Akira On My Mind + A Little Anatomy Study

When he’s a 19 year old fascist and you’re a 24 year old democratically elected politician but he has a tiny braid so you’re helpless to his charming pear floating powers

I can't stop thinking about Gwen in ATSV. She mentioned about how she, in every other universe, died when she was loved by spiderman/Peter Parker. Peter B., Noir, Ham, and Peni didn't talk about it, but I can't help but think about how Gwen is in this organization where literally thousands of people were in love with her and she died. When she walked through Neuva York, every Spiderman was tripping over themselves to call out to her specifically and receive a "hey :)" back. Not Spider Jess or Hobie.

And then there's Pavitr and, love him of course, but I wonder how it felt to see him talk about Gayatri. I know it's a joke but how does it feel to see yourself put on this pedestal. You can't help but compare yourself and wonder "did my Peter see me that way? How would I have acted if he did?" To see her dad in Officer Singh. To see herself trapped in a bus, desperately pounding on the window as she dangled above certain death again.

In the original Spiderman India comic, they skipped over Gwen/Gayatri entirely, and instead had Meera Jain. Which I get why they did from a meta perspective, but in universe, how does it feel to know your replacement is out there. Every Spiderman is happy with their MJ, and they think of Gwen fondly, but like.... Gwen is replaceable. She is the first love, but she doesn't get a future. It's a canon event.

The horror of being a fridged woman.

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What's 6x3🤓🤨🤔🧐💀

It was harder than I expected drawing a kid... also, here's a glimpse of a rose design I liked ^^

I don't know what was harder to draw, the wheelchair or the robo legs.

some doodles of one of my favorite tsoa scenes

22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”

Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

THE PRINCE OF EGYPT (1998)