Yo Anyone Wanna Have A Conversation I Want Fwends To Talk To :>

the urge to read and ride a dragon

Also, anybody correct me if I'm wrong but doesn't a vial of insulin only cost about 5-7 dollars to produce?

This is why I have zero sympathy for Brian Thompson.

she realized she loved her when she made her laugh while crying.

reblog if you believe fanfics are as valid as books that were published and sold by authors who write as their main careers. I'm trying to prove a point

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

That last part is ESPECIALLY important

me, logging into ao3 5 minutes before bedtime: WAITER! bring me your finest enemies to lovers!

ao3 tag search function: excellent choice, sir! how would you like it cooked?

me: explicit. with a side of hurt/comfort

ao3: lovely! and may i suggest a drizzle of mutual pining?

me: of course, and can you add a spritz of angst? make it a 100k slowburn for good measure

ao3: coming right up, sir

me: thank you. oh, and waiter?

ao3: yes, sir?

me: make it gay

What people expect when I say I’m a writer: writing a whole novel

What I actually do: get into a fandom or come up with an original idea, go to sleep every night thinking of the story, make imaginary scenarios and Pinterest boards, make Spotify playlists, and finally sit down to write it out 2 months later only to get another idea and abandon the story. Repeat the cycle.

Hey guess what?! I sketched bucky again :3 (and then threw it into procreate to polish a bit and add colour!)

Close-up, pencil sketch, and reference (he’s genuinely just shaped like that😵‍💫…) below:

Different sentence structures and the vibes they can achieve

1. Short, choppy sentences

Excellent for creating tension, urgency, or drama because they speed up the pacing and convey intense emotion.

She said no. I didn’t listen. I should have.

2. Long, flowing sentences

These are great for descriptions, adding detail, and explanations. They can create an intellectual or reflective vibe—or even a dreamy one. You can also use them to evoke a sense of being overwhelmed. They slow the pacing, add complexity, and help build tension. But once you're in the thick of a tense moment, it's often better to switch back to short sentences to keep the energy up.

As the sun dipped behind the horizon, casting a golden sheen across the cracked pavement, she stood there, unsure of what she was waiting for—only that something, anything, had to change.

3. Fragmented sentences

These give off a casual, stylized, and emotional tone. They're perfect for internal monologue and mimicking the way we actually think or speak.

Not the way I planned. Not even close. But here we are.

4. Repetitive structure

They add drama, rhythm, and emotional intensity. It's a powerful stylistic tool that can drive a point home.

She wanted peace. She wanted quiet. She wanted to forget.

5. Inverted or unusual word order

If you're aiming for a formal, archaic, or poetic tone, this structure will get you there.

Gone was the light from his eyes.

6. Interruptions (em dashes or parentheses)

If you're going for a conversational, conflicted, or stream-of-consciousness vibe—even something humorous if used right—interruptions are your friend. They mimic how we speak and think in real time.

I was going to tell her—God, I really was—but I couldn’t.

7. Questions

Questions are fantastic for showing uncertainty, anxiety, or inner conflict. They can also give off a philosophical tone and invite reflection from both the character and the reader.

What if I never make it out? What if this is it?