Gu Juisi And His Cute Expressions

"How can you like these very toxic and horrible characters that have done despicable and unforgivable things?" oh it's quite simple actually, this is fiction and I think with my dick.

when a mutuals struggling but you know you can't say anything to help so you just like their post and hope they know they're not alone

Did you know that many gastropods can create a pearl, including terrestrial snails? The difference is nacre which is only found in some species of mollusks and which which gives pearls their beautiful shine. Terrestrial snails occasionally produce very small translucent white pearls which are usually lost. One non-nacre secreting sea snail, the melo melo, produces gorgeous pearls that are extremely prized and rare.

[translation] MXTX Interview - TGCF questions

this is rlly for everyone to love hc more TT // split by general/book1, book 3 spoilers, and book 5 spoilers via headings (though all are minor spoilers imo, except for the one in bk 5?)

there’s another question that pertains to TGCF’s comments, which I found interesting but have left out for now because it’s very very long. it’s half translated, so maybe i’ll finish it later

CW: domestic violence, Q.21 suicidal thoughts

the mdzs parts were prev translated here by @bigbadredpanda

original interview here

reposts and translations OK, but pls give credit!! twt @/uooongs, tumblr @uoongs, ig @/duoj1ao

GENERAL / BOOK 1 REFERENCES

Q14. TGCF characters’ heights?

Xie Lian 178cm (but can perfectly seem like 180), Hua Chen 190 (first appearance as a cute fresh youth was 185cm), Jun Wu 191, Feng Xin 188, Mu Qing 188, Mo Shui 189, Shi Wudu 187, Shi Qinxuan 186 (woman form 176), Pei Ming 188, Ling Wen 180, Quan Yizhen 184 (but has a very tall presence), Yin Yu 186 (but miraculously no matter how tall he is it’s hard to notice this person).

PS: Yu Shi [rain master?]’s cow is 150 without standing up

Q17. What was XL doing after his second time getting banished to the human realm? What was HC doing? Why couldn’t he find XL? HC previously swore to not let XL know he’s protecting him, so why did he decide to meet XL again after 800 years?

XL tried doing other jobs, but all didn’t go too well, and would bring sadness/strife to others, so could only collect trash by himself.

HC was looking for him while also working on his skills + earning money, expanding his power, and worked hard to become the strongest dude!

Really, it was because XL’s luck was so terrible and stuck to him so closely that he couldn’t meet HC. Actually, many times they almost saw each other, like in Banyue, and also when XL was Fangxin head priest, but both times they just missed each other. Finally XL ascended by himself and CEO Hua couldn’t contain himself and rushed over.

Keep reading

A thing I find so interesting about many cnovels and cdramas is how different people, suffering from identical or similar circumstances and vicissitudes, make different choices and that truly separates them, villains on one side, winners (of the narrative) on the other.

Wei Wuxian x Jin Guangyao is the first one that comes to mind.

But also, right now, Xue Fangfei x Princess Wanning.

(Feel free to add as they occur to you.)

'I'll be gone in a month', you thought.

And it made you really terrified. You're still young and there's so much more you wanted to do. So you tried to avoid it- anything that you thought dangerous, you completely stopped doing it.

You stopped climbing up stools to take plates from higher cabinets because you afraid you'll fall. You started to be really anxious to cross the road because you're afraid to be hit by a car. You're extremely careful when walking down the streets so nothing like a flower pot would hit your head. You asked your friends to taste you food first before you eat to make sure it was not poisoned. You took every precaution you could.

You don't want to die yet. You can't die yet.

But every single day when you look through the mirror, it's empty. No matter how safe you were, it remained empty.

Until one day, you're all curled up in your blankets, fidgetting and bitting you finger nails as you're anxious because a month had passed, someone entered your apartment.

Quickly you stood up and reached for the nearest vase you saw just in case.

"Woah there, there's no need to be so violent", the uninvited guest smirked. "I mean no harm."

He handed you a glowing pendant. Warily, you took the pendant and asked,

"Who are you? What's this?"

Instead of answering, he showed a mirror in front of your face.

There it is, your reflection. You can finally see your reflection back. You smiled and screamed in joy.

"H...how? Why?", you managed to stammer although you're already speechless.

"Because you're a witch", he replied.

Then you knew that you're not a simple human but a species of immortal witch. Before being immortal, your reflection will disappear for some time- as for your case, a month.

Your reflection became normal- the mirror no longer showed your reflection a month after. And you're also able to see the future through the mirror.

-this just came to my mind and pardon me for my bad English.

From a young age, you realized the mirrors never showed your reflection; they showed you how you’ll look in a month. One day, your reflection is gone.

The impact of toxic family dynamics in Till the End of the Moon (长月烬明)

A bit random and I have never done character analysis posts so it might not be as good as some other posts on here but bear with me.

