weaving them all together, especially with how many new ideas are musically introduced with old ones.

If they're talking about the songs being unmemorable, there are entire videos dedicated to how wonderful SY and TNRT are. But even When I'm Older, which the thumbnail suggests they're using as the butt, messes with the playful instrumentation that Olaf is always known for. His musical entrances are a bit less cohesive, but they always sound like someone tripping up a set of stairs. He has a jazzy showtune feel to all of his songs (When Everything Falls Apart, from the Broadway musical, is so fun) and When I'm Older, I would argue, incorporates that instrumentation at center stage. So if anything they should not be couching their argument in that song, because it uses glaring instrumental choices that make sense for Olaf.

And if anyone who's actually good at music theory wants to articulate better on anything I’ve said, feel free-- I'm going back into hermitage while I try to survive finals

I feel I have to write something about this video critique on Christophe Beck's score of F2, especially since I'm mentioned favorably in the video description. The creator (cushfuddled on Tumblr) had a chat with me a while back on the Frozen 2 soundtrack, as they were creating this video.

Unfortunately, this video gave me great pain as I watched. I couldn't finish it and stopped at about 30minutes.

This is an opinion video, so, we can agree to disagree. The creator did tell me in Tumblr chat that they didn't like the F2 soundtrack, so, fair warning, but I was not prepared for the level of criticism in the video.

The creator said that the score of the film is not memorable - I totally disagree. I could play any of the themes from the score right now on the piano for you, even 5 years after the movie was released. The creator also set a 3 question quiz testing the listener on whether they could identify which 3 out of 12 excerpts of music was from F2, trying to "prove" that the music of F2 is forgettable and unrecognizable - well, I got all 3 questions correct. Easily.

The creator made a big deal about composer Christophe Beck not being "allowed" by Disney to use the 4-note "siren" call in his score because its use had to be reserved for the moments in the plot that the siren calls to Elsa. This is sort of true, Beck has mentioned this in interviews but I don't see the problem. He wasn't "banned" by Disney per se, it's mutual discussions between the filmmakers and the composer about what is best for the film and Beck is just doing his job and what a damn fine job he did!

This is not a personal attack on the creator, it's just my opinions. Agree to disagree, I'm not one to start online wars. The creator did mention me favorably in the description. I do recognize that I am on the other end of the spectrum in that I'm hyper fixated on the music, am a musician myself and I memorize and internalize music effortlessly, and most of all, I LOVE THE SCORE.

After making a 10 minute ethnographic documentary on the “cropped mgs meme” for an anthropology course I kinda fell in love with them and wanted to make Kingdom Hearts versions

Credit to @gummi-ships for many of the background screencaps, and to Cropped mgs memes on Twitter for the memes which inspired these

Okay, but what if in KH4, we get a Wreck-it Ralph world and it’s not Game Central Station.

Litwak’s Arcade. Sora goes to Litwak’s Arcade and his friends are inside the games looking for him, trying to reach him.

You play as Sora, who himself is playing as the Guardians of Light in various pixel art styles, in parodies of games. They’re trying to communicate to him, they can see him, but at the same time he doesn’t recognize them.

They’re trying to send little signals the best way they can. But if they don’t follow the arcade machine input, the Wreck-it Ralph characters will see our Guardians of Light as doing the equivalent of going turbo.

There could be parts that follow either group’s perspective, too. Maybe they try playing by the game’s rules at first. Then when it doesn’t work, we could follow the characters going turbo, exploring inside the machines themselves.

Here are some ideas for what games I would put the characters in below the cut:

Nooot sure Riku would be there if he’s also in Quadratum, but my gut tells me some variation of platformer like Donkey Kong or Mario for him— It’s also the genre for Wreck it Ralph itself, which, worldception makes sense if Riku is here. (This would also reference his running-up-building gymnastics in Another Side, the damsel in distress nature of Sora rn, and the urban setting of Donkey Kong).

I wouldn’t be opposed to Riku in a first-person shooter or stealth game either, depending on how his relation to Yozora turns out, he could parry Xemnas’ lasers like crazy in KH2

We already know MelMem is a rhythm game, so Kairi would probably be in a game like DDR or Guitar Hero if she were there. But I’d also dig seeing her in a collect-a-thon where we can finally level her up as a Princess of Heart

Donald and Goofy in either Duck Hunt or a gummi ship version of Galaga (low hanging fruit)

I can see the sea salt family playing as the Ghosts in Pac-Man!

I’m also imagining Roxas in Pong (“It’s just like struggle bat!”)

And I want Axel in Street Fighter because he’s always talking smack. Rematch between Lea and Ventus imminent

Xion could haunt the Photo Booth, alternatively— Sora snaps a picture of himself and we get a reversal of their relationship in Days.

I am also going to suggest Rampage using keyblade armored forms, either hers (since she’s huge wtf) or the Wayfinder trio’s

I could see Naminé being in Q-Bert, except completing the field with your colors could be somehow connected to memory reparation and data mechanics. I can also see her in a Kirby world, since the Kirby worlds tend to be arts and crafts themed, and she’s also technically a replica now

Ventus, Aqua, and Terra in Sugar Rush, except their cars are based on their gliders— it just makes more sense for them than anyone else, I think

Going to Hero’s Duty would probably trigger Aqua’s Land of Darkness PTSD, but this time she’s not alone and Terra (and/or King Mickey or Ventus) comes with her. This would be a really good game for both of them, actually, because Cybugs could be an analogy for darkness stealing your form

Joust, but it’s Cloud Strife riding a chocobo

Last suggestion? Dream Eater claw machine. I want to see Sora with Meow Wow plushies

One small kindness, in one small moment led to such a marvelous transformation.