been sitting on this for awhile because its a bit controversial, but its one of the main reasons i was pushed into the frankenstein fandom space so i figured it was high time to talk about it
ive noticed that theres this general opinion, both among scholars and present in more fandom-y spaces, that victor is somehow effeminate for what are ultimately symptoms of disability (fainting spells, being bedridden, hysteria, etc) as if being physically or mentally ill is something that is inherently feminine. i have read articles published by academics that victor’s sickness is proof of his “femininity,” which is why he wants to take on the traditional part of a woman, that is, childbirth (via creature)
even in general, and not on an academic level, it emerges in jokes or memes all over the place — people poking at victor for being weak, or sick, or a gay little UWU bean sub, because aw hes fainting all the time XD and he’s sooo dramatic! as if these things were somehow both his choice, and somehow innately feminine
so, not only is there this weird link people are attempting to draw between disability and femininity, but also queerness (particularly, ive noticed, being a “bottom” or “sub” — but thats a whole separate can of worms) and femininity. as if being either of these things is inherently girly or cutesy and thus worthy of being made fun of
there comes a point (particularly when these interpretations leak into broader understandings of something via pop culture), where, for lack of a better word, it comes off as fetishizing or romanticizing queerness and/or queer relationships
and while this may seem relatively harmless on the surface and comes off as just thoughtless jokes made in bad taste, it IS serious. not just within the context of frankenstein, but the general premise of the severity that even subconscious reinforcement of detrimental and stereotypical ideas should be treated with. its a slippery slope from jokes to notions that affect you and how you see the world
this is obviously part of a broader problem with the way disability, gender, identity and etc is thought about and taught, which results in people harboring all sorts of these types of underlying prejudices. its just that victor happens to be a particularly good example, wherein he is a feminized man that is ascribed as “weak,” and the attribute “weak” is ascribed to someone who has been historically analyzed as both disabled and queer. this has been reinforced for decades, and i feel like this treatment of his character in this way is so blatantly obvious and runs rampant while it goes nearly entirely unchecked — and also in the case of frankenstein discourse, its often a quadruple whammy (ableism, misogyny, transphobia, homophobia)
and the worst part is that it is so often completely unintentional, and the bulk of this sort of content are well-meaning jokes. i genuinely don’t think people do this in bad faith or out of malice, but spreading these concepts even in formats that appear to be harmless (jokes, memes) just contribute to and continue to spread these ideas and stereotypes. its frustrating because its hard to point out and bring attention to without coming off as nitpicky or overly sensitive because this sort of thing is just so SUBTLE, and these beliefs are so gradually learned and then reinforced on a subconscious level
i could go on but for risk of sounding redundant ill digress, however to be clear this is not me saying you cant view victor as transfem, or disabled, or queer (i do!), or to view him as feminine, or etc, but that you should look at the reasons for WHY you think so, and how you or others treat the subject when talking about it.
Hello and welcome to Frankenstein Fridays !!!!
Frankenstein Fridays is a weekly Substack mailing list, set on delivering one chapter* of Mary Shelley's Frankenstein (1818) to your inbox every Friday!
Basically: you know Dracula Daily? This is kind of like that, except with Frankenstein. It would be in the daily style of DD, except Frankenstein spans multiple years, not months.
Mailing will begin on Friday September 6th and end on Friday March 7th (if all goes according to plan). You can sign up any time, though.
Also, if you are so kind as to want to design a logo for FF, feel free to submit it in an ask!! ❤️❤️
(* or sections of one chapter, depending on length. The first section, for example, is Letters I, II, & III.)
CREDIT: inspired by dracula daily & @martian-messages 🔗 ; final push inspo made by @spooky-something ; saw divider by @animatedglittergraphics-n-more ; heart divider by @astralnymphh
run by @nota1eks
walton is a stronger man than me because if i found the man who was the culmination of my lifelong dreams of true connection and everything i could possibly want in a friend, who talked to me about my interests at length and encouraged me and told me i would be successful in my endeavors, who wept for me after i confided my deepest desires and ambitions to him, who used the language of my heart, who sympathized with and loved me, and who told me all of his greatest flaws and mistakes and his harrowing several-hundred-pages long life story including the murders of his entire family, upon which i treated him with nothing but understanding and kindness and would do anything to return him to happiness and shoulder his woes, all while tenderly nursing back him from the brink of death while expecting nothing in return, even despite my growing concerns of a mutiny going on, and after all this he told me "I thank you, Walton [...] but think you that any can replace those who are gone? Can any man be to me as Clerval was?" i would just walk off the boat
i did some precursory reading on this and i think you may find priscilla wakefield's introduction to botany interesting; it was written in 1796, around the time victor would have died in the novel. i also skimmed anna sagal's botanical entanglements, but the scope of it was in all honestly beyond me.
in regard to woman's education with botany, i came back with a lot of conflicting information. there's a few things in wakefield's introduction that align with what you suggested, and, in general, the study of science, and by extension, botany, was inherently linked with the study of religion and of "the natural order of things." in regards to the 1800s like you were saying, i did find a source saying that it started to be considered a modern science around 1830s, thus a serious occupation for men, and as a result women's status in the field began to decline; mary shelley would have had written frankenstein before this turning point.
however, i couldn't find anything about women being taught botany specifically during the late 1700s; i think it's unlikely women would have had any sort of formal education in botany (and etc), because while the frankensteins were rather radical in their approach to education, intense study was still seen as unfeminine and/or it was thought that it was beyond the intellectual capacities of women to study and learn at a profound level. but! some sources said that botany was an alternative way of studying natural history that would allow a person to subtly defy the (social) limits of woman’s intellectual practice and education, which i believe is very in character for elizabeth. many botanists were also illustrators and painters, like elizabeth!
So, this is backed up with some pretty light research so please correct me if I’m wrong, but just know this is based on something an actual historian told me.
So, apparently back in the 1800s, young women would be taught botany in order to educate them about the natural order of things. It was meant to teach them how God created the earth to be. It was a branch of science women (specifically upper class women, like Elizabeth) thrived in.
In Frankenstein, Elizabeth is meant to be the model of a young upper-class women. She engages in the natural sciences because she knows the natural order of things, and how Hod intended the world to work. This is in contrast to Victor, who wants to defy God and take his powers for himself. Victor wants to disturb the natural order of the world, and Elizabeth wants to preserve it.
YALL BETTER STOP BEING FUNNIER THAN ME ON MY OWN POST /j @sammypog @lemonavocado
tfw u rly want this dying guy you found whimpering on a floe of ice but one can ever be to him as clerval was, because even when the affections are not strongly moved by any superior excellence, the companions of our childhood always possess a certain power over our minds which hardly any later friend can obtain (rolling eyes emoji)
𝑺𝒆𝒆 𝒚𝒐𝒖 𝒊𝒏 𝒂 𝒅𝒂𝒓𝒌 𝒏𝒊𝒈𝒉𝒕....
Happy Halloween!!!
Here, as a "Treat" ☺️🫶
realistically i know that bitch emil as a certified german boy is NOT having beautiufl golden locks. He has strassenköterblond hair most likely lets be real. Lets be true to ourselves. The chicken theme is irrelevant hes a little german boy first and foremost
we as the clervalstein nation do not talk enough about this chunk of text
A compilation of my approximately recent Vivi Frankenstein drawings
i’ve seen the “monsters aren’t born they’re created” line of reasoning applied quite a few times in defense of the creature, wherein creature was inherently good-hearted but turned into a monster via victor’s “abandonment” and his subsequent abusive treatment by other humans, but this logic is so scarcely applied to victor. victor, to me, is often sympathetic for the same reasons as the creature, it’s just those reasons are not as blatantly obvious and require reading in-between the lines of victor’s narration a bit more. most “victor was evil and bad” or even some “victor was unsympathetic” arguments tend to fall through when you flip the same premise onto victor: if monsters are created, than who created victor frankenstein?