I'm watching Till the End of the Moon (ep 25) and the recent development of Ye Bingchang's character into a full blown villain has made me hate her, but also empathize with her in ways I didn't expect.

To contextualise, Ye Bingchang 叶冰裳 is the second child and first daughter of the Ye family, and she is basically the perfect daughter of a noble Chinese family. She's sweet and kind, beautiful but not attention seeking, smart but not a smart ass, dutiful and filial, delicate and thoughtful. She shares a beautiful love story with Prince Xiao Lin 萧凛, the 6th son of the Emperor, so she's going to marry in the Imperial Family and no doubt bring honor to the Ye Clan. She seems to be doing everything exactly right.

And yet she's a second class citizen in her own family, who openly favours her younger sister Ye Xiwu 叶夕雾.

Now there are two levels to this.

1) They're openly and unabashedly favouring one child over the 3 others, but then still ranking the other kids, and somehow Ye Bingchang ranks lower than her brother who is a lazy and stupid gambler. Her family simply doesn't see her, she's completely forgettable to them, like her existence only matters because sure, she's their blood, but she's a complete afterthought.

2) The daughter they favour over her is Ye Xiwu, and Ye Xiwu is a monster of a golden child. She's completely selfish and narcissistic, she explicitly abuses her husband, she schemes again and again to seduce and try to rape Prince Xiao Lin, her sister's one true love and fiancé, and when this doesn't work she becomes physically violent towards Ye Bingchang as well.

Ye Xiwu is an extremely abusive and horrible person, straight up. And her family continuously makes excuses for her violent behaviour, dotes on her, spoils her, and barely has a look for Ye Bingchang, expecting her to forgive and turn the other cheek. The golden child / black sheep dynamic is at its peak.

I find it quite rare that in this type of situation, a show will have the golden child as our hero ; almost always, if there are complicated family relationships, the main character is the one who's rejected, underestimated, and who has to rise through those challenges (which applies to our main male character Tantai Jin 澹台烬 btw, and I think we could say a lot of the parallels between Tantai Jin and Ye Bingchang).

I can think of other cases where the child who was favoured is the main character over the child who is rejected (Jiang Cheng 江澄 in The Untamed 陈情令, Feng Chang 丰苌 in Who Rules the World 且试天下) but they're not as clear cut as this (Jiang Cheng being his mom's favorite and the only actual son of the family while Wei Wuxian 魏无羡 is also a black sheep on many levels, Feng Chang's more favoured brother Feng Lanxi 丰兰息 being fairly rejected as well and having to fight not to be poisoned).

The golden child as a main character works here because it isn't actually Ye Xiwu : we discover her character and the situation when the spirit of Li Susu 黎苏苏 travels back in time and takes possession of Ye Xiwu's body. Our main character is really Li Susu, and like the audience she's horrified to learn everything Ye Xiwu has been doing, disgusted by her abusive behaviour towards her sister and her husband, and at first disapproves of how much the Ye family favours her over Ye Bingchang. But she also comes to love the Ye family as her own, and the fact that they would neglect one of their daughters so much doesn't impact her affection for them.

We only learn about Ye Xiwu's abuse through flashbacks, so it doesn't have the same emotional impact for us as an audience, and we only brief moments of those memories so we don't have to confront the full magnitude of how horrible she was, including to Ye Bingchang. Again, Ye Xiwu tried to rape her sister's one true love and fiancé, and even after getting married herself she continued to throw herself at him, and when it didn't work she turned to actual physical violence on Ye Bingchang.

And throughout this, the Ye family excuses it all away, and even Ye Bingchang excuses it away. She forgives before Ye Xiwu even apologizes, because she knows that's what's expected of her, and she just tries her best to be a kind soul still defending her sister from people spreading rumors about her. In a way, she's a victim of domestic violence who forgives an abuser and thinks she just needs to be softer, sweeter, weaker, so maybe they don't feel like bullying her anymore.

So when Ye Bingchang tries to use the affection of men to get protection, to feel love and be sheltered from her condition, it's very understandable and to me resembles a lot of things I've seen in real life. And when she turns to resentment over her condition and decides she needs to gain control over her situation through getting some amount of power so she can protect herself, it's an arc we could expect from a main character.

She only becomes a villain after the arc of Bo're Life, in which our four main characters Tantai Jin, Ye Xiwu/Li Susu, Xiao Lin and Ye Bingchang are absorbed into a dragon's dreams of its past as a War God centuries ago. Ye Bingchang is "reincarnated" in this dream as a powerful immortal, a scorned lover but who has the power to actually be vengeful over the woman who steals the man she loves. The object of her ire being Ye Xiwu, reincarnated in a very sweet clam spirit woman, Ye Bingchang gets a taste of what power feels like, of what manipulation feels like, and of what revenge over Ye Xiwu would feel like. And when even in this dream life, Ye Xiwu is preferred over her and she ends up dying, she comes back to herself determined to change and not let others control her life anymore.

Every character (except Xiao Lin really) seems deeply influenced by what they lived in Bo're Life, having identity crises of sorts over who they actually are now. As an aside, it works as a pretty good plot device to suddenly get Tantai Jin a lot more open to Ye Xiwu/Li Susu and move their romance along, it almost feels like cheating but I'll allow it.

Anyway, Ye Bingchang has now slowly become as manipulative and cruel as her counterpart in Bo're Life, and it's easy to just see it as that counterpart taking over her body in a way.

But this manipulative and cruel streak is born out of the profound reality that she can not count on her family to protect her, and that the people who were supposed to love her unconditionally preferred her literal abuser over her.

She did everything right and it was never enough, so now it's time for her to claim her life back.

And again, in another show (like the Story of Yanxi Palace 延禧攻略 for example), this urge to climb to power so no one can hurt you anymore and take revenge on the people who ruined your life along the way, it would make you the hero.

But here, Ye Bingchang still can't win, and she actually turns into a villain.

Show, Don't Tell (Unless You Want to Sound Like Me): A How-To and How-Not-To Guide

Hey, my cute little Muses! It's your favorite (or maybe not) self-proclaimed advice-giver who still can’t get her own writing life together. Today, we’re tackling the age-old advice: “Show, don’t tell.” A rule that’s as confusing as trying to assemble IKEA furniture without the instructions. I mean, who needs those, right?

Why "Show, Don’t Tell" is Like the Holy Grail (and Why You Keep Dropping It)

"Show, don’t tell" is like that elusive treasure we all chase in our writing journeys. It’s supposed to make our stories vivid, our characters relatable, and our readers engaged. Instead, it often leaves us feeling like we’re playing literary Twister with our brains. So, let’s dive into this mess, shall we?

When to Show (Because Apparently, Descriptions Are Fun)

Imagine your character is sad. (No, not just because they’re reading my blog.) Instead of saying, “John was sad,” you could show it:

- Tell: John was sad.

- Show: John slumped on the park bench, staring at the ground as if the answers to life’s miseries were etched in the cracks of the sidewalk.

See? Now, John’s sadness is palpable. You can almost feel the weight of his despair. Or maybe you just feel the weight of your own struggles trying to craft such sentences. Either way, it's a win-win.

When to Tell (Because Ain’t Nobody Got Time for That)

Sometimes, you just need to get to the point. Not every moment needs to be a cinematic masterpiece. Here’s a hint: if you’re bogging down your story with endless details, you might be overdoing it.

- Tell: It was a cold night.

- Show: The icy wind howled through the leafless trees, its chill biting at the skin like a thousand tiny needles, making every breath visible in the frosty air.

Yeah, I know. The second one sounds fancy, but do we really need a weather report? Unless your character is battling the elements, a simple “It was a cold night” will do. Save your energy for the scenes that matter. Like the one where your protagonist has an existential crisis (which, let’s be honest, is probably inspired by your own).

The Balance (Or How I Pretend to Know What I’m Doing)

Finding the balance between showing and telling is like finding the perfect coffee-to-milk ratio. Too much milk and it’s bland; too little, and it’s just bitter. The trick is knowing when to be a barista of words and when to just dump the coffee and move on.

Here’s a worthy example (and by worthy, I mean it won’t make you want to claw your eyes out):

- Show: The corners of her mouth twitched upward as she watched the puppy stumble over its own feet, a laugh bubbling up from her chest.

- Tell: She was amused.

Both have their place. Use the first when you want the reader to be in the moment with the character. Use the second when you just need to convey information quickly and get on with your life (and your story).

The Overuse and Underuse (Because Moderation is for the Weak)

Let’s be real. We all either overuse or underuse this rule. Some writers show everything, turning their stories into long-winded epics that make "War and Peace" look like a quick read. Others tell everything, creating a narrative that’s as exciting as a grocery list.

Final Thoughts (Aka My Rambling Conclusion)

“Show, don’t tell” is crucial, but like most writing advice, it’s not a one-size-fits-all. Understand it, play with it, and most importantly, don’t stress over it. Remember, even Shakespeare probably had days where he was like, “To show, or not to show, that is the question.”

So, go forth, write brilliantly, and remember: if all else fails, you can always come back here for more advice (or just to feel better about your own writing skills by comparison).Happy writing!

Until next time,

Muse Advice Corner (a.k.a. the person who has way too many notebooks)

P.S. If this post didn’t help, at least you can say you survived reading it. That’s an achievement in itself.

Your feedback on my blog would mean the world to me! If my posts make you smile, why not fuel my caffeine addiction? Any support is super appreciated, even a comment too. Got any topics you want me to dive into? Just holler. Need some custom writing prompts? Hit me up anytime! :⁠-⁠) Also I'm thinking of starting a writing community do tell me what you think about it (⁠◠⁠‿⁠◕⁠)

“Don’t… wink at me!” The hero snapped at the villain